Gaze Collection (page 7)

Seated figure with open stomach to receive offerings (terracotta)
REV411579 Seated figure with open stomach to receive offerings (terracotta) by Teotihuacan; Museo Arqueologico de Teotihuacan, State of Mexico, Mexico; Mexican, out of copyright

Arthur Rimbaud (1854-91) aged 12, 29th April 1897, Roche (pencil on paper) (b / w photo)
CHT217669 Arthur Rimbaud (1854-91) aged 12, 29th April 1897, Roche (pencil on paper) (b/w photo) by Berrichon, Paterne (d.1922); Private Collection; eArchives Charmet; French, out of copyright

The Artists Gardener, 1893 (oil on canvas)
CLK339948 The Artists Gardener, 1893 (oil on canvas) by Carolus-Duran, Charles Emile Auguste (1837-1917); 81.6x54.8 cm; Sterling and Francine Clark Art Institute, Williamstown, Massachusetts

Two views of a bust of Livia (58 BC-29 AD) (bronze) (b / w photo)
XIR346080 Two views of a bust of Livia (58 BC-29 AD) (bronze) (b/w photo) by Roman, (1st century AD); Louvre, Paris, France; (add.info)

Two views of a bust of Emperor Augustus (63 BC-14 AD) (bronze) (b / w photo)
XIR346079 Two views of a bust of Emperor Augustus (63 BC-14 AD) (bronze) (b/w photo) by Roman, (1st century AD); Louvre, Paris

A Secret Admirer, 1873 (oil on canvas)
CH405682 A Secret Admirer, 1873 (oil on canvas) by Brun, Guillaume Charles (1825-1908); 52.7x35.6 cm; Private Collection; Photo eChristies Images; French, out of copyright

The Bunch of Blue Ribbons, 1862 (oil on canvas)
Ma405184 The Bunch of Blue Ribbons, 1862 (oil on canvas) by Poynter, Edward John (1836-1919); 54x43.2 cm; Private Collection; Photo eThe Ms Gallery, London; English, out of copyright

Hysteria, normal appearance, illustration from Iconographie Photographique de La
REV287038 Hysteria, normal appearance, illustration from Iconographie Photographique de La Salpetriere by Bourneville et P

Faradisation of the frontal muscle, from Album de photographies pathologiques
CHT207823 Faradisation of the frontal muscle, from Album de photographies pathologiques by Duchenne de Boulogne, published 1862, Paris (b/w photo) by Duchenne de Boulogne

Depressive woman, illustration from Des Maladies Mentales considerees sous le
CHT280165 Depressive woman, illustration from Des Maladies Mentales considerees sous le rapport medical, hygienique et medico-legal by Etienne Esquirol (1772-1840) 1838 (engraving) (b/w photo)

Charles-Francois Gounod (1818-93) late 19th century (b / w photo)
JHG239784 Charles-Francois Gounod (1818-93) late 19th century (b/w photo) by French Photographer, (19th century); Bibliotheque Nationale, Paris

Dementia, General Paralysis, illustration from Nouveau traite elementaire et
CHT213235 Dementia, General Paralysis, illustration from Nouveau traite elementaire et pratique des maladies mentales by Henri Dagonet (1823-1902) Paris, Bailliere

Sita and Sarita, or Young Girl with a Cat, 1893-94 (oil on canvas)
XIR159221 Sita and Sarita, or Young Girl with a Cat, 1893-94 (oil on canvas) by Beaux, Cecilia (1855-1942); 94x63.5 cm; Musee d Orsay, Paris, France; (add.info.: portrait of Mrs Walter Turle)

Two Young Men, 1803-04 (pencil on paper heightened with gouache)
MMT170467 Two Young Men, 1803-04 (pencil on paper heightened with gouache) by Augustin, Jean-Baptiste-Jacques (1759-1832); 38x29 cm; Musee Marmottan Monet, Paris, France; French, out of copyright

From my Studio Roof, c. 1909 (oil on canvas)
6200216 From my Studio Roof, c.1909 (oil on canvas) by Solomon, Solomon Joseph (1860-1927); 71.1x40.6 cm; The McManus, Dundee, UK; Dundee Art Galleries and Museums; English, out of copyright

Elizabeth, Queen of Bohemia, c. 1615, (gouache on card)
5671985 Elizabeth, Queen of Bohemia, c.1615, (gouache on card) by Oliver, Isaac (c.1565-1617); 5.7 x 4.8 cm; Yale Center for British Art, Paul Mellon Collection

Portrait of a Woman, c. 1550 (oil on wood)
5673781 Portrait of a Woman, c.1550 (oil on wood) by Bronzino, Agnolo di Cosimo (1503-72); 60 x 48.8 cm; Cleveland Museum of Art, OH

Portrait of a Man, c. 1660 (oil on panel)
5863932 Portrait of a Man, c.1660 (oil on panel) by Hals, Frans (1582/3-1666); 31.1x25.5 cm; Mauritshuis, The Hague, The Netherlands; Dutch, out of copyright

Portrait of Aletta Hanemans, 1625 (oil on canvas)
5863933 Portrait of Aletta Hanemans, 1625 (oil on canvas) by Hals, Frans (1582/3-1666); 123.8x98.3 cm; Mauritshuis, The Hague

Portrait of a Couple, c. 1580-88 (oil on canvas)
5672958 Portrait of a Couple, c. 1580-88 (oil on canvas) by Italian School, (16th century); 99.8 x 140.5 cm; Cleveland Museum of Art, OH, USA; (add.info.: Northern Italy)

Portrait of Feyntje van Steenkiste, 1635 (oil on canvas)
5916312 Portrait of Feyntje van Steenkiste, 1635 (oil on canvas) by Hals, Frans (1582/3-1666); 123x93 cm; Rijksmuseum, Amsterdam

Radha and Krishna, enraptured by each others beauty, c. 1785
1196869 Radha and Krishna, enraptured by each others beauty, c.1785 () by Indian School, (18th century); 19x13.3 cm; Private Collection; Photo eChristies Images; Indian, out of copyright

Portrait of a Young Woman, c. 1508 (oil on poplar panel)
4073435 Portrait of a Young Woman, c.1508 (oil on poplar panel) by Benvenuto, Gerolamo di (1470-1542); 58.1 x 43.2 cm; National Gallery of Art, Washington DC, USA; Italian, out of copyright

The head of a prophet, c. 1627-35 (oil on canvas)
3934300 The head of a prophet, c.1627-35 (oil on canvas) by Mellin, Charles (c.1600-49); 76.2x61 cm; eThe Devonshire Collections

The Duke of Wellington musing on the Field of Waterloo, c. 1844 (oil on canvas)
3934287 The Duke of Wellington musing on the Field of Waterloo, c.1844 (oil on canvas) by Haydon, Benjamin Robert (1786-1846); 99.1x41.9 cm; eThe Devonshire Collections

Under the Cliff, Cullercoats, c. 1881 (w / c & graphite on wove paper)
3949590 Under the Cliff, Cullercoats, c.1881 (w/c & graphite on wove paper) by Homer, Winslow (1836-1910); 31.6x49.4 cm; Addison Gallery of American Art, Phillips Academy, Andover, MA

In Love, 1888 (oil on canvas)
3743839 In Love, 1888 (oil on canvas) by Stone, Marcus (1840-1921); 111.8x167.7 cm; Nottingham City Museums and Galleries (Nottingham Castle); eNottingham City Museums & Galleries; English

Portrait of Kathe von Bach (in the Garden), 1904 (oil on canvas)
3956449 Portrait of KAathe von Bach (in the Garden), 1904 (oil on canvas) by Hodler, Ferdinand (1853-1918); 42.2 x 32.6 cm; Kunstmuseum, Basel, Switzerland; Swiss, out of copyright

Frederick Webb, 1822 (oil on canvas)
3744676 Frederick Webb, 1822 (oil on canvas) by Ross, William Charles (1794-1860); 136x115 cm; Nottingham City Museums and Galleries (Newstead Abbey); (add.info)

Self-Portrait with a Glass, 1907 (oil on canvas)
5615424 Self-Portrait with a Glass, 1907 (oil on canvas) by Corinth, Lovis (Franz Heinrich Louis) (1858-1925); 100x80 cm; Narodni Galerie, Prague, Czech Republic; German, out of copyright

Portrait in a Hat, 1917-118 (pencil on paper)
5614473 Portrait in a Hat, 1917-118 (pencil on paper) by Klimt, Gustav (1862-1918); 57x37.5 cm; Narodni Galerie, Prague, Czech Republic; Austrian, out of copyright

A Ward of the Golden Gate, by Bret Harte (engraving)
1627173 A Ward of the Golden Gate, by Bret Harte (engraving) by Forestier, Amedee (1854-1930) (after); Private Collection; (add.info.: A Ward of the Golden Gate, by Bret Harte)

Antoine Singlin, c. 1646 (oil on canvas)
5242289 Antoine Singlin, c.1646 (oil on canvas) by Champaigne, Philippe de (1602-74); 79.1x65.1 cm; J. Paul Getty Museum, Los Angeles

Head (oil on canvas)
3664431 Head (oil on canvas) by McEvoy, Ambrose (1878-1927); 42x36.5 cm; Bradford Art Galleries and Museums, West Yorkshire, UK; (add.info.: Portrait of Miss Sinclair)

The Girl with the Marmot, c. 1785-8 (watercolour and sanguine over black chalk on paper)
3696968 The Girl with the Marmot, c.1785-8 (watercolour and sanguine over black chalk on paper) by Fragonard, Jean-Honore (1732-1806); Graphische Sammlung Albertina, Vienna

The Repentant Magdalen, 1635-40 (oil on canvas)
3058132 The Repentant Magdalen, 1635-40 (oil on canvas) by Tour, Georges de la (1593-1652); 113x92.7 cm; National Gallery of Art, Washington DC, USA; French, out of copyright

Self Portrait, (pen & ink on paper) (b / w photo)
CHT163713 Self Portrait, (pen & ink on paper) (b/w photo) by Baudelaire, Charles Pierre (1821-67); Private Collection; eArchives Charmet; French, out of copyright

Charles Baudelaire (1821-67) seated in a Louis XIII armchair, 1855 (b / w photo)
CHT163699 Charles Baudelaire (1821-67) seated in a Louis XIII armchair, 1855 (b/w photo) by Nadar (Gaspard Felix Tournachon) (1820-1910); Private Collection; eArchives Charmet; French

Illustration from De Homine Figuris by Rene Descartes (1596-1650
BLT200464 Illustration from De Homine Figuris by Rene Descartes (1596-1650) published in The Hague, 1662 (engraving) by French School, (17th century); Bibliotheque de l Institut de France, Paris

Victor Hugo (1802-85) (b / w photo)
CHT200424 Victor Hugo (1802-85) (b/w photo) by French Photographer, (19th century); Maison de Victor Hugo, Paris, France; eArchives Charmet; French, out of copyright

Water Lilly
Ralph Meznar

Anolida lizard
Jimmy Hoffman

Snowstorm
Bragi Ingibergsson - BRIN

Cathy
Peter Turner

Underground entrance
Antonio Grambone

Emerging
Mel Brackstone

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"Gaze: The Silent Language of Connection and Power" In a world filled with diverse creatures, the power transcends boundaries. Just like the Basset Hound with outstretched ears, we find ourselves captivated by the intensity in their eyes. It's as if they hold ancient wisdom, much like Madame Helena Blavatsky herself. But it's not just animals that possess this captivating power; even a black Labrador Retriever from Germany can command attention with its unwavering stare. In that moment, you feel an unspoken connection, understanding each other without words. Sometimes, however, a they are be more than just mesmerizing—it can be intimidating. As a tiger approaches with its piercing eyes locked onto yours, you sense both danger and awe in equal measure, and is a reminder of nature's raw strength and beauty. The power has been immortalized throughout history too. Think about Medusa and Perseus—her petrifying glare could turn anyone to stone. Or envision Tibullus in the House of Delia captured by Charles Haslewood Shannon—a painting that perfectly encapsulates longing through intense gazes exchanged between lovers. Evening in Soho brings forth another aspect—the curious glances shared on bustling streets where strangers become momentarily connected through stolen looks. James Napper Tandy reminds us how political movements are fueled by determined gazes aimed at challenging authority for justice. Gazing isn't limited to humans either; window shopping for hats becomes an amusing spectacle when Maine Coon cats from Germany curiously peer into display windows alongside passersby who share their fascination. Norah Baring in EA Duponts Two Worlds (1930) showcases the vulnerability behind a woman's gaze—an invitation to explore her innermost thoughts and emotions hidden beneath those expressive eyes. Lastly, let us remember Lesbian Sisters 1905—a photograph capturing love and intimacy through tender gazes exchanged between two women.