Gamine Collection

From the enchanting world of art and fashion, a captivating exploration of the 'gamine' spirit

Gamine Collection: Unusual Eton crop for Fraulein von Poremski, 1928

Unusual Eton crop for Fraulein von Poremski, 1928
Fraulein von Poremski, a noted Berlin dancer sporting a geometric, and close-cropped hair style, notably masculine and daring, even in 1928 when everyone was shingling their hair. 1928

Gamine Collection: Bluebell, a Sylph, 1836 (plaster)

Bluebell, a Sylph, 1836 (plaster)
PNH419718 Bluebell, a Sylph, 1836 (plaster) by Westmacott, Richard (1775-1856); 53.5x35 cm; Private Collection; (add.info)

Gamine Collection: Cover for the music score, She had her hair cut, 1924 (litho)

Cover for the music score, She had her hair cut, 1924 (litho)
CHT183165 Cover for the music score, She had her hair cut, 1924 (litho) by French School, (20th century); Private Collection; (add.info)

Gamine Collection: Fiat 500 Gamine Vignale 1968 Yellow & red

Fiat 500 Gamine Vignale 1968 Yellow & red
FIA05501

Gamine Collection: Woolland afternoon hat, 1953

Woolland afternoon hat, 1953
In 1953, you had hats specifically to wear in the afternoon! This one, from Woollands is the perfect summer complement to a dark town frock (you also had dresses that were only worn in town)

Gamine Collection: Britannia and Eve, July 1934

Britannia and Eve, July 1934
Front cover illustration featuring a woman with a smart bobbed hair style and large eyes, wearing a coat or shirt with a large collar

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From the enchanting world of art and fashion, a captivating exploration of the 'gamine' spirit. Unveiling Fraulein von Poremski's unusual Eton crop, reminiscent of a 1928 painting, and the ethereal Sylph in bluebell hues from 1836. Fast forward to the 1920s, as a lithograph cover reveals a woman's bold decision to have her hair cut. In the realms of automotive design, the Fiat 500 Gamine Vignale of 1968 burst onto the scene with its striking yellow and red hue, a true head-turner. The allure of the gamine look continued with Frances Pidgeon's lampshade dance performance in London Theatre Ballet. Lastly, a Woolland afternoon hat from 1953 and the iconic Britannia and Eve illustration from July 1934, rounding out this whimsical journey through time and style.