Gandhara Collection (#2)

Bust of a Bodhisattva Shakyamuni, 3rd-4th century (schist)
6176493 Bust of a Bodhisattva Shakyamuni, 3rd-4th century (schist) by Pakistani School, (3rd century); height: 46.4 cm; Metropolitan Museum of Art, New York, USA; (add.info.: Greek, Syrian, Persian)

Indo-Scythian Coin, 20 BC (silver)
1203005 Indo-Scythian Coin, 20 BC (silver) by Indian School, (1st century BC); 2.5x2.5 cm; Ashmolean Museum, University of Oxford, UK; (add.info.: Azilises)

Indo-Scythian Coin, 20 BC (silver)
1203003 Indo-Scythian Coin, 20 BC (silver) by Indian School, (1st century BC); 2.5x2.5 cm; Ashmolean Museum, University of Oxford, UK; (add.info.: Azilises)

Monumental Gandharan Head of a Bodhisattva, 2nd-3rd century (stucco)
3707317 Monumental Gandharan Head of a Bodhisattva, 2nd-3rd century (stucco) by Indian School; height: 38.1 cm; Private Collection; (add.info)

Thinking Bodhisattva, A. D. 4th to 6th century (terracotta)
1072538 Thinking Bodhisattva, A.D. 4th to 6th century (terracotta) by Afghan School; 83.1x62.2x26.6 cm; Dallas Museum of Art, Texas, USA; (add.info.: Gandharan culture, Hadda region); Wendover Fund

The Great Miracle at Shravasti, c. 100. Creator: Unknown
The Great Miracle at Shravasti, c. 100. After the Buddha reached enlightenment, he spent the remainder of his life traveling around northeastern India

Bacchanalian Relief, 1-100. Creator: Unknown
Bacchanalian Relief, 1-100. A procession of people clapping, blowing a long horn, dancing, and carrying grapes once adorned a Buddhist monument in a region that had Greco-Roman roots extending back

Adoring Attendant Buddhist Shrine 300s-400s Afghanistan
Adoring Attendant from a Buddhist Shrine, c. 300s-400s. Afghanistan, Gandhara, Kushan Period (1st century-320). Stucco; overall: 54.6 cm (21 1/2 in.)

Head Bodhisattva Avalokiteshvara 300s-400s Afghanistan
Head of Bodhisattva Avalokiteshvara, 300s-400s. Afghanistan or Pakistan, Gandhara, late Kushan Period (1st century-320). Stucco with traces of paint; overall: 45.7 x 35.5 cm (18 x 14 in.)

Bracket Two Musicians 100s Pakistan Gandhara
Bracket with Two Musicians, 100s. Pakistan, Gandhara, probably Butkara in Swat, Kushan Period (1st century-320). Schist; overall: 37.5 cm (14 3/4 in.)

Base Seated Buddha Figures Ascetics 2nd half
Base for a Seated Buddha with Figures of Ascetics, 2nd half of the 2nd Century. Pakistan, Gandhara, Kushan Period (1st century-320)

Lid Combat Man Lion 200s-300s Pakistan Gandhara
Lid with Combat between a Man and a Lion, c. 200s-300s. Pakistan, Gandhara, late Kushan Period (1st century-320). Steatite; overall: 9.8 x 14.2 cm (3 7/8 x 5 9/16 in.)

Bodhisattva late 100s Pakistan Gandhara Kushan period
Bodhisattva, late 100s. Pakistan, Gandhara, Kushan period (c. 80-375). Schist; overall: 132.4 cm (52 1/8 in.)

Scenes Life Buddha 100s Pakistan Gandhara Kushan Period
Scenes from the Life of Buddha, 100s. Pakistan, Gandhara, Kushan Period (1st century-320). Schist; overall: 68 x 41.3 cm (26 3/4 x 16 1/4 in.)

Gautama Buddha at Rajagriha, the Offering of Dust c2nd century. Relief from North West India (Gandhara Style) The Presentation of Dust is told in the Divyavadana

Buddha statue with dharmachakra mudra gesture. 2nd-3rd centu
Buddha statue with dharmachakra mudra gesture. Gandhara. 2nd-3rd centuries AD. Pergamon Museum. Berlin. Germany

Fragment of the Fresco with Buddhas in the cupola of a grotto. From Kakrak (Bamiyan), 7th-8th century. Found in the collection of Musee Guimet, Paris

Standing Bodhisattva Maitreya, 3rd-4th cent. Found in the Collection of Lahore Museum

Gautama Buddha, The Presentation of the Bowls, Gandhara School. 2nd-3rd century. The seated Buddha holds a bowl in his left hand while his right rests upon it, taking food. Relief carving

Buddha with daughters of Sena, Gandhara Style, c2nd-3rd century. Before his enlightenment and emaciated by austerities, Buddha receives food from the daughters of Sena, Gandhara Style

Buddha meditating with disciples, Sariputta and Moggallana, c2nd-3rd century. Buddha preaching from a lotus flanked by two bodhisattvas, (from Jamalghari, Yosufzai) Gandhara Style. British Museum

An indian sculpture of a group of marine deities, 1st century
An indian sculpture of a group of marine deities in Gandhara style, from the British Museums collection, 1st century

Sculpture of worship of the sun-disc, 1st century
Sculpture of worship of the sun-disc in the Gandhara style, from the British Museums collection, 1st century

Lid Seated Male Figure 1st-2nd century Pakistan
Artokoloro

Reliquary ca 2nd-3rd century Pakistan ancient region
Artokoloro

Reliquary ca 1st-3rd century Pakistan ancient region
Artokoloro

View of the steps, terraces and Zoroastrian temple (photo)
XIR161969 View of the steps, terraces and Zoroastrian temple (photo) by Afghan School; Surkh-Kotal, Afghanistan; (add.info)

Head of an ascetic, from Gandhara, Pakistan. AD 300-400 clay

Buddha. Stone statue from Gandhara. 2nd century AD. Delhi Museum

Seated Buddha from Gandhara, shows him as a teacher. Pakistan, about 2nd - 3rd century AD

Gandhara Buddha, (Pakistan) Ashmolean Museum Oxford. 200AD

The ruins of the Takht-I-Bhai monastery from the Gandhara period, in northwest Pakistan, Asia

Plaster cast of miniature stupa from Gandharan civilization, Taxila, Punjab, Pakistan, Asia

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Gandhara, a region rich in ancient Buddhist art and culture, holds within its boundaries a treasure trove of exquisite sculptures that showcase the artistic mastery of its creators. From the serene Gautama Buddha at Rajagriha to the captivating Offering of Dust, these artworks transport us back to a time when spirituality and creativity intertwined seamlessly. One cannot help but be captivated by the Buddha statue with dharmachakra mudra gesture, which radiates tranquility and enlightenment. Its intricate details and delicate craftsmanship speak volumes about the devotion and skill of those who sculpted it during the 2nd-3rd century. The Kushan period brings forth remarkable creations such as the Head of Buddha and Head of a Bodhisattva. These sculptures embody gracefulness, with their serene expressions and finely carved features. They serve as powerful reminders of Gandhara's deep connection to Buddhism. As we delve further into this artistic journey through time, we encounter enigmatic pieces like Male Head, Adorant Heads, Female Deity Head, Female Adorant Head - all from the 4th/5th century. Though their creators remain unknown, their ability to evoke emotions through stone is undeniable. Each sculpture tells its own story; each face carries an expression that speaks volumes about faith and devotion. Amongst these masterpieces stands out Walking Buddha from the Kushan period - a symbol of spiritual enlightenment in motion. The fluidity captured in this sculpture reflects both physical movement and inner peace simultaneously. Palette with Sea Nymph Riding on a Sea Monster takes us beyond religious themes into mythology from 1st-century B. C. , showcasing Gandhara's versatility in embracing diverse narratives across different periods. Lastly, we come across Emaciated Siddhartha's head - an evocative representation highlighting his path towards enlightenment through self-denial during the 2nd/3rd century. This artwork serves as a reminder that spiritual growth often requires sacrifice and inner strength.