Georg Friedrich Collection

Did not you say could sing at sight? - Yes, sir, but not at FIRST sight
" Did not you say could sing at sight?" - " Yes, sir, but not at FIRST sight!", (1907). The German composer Handel works on his " Messiah" in 1741

Apotheosis of Handel, 1787 (engraving)
XJF331714 Apotheosis of Handel, 1787 (engraving) by Rebecca, Biagio (1735-1808) (after); Private Collection; (add.info.: George Frederick Handel (1685-1759); engraved by James Heath (1757-1834);

The Charming Brute (colour etching)
XCF290990 The Charming Brute (colour etching) by English School, (18th century); 32.5x25 cm; Private Collection; (add.info)

Portrait bust of George Frederick Handel (1685-1759) early 19th century (painted ceramic)
MCO102419 Portrait bust of George Frederick Handel (1685-1759) early 19th century (painted ceramic) by English School, (19th century); height:24 cm; Magdalen College, Oxford, UK

George Frederick Handel (1685-1759), engraved by William Bromley (1769-1842)
HGM81936 George Frederick Handel (1685-1759), engraved by William Bromley (1769-1842), for Doctor Arnolds edition of his (Handel s) works, pub

Portrait of George Frederick Handel (1685-1759)
DEC84585 Portrait of George Frederick Handel (1685-1759) by Hoare, William, of Bath (1707-92); 71x59 cm; Gerald Coke Handel Collection, Foundling Museum, London; eGerald Coke Handel Collection

Portrait of George Frederick Handel (1685-1759) engraved by Charles Turner (1773-1857
DEC84537 Portrait of George Frederick Handel (1685-1759) engraved by Charles Turner (1773-1857) 1821 (mezzotint) by Dandrige

George Frederick Handel (1685-1759) model for a marble statue now in the Victoria
FIT63179 George Frederick Handel (1685-1759) model for a marble statue now in the Victoria & Albert Museum, 1738 (terracotta) by Roubillac (Roubiliac)

Bust of George Frederick Handel (1685-1759) (plaster)
DEC84590 Bust of George Frederick Handel (1685-1759) (plaster) by Roubillac (Roubiliac), Louis-Francois (1702-62) (after); Gerald Coke Handel Collection, Foundling Museum

Original score of the beginning of the symphony accompaning the entry of Alcides in
KDC441045 Original score of the beginning of the symphony accompaning the entry of Alcides in Tobias Smolletts play Alcestes, set to music by Handel between 27 December

No. 0961 The Charming Brute, a caricature of George Frederick Handel (1685-1759
FIT107378 No.0961 The Charming Brute, a caricature of George Frederick Handel (1685-1759) c.1740-50 (gouache, black & coloured chalks on paper) (see also 84584) by Goupy

Portrait of a Gentleman, said to be George Frederick Handel, c. 1730 (oil on canvas)
CF71811 Portrait of a Gentleman, said to be George Frederick Handel, c.1730 (oil on canvas) by English School, (18th century); 76.2x63.5 cm; Coram in the care of the Foundling Museum

Portrait of George Frederick Handel (1685-1759) (oil on canvas)
BH34408 Portrait of George Frederick Handel (1685-1759) (oil on canvas) by Hogarth, William (1697-1764); Burghley House Collection, Lincolnshire, UK; English, out of copyright

Mu. Ms. 447. p2 Page 1 of The Water Music
FIT62522 Mu.Ms.447.p2 Page 1 of The Water Music by Handel, George Frederick (1685-1759); Fitzwilliam Museum, University of Cambridge, UK; eFitzwilliam Museum; German, out of copyright

Miniature of George Frederick Handel (1685-1759) (enamel on copper)
DEC84588 Miniature of George Frederick Handel (1685-1759) (enamel on copper) by Craft, William Hopkins (fl.1774-1805); Gerald Coke Handel Collection, Foundling Museum

Modello for the monument to George Frederick Handel (1685-1759) in Westminster Abbey, c
DEC84589 Modello for the monument to George Frederick Handel (1685-1759) in Westminster Abbey, c.1760 (terracotta) by Roubillac (Roubiliac)

Original score of The Messiah
CF2612 Original score of The Messiah by Handel, George Frederick (1685-1759); Coram in the care of the Foundling Museum, London; eCoram in the care of the Foundling Museum; German, out of copyright

George Frederick Handel (1685-1759) 1738 (marble)
XCF322565 George Frederick Handel (1685-1759) 1738 (marble) by Roubillac (Roubiliac), Louis-Francois (1702-62); Victoria & Albert Museum, London, UK; French, out of copyright

Portrait bust of George Frederick Handel (1685-1759) (terracotta)
CF3614 Portrait bust of George Frederick Handel (1685-1759) (terracotta) by Roubillac (Roubiliac), Louis-Francois (1702-62); Coram in the care of the Foundling Museum

Staffordshire portrait bust of George Frederick Handel (1685-1759
DEC84587 Staffordshire portrait bust of George Frederick Handel (1685-1759) (lead glazed earthenware) by Wood, Ralph Junior (1748-95); 23x15 cm; Gerald Coke Handel Collection, Foundling Museum

Portrait of George Frederick Handel (1685-1759) c. 1736 (oil on canvas)
DEC84586 Portrait of George Frederick Handel (1685-1759) c.1736 (oil on canvas) by Hudson, Thomas (1701-79) (school of); 121.8x97.8 cm; Gerald Coke Handel Collection, Foundling Museum

Portrait of George Frederick Handel (1685-1759) with a copy of the Messiah, c
DEC84554 Portrait of George Frederick Handel (1685-1759) with a copy of the Messiah, c.1749 (oil on canvas) by English School, (18th century); 20x16.5 cm; Gerald Coke Handel Collection

Handel, (1685-1759), 1830. Creator: Unknown
Handel, (1685-1759), 1830. George Frideric Handel (1685-1759) German, later British, Baroque composer who spent most of his career in London, becoming a naturalised British subject in 1727

The strokes of his hammer on the anvil kept time to his song, (1907). Creator: Unknown
The strokes of his hammer on the anvil kept time to his song, (1907). The German composer Handel is inspired by the sound of a hammer on an anvil: he was overtaken by a heavy shower of rain

A resort to swords, (1907). Creator: Unknown
A resort to swords, (1907). In 1704 the teenaged Handel fought a duel with fellow composer Johann Mattheson: An altercation took place

The Duke praised his performance, (1907). Creator: Unknown
The Duke praised his performance, (1907).. Johann Adolf I, Duke of Saxe-Weissenfels, admires the young Handels musical talent: the Duke commanded that Handel should be brought before him

He called to the coachman to stop, (1907). Creator: Unknown
He called to the coachman to stop, (1907). The young Handel runs after his fathers carriage: Handel did not know then that no fewer than forty miles lay between his home and the ducal castle

Beckoned silently to the rest to follow him, (1907). Creator: Unknown
Beckoned silently to the rest to follow him, (1907). The young Handel is discovered playing the spinet in an attic at night

Handel, mid 18th century, (1907). Creator: Unknown
Handel, mid 18th century, (1907). Portrait of German Baroque composer George Frideric Handel (1685-1759), who lived much of his life in England, where he composed his masterpiece

Handel, c1740, (1920). Creator: William Hoare
Handel, c1740, (1920). George Frideric Handel (1685-1759), English Baroque musical composer, German by origin. Attributed to William Hoare of Bath (1706-1799). Oil on canvas

George Frideric Handel, 1785. Creator: Unknown
George Frideric Handel, 1785. George Frideric Handel (1685-1759), German- British Baroque composer. From " The History of England" by Paul de Rapin-Thoyras. [Harrison, London, England]

Prince Georg Friedrich of Waldeck, (1690s). Creator: Jacques Blondeau
Prince Georg Friedrich of Waldeck, (1690s). Portrait of German and Dutch Field Marshal Prince Georg Friedrich of Waldeck (1620-1692)

Medallion portraits of British composers, (early-mid 19th century). Portraits of Samuel Arnold, Dr Arne, George Frideric Handel, Henry Rowley Bishop and Henry Purcell

Antoine Francois Prevost, 1745. Creator: Georg Friedrich Schmidt
Antoine Francois Prevost, 1745. Portrait of French priest and translator Antoine Francois Prevost (1697-1763), almoner to the Prince de Conti and author of " Manon Lescaut"

Georg Friedrich Handel, (1933). Creator: Unknown
Georg Friedrich Ha ndel, (1933). Portrait of German-born British Baroque composer George Frideric Handel (1685-1759) who lived much of his life in England, where he composed his masterpiece

George Frederic Handel, engraved by Thomson (engraving) (see also 377120)
XJF342423 George Frederic Handel, engraved by Thomson (engraving) (see also 377120) by English School, (19th century); Private Collection; (add.info)

Georg Friedrich Derrer Nuremberg Germany 1626
Georg Friedrich Derrer; Nuremberg, Germany; about 1626 - 1711; Tempera colors with gold and silver highlights on parchment; Leaf: 37.6 x 26 cm (14 13, 16 x 10 1, 4 in.)

Portrait of George Frederick Handel (1685-1759) frontispiece of a music score
XZO60541 Portrait of George Frederick Handel (1685-1759) frontispiece of a music score by French School, (18th century); Private Collection; (add.info.: Les Clavicinistes)

George Frederick Handel, 1749 (mezzotint)
XJF331715 George Frederick Handel, 1749 (mezzotint) by Hudson, Thomas (1701-79) (after); Private Collection; (add.info.: Handel (1685-1759)

George Frederick Handel (1685-1759) (oil on canvas)
XIR175589 George Frederick Handel (1685-1759) (oil on canvas) by Italian School, (18th century); Civico Museo Bibliografico Musicale, Bologna, Italy; Italian, out of copyright

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Georg Friedrich Handel, famously known as George Frederick Handel, was a musical genius whose talent knew no bounds. His ability to sing at sight was unparalleled, although he modestly admitted that it wasn't at first sight. In the Apotheosis of Handel engraving from 1787, we witness the elevation of this remarkable composer to divine status, and is a testament to his immense contribution to the world of music. "The Charming Brute" color etching captures an intriguing aspect of Handel's personality. Despite his undeniable charm and charisma, there was also a hint of strength and determination in him. The early 19th-century painted ceramic portrait bust showcases the timeless beauty and elegance associated with Handel's persona. This piece perfectly encapsulates his refined demeanor and artistic prowess. Engraved by William Bromley in exquisite detail, the portrait immortalizes George Frederick Handel's striking features for generations to admire. It serves as a reminder of his lasting impact on classical music. Plate 25 from Westminster Abbey reveals that even after his passing, Handel continues to be revered among poets and artists alike. The West Side of Poets Corner pays homage to this legendary composer who found eternal rest within its hallowed walls. Multiple portraits further emphasize the significance attached to capturing Handel's likeness throughout history. Painted or engraved by skilled artists such as Charles Turner or depicted through marble statues like those found in Victoria & Albert Museum – each artwork seeks to preserve his essence forevermore. A plaster bust allows us an up-close encounter with the physical representation of this musical maestro. Its intricate details invite us into a world where we can almost hear melodies emanating from its very core. The original score displayed before us unveils just how meticulously crafted every note in one symphony accompanying Alcides' entry must have been composed by this extraordinary mind. It serves as evidence that behind every masterpiece lies countless hours of dedication and expertise.