Genre Collection (#10)

"Old Father William balancing an Eel on the end of his nose"
4075081 " Old Father William balancing an Eel on the end of his nose", illustration for Lewis Carrolls Alices Adventures in Wonderland, 1901 (litho) by Newell

"Whats that in the window?", illustration for Lewis Carroll
4075075 " Whats that in the window?", illustration for Lewis Carrolls Alices Adventures in Wonderland, 1901 (litho) by Newell

"Why, Mary Ann, what are you doing here?", illustration for Lewis Carroll
4075074 " Why, Mary Ann, what are you doing here?", illustration for Lewis Carrolls Alices Adventures in Wonderland, 1901 (litho) by Newell

"On various pretexts they all moved off", illustration for Lewis Carroll
4075073 " On various pretexts they all moved off", illustration for Lewis Carrolls Alices Adventures in Wonderland, 1901 (litho) by Newell

"Mine is a long and sad tale, said the Mouse"
4075072 " Mine is a long and sad tale, said the Mouse", illustration for Lewis Carrolls Alices Adventures in Wonderland, 1901 (litho) by Newell

Ancien lower des Francs, restitue d apres un etablissement de ce genre, la Tusque, a Sainte-Eulalie d Ambarres
962981 Ancien lower des Francs, restitue d apres un etablissement de ce genre, la Tusque, a Sainte-Eulalie d Ambarres, Gironde, publie par M Viollet-le-Duc

Cortezs First View of the City of Mexico, 1844 (oil on canvas)
1079405 Cortezs First View of the City of Mexico, 1844 (oil on canvas) by Rothermel, Peter Frederick (1817-1895); 99.1x124.5 cm; Collection of the New-York Historical Society

The Confessional, 1847 (oil on linen)
1079290 The Confessional, 1847 (oil on linen) by West, William Edward (1788-1857); 88.9x71.1 cm; Collection of the New-York Historical Society, USA; (add.info.: The Confessional)

Raft of the Medusa, after Theodore Gericault, 1830 (oil on linen)
1079286 Raft of the Medusa, after Theodore Gericault, 1830 (oil on linen) by Cooke, George (1793-1849); 130.5x196.2x3.5 cm; Collection of the New-York Historical Society

Jan Steen (engraving)
820825 Jan Steen (engraving) by German School, (19th century); Private Collection; (add.info.: Jan Steen. Dutch genre painter during the Dutch Golden Age (circa 1626 - 3 February 1679)

Edward Bird (engraving)
815493 Edward Bird (engraving) by English School, (19th century); Private Collection; (add.info.: Edward Bird. 1772-1819. English genre painter. Published 1830.); Look and Learn / Elgar Collection

Sir David Wilkie, Scottish painter. Engraving by Francis Holl (engraving)
813010 Sir David Wilkie, Scottish painter. Engraving by Francis Holl (engraving) by Phillips, Thomas (1770-1845) (after); Private Collection; (add.info.: Sir David Wilkie)

The public expressing their joy at the capture of Namur by William III of England, 1695 (engraving)
3646874 The public expressing their joy at the capture of Namur by William III of England, 1695 (engraving) by Dusart, Cornelis (1660-1704); Private Collection; (add.info)

The Urine Doctor (engraving)
3646830 The Urine Doctor (engraving) by Teniers, David the Younger (1610-90) (after); Private Collection; (add.info.: The Urine Doctor)

Lacemakers (oil on canvas)
3601740 Lacemakers (oil on canvas) by Ehrke, Julius (1837-90); 58.1x50.2 cm; Worcester City Art Gallery & Museum, Worcestershire, UK; out of copyright

The Fight Between An Eagle And A Shepherd On The Mountain Of Zerie, Near Trieste (colour litho)
2798603 The Fight Between An Eagle And A Shepherd On The Mountain Of Zerie, Near Trieste (colour litho) by Beltrame, Achille (1871-1945); Private Collection; (add.info)

Charity, c. 1780-1828 (oil on canvas)
613859 Charity, c.1780-1828 (oil on canvas) by Bigg, William Redmore (1755-1828); Astley Cheetham Art Gallery, Stalybridge, Greater Manchester; eAstely Cheetham Art Gallery; English, out of copyright

Meditation, 1875 (pencil and w / c on paper)
695566 Meditation, 1875 (pencil and w/c on paper) by Brewtnall, Edward Frederick (1846-1902); The Geffrye Museum of the Home, London, UK; eGeffrye Museum; English, out of copyright

Sir Frank Dicksee, P. R. A. 1926 (colour litho)
473363 Sir Frank Dicksee, P.R.A. 1926 (colour litho) by Ritchie, Alick Penrose Forbes (1868-1938); Private Collection; (add.info)

Still Life with Fruit, Foliage and Insects, c. 1669 (oil on canvas)
488254 Still Life with Fruit, Foliage and Insects, c.1669 (oil on canvas) by Mignon, Abraham (1640-79); 58.42 x 49.53 cm; Minneapolis Institute of Arts, MN

Pastoral Landscape, 1638 (oil on canvas)
488248 Pastoral Landscape, 1638 (oil on canvas) by Claude Lorrain (Claude Gellee) (1600-82); 97.16 x 130.18 cm; Minneapolis Institute of Arts, MN

The Gossip, c. 1907 (oil on panel)
488196 The Gossip, c.1907 (oil on panel) by Dewing, Thomas Wilmer (1851-1938); 30.48 x 41.59 cm; Minneapolis Institute of Arts, MN, USA; eMinneapolis Institute of Art; Gift of Mrs

The Birth (panel)
WAG13366 The Birth (panel) by Bird, Edward (1772-1819); 47.6x66 cm; Wolverhampton Art Gallery, West Midlands, UK; (add.info.: model used for the mother is Sarah Elton)

Down to the Dregs, 1880 (oil on canvas)
WAG13358 Down to the Dregs, 1880 (oil on canvas) by Lucas, John Seymour (1849-1923); 86 x 74 cm; Wolverhampton Art Gallery, West Midlands, UK; eWolverhampton Art Gallery; English, out of copyright

The Chimney Sweep, 1866 (oil on canvas)
WAG13352 The Chimney Sweep, 1866 (oil on canvas) by Hardy, Frederick Daniel (1826-1911); 35.6 x 51.5 cm; Wolverhampton Art Gallery, West Midlands, UK; eWolverhampton Art Gallery; English

The Broken Window, 1855 (oil on canvas)
WAG13328 The Broken Window, 1855 (oil on canvas) by Knight, William Henry (1823-63); 73.7 x 96.6 cm; Wolverhampton Art Gallery, West Midlands, UK; eWolverhampton Art Gallery; English, out of copyright

Breakfast Still Life (oil on panel)
XKH151045 Breakfast Still Life (oil on panel) by Schooten, Floris van (fl.1612-1655); 52x82.5 cm; Hamburger Kunsthalle, Hamburg, Germany; Dutch, out of copyright

Still Life with Fruit (oil on panel)
XKH150801 Still Life with Fruit (oil on panel) by Soreau, Isaac (b.1604); 59.5x84.5 cm; Hamburger Kunsthalle, Hamburg, Germany; Dutch, out of copyright

Settlers Log House, 1856 (oil on canvas)
ONT162842 Settlers Log House, 1856 (oil on canvas) by Krieghoff, Cornelius (1815-72); 62.2x92.7 cm; Art Gallery of Ontario, Toronto, Canada; © Art Gallery of Ontario

The News Boy, 1879 (oil on canvas)
ONT162839 The News Boy, 1879 (oil on canvas) by Harris, Robert (1849-1919); 53.7x43.8 cm; Art Gallery of Ontario, Toronto, Canada; © Art Gallery of Ontario

The Riot (oil on canvas)
GG80949 The Riot (oil on canvas) by Hoyoll, Philipp (1816-after 1875); Private Collection; Photo eGavin Graham Gallery, London, UK; German, out of copyright

Market Scene (pen and ink on paper)
XKH155184 Market Scene (pen and ink on paper) by Bloemaert, Abraham (1566-1651); Hamburger Kunsthalle, Hamburg, Germany; Dutch, out of copyright

Water Carrier (oil on canvas)
BRN158788 Water Carrier (oil on canvas) by Daumier, Honore (1808-79); The Barnes Foundation, Philadelphia, Pennsylvania, USA; eBarnes Foundation; French, out of copyright

Apple Blossoms (oil on canvas)
LMG157817 Apple Blossoms (oil on canvas) by Senior, Mark (1862-1927); 50.8x63.3 cm; Leeds Museums and Galleries (Lotherton Hall) U.K.; eLeeds Museums and Galleries; English, out of copyright

A Fruit Stall (oil on canvas)
BWM152527 A Fruit Stall (oil on canvas) by Snyders or Snijders, Frans (1579-1657); 357x220 cm; The Bowes Museum, Barnard Castle, County Durham, UK; eBowes Museum; Flemish, out of copyright

The Music Room, 1859 (etching)
6200337 The Music Room, 1859 (etching) by Whistler, James Abbott McNeill (1834-1903); 14.3x21.4 cm; The McManus, Dundee, UK; Dundee Art Galleries and Museums; American, out of copyright

The Hunt, 1836 (painting)
5672247 The Hunt, 1836 (painting) by Krendovsky, Jevgraf Fiodorovitch (1810-70); Universal History Archive/UIG; Russian, out of copyright

La Fontaine, engraved by Charles Nicolas Cochin I (1688-1754
5934122 La Fontaine, engraved by Charles Nicolas Cochin I (1688-1754) 1739 (etching & engraving on wove paper) by Chardin, Jean-Baptiste Simeon (1699-1779) (after); Fitzwilliam Museum

"Into this they slipped the Guinea Pig", illustration for Lewis Carroll
4075101 " Into this they slipped the Guinea Pig", illustration for Lewis Carrolls Alices Adventures in Wonderland, 1901 (litho) by Newell

"It would twist itself round and look up in her face"
4075092 " It would twist itself round and look up in her face", illustration for Lewis Carrolls Alices Adventures in Wonderland, 1901 (litho) by Newell

"Don t go splashing paint over me", illustration for Lewis Carroll
4075090 " Don t go splashing paint over me", illustration for Lewis Carrolls Alices Adventures in Wonderland, 1901 (litho) by Newell

"The Caucus-Race", illustration for Lewis Carrolls Alice
4075070 " The Caucus-Race", illustration for Lewis Carrolls Alices Adventures in Wonderland, 1901 (litho) by Newell

"The Mouse gave a sudden leap out of the water"
4075069 " The Mouse gave a sudden leap out of the water", illustration for Lewis Carrolls Alices Adventures in Wonderland, 1901 (litho) by Newell

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"Exploring the Boundaries of Genre: From Classic Comedy to Surrealism and Beyond" Step back in time with Laurel and Hardy, as they bring laughter and joy in their 1939 film "Flying Deuces. " This iconic duo captivated audiences with their slapstick humor and timeless performances. In another corner of the cinematic world, Charlie Chaplin takes center stage alongside Paulette Goddard in the unforgettable final scene from "Modern Times" (1936). Chaplin's genius shines through as he effortlessly blends comedy with social commentary, leaving a lasting impact on the genre. Venturing into the realm of art, Diego Velazquez's masterpiece "Old Woman Cooking Eggs" (1618) showcases his mastery of capturing everyday life. The detailed brushwork transports us to a simpler time while highlighting the beauty found in ordinary moments. Oscar Wilde's provocative play "Salome" comes alive through Aubrey Beardsley's striking pen and ink drawing. The intricate lines depict a climactic moment that perfectly encapsulates Wilde's decadent style. Sergey Solomko introduces us to an enchanting creature - the Blue Bird or Bird Sirin. This mystical artwork invites us to explore folklore and mythology within different genres, blurring boundaries between reality and imagination. Returning to Laurel and Hardy once more, we witness their comedic brilliance in "Big Business" (1929). Their hilarious antics leave us doubled over with laughter as they navigate absurd situations with impeccable timing. From laughter to fear, we delve into horror with James Whale's iconic film poster for "Bride of Frankenstein" (1935). It represents a pivotal moment when this classic monster tale became ingrained in popular culture forevermore. Henry Scott Tuke captures a serene seaside scene in his painting "The Run Home. " Through his masterful use of light and color, he transports us into a tranquil world where genre becomes irrelevant compared to sheer beauty.