George Iv Collection (#11)

CARTOON: GEORGE IV, 1820. Reflection (To be, or not to be?). Cartoon, 1820, by Robert Cruickshank showing King George IV of England unpleasantly surprised to find the reflection of his wife

Source Size = 1417 x 3380
GEORGE IV

Gainsborough Dupont (British, 1754 - 1797), George IV as Prince of Wales, 1781, oil on canvas

George IVs state visit to Ireland, August 12th 1821, from The History of
KW468265 George IVs state visit to Ireland, August 12th 1821, from The History of Ireland by Thomas Wright, published c.1854 (engraving) by Warren

The Lovers Dream, 1795 (engraving) (b / w photo)
XJF153999 The Lovers Dream, 1795 (engraving) (b/w photo) by Gillray, James (1757-1815); Private Collection; (add.info.: A Thousand Virtues seem to Lackey Her)

A Voluptuary under the Horrors of Digestion, published in 1792 (engraving) (b / w photo)
XJF153352 A Voluptuary under the Horrors of Digestion, published in 1792 (engraving) (b/w photo) by English School, (18th century); Private Collection; English, out of copyright

The Court at Brighton a la Chinese, 1816 (hand-coloured engraving)
XZL149497 The Court at Brighton a la Chinese, 1816 (hand-coloured engraving) by Cruikshank, George (1792-1878); Private Collection; (add.info)

A Correct Representation of the Company Going to and Returning from his Majesty s
XJF137002 A Correct Representation of the Company Going to and Returning from his Majestys Drawing Room at Buckingham Palace, published by G, Humphrey

Mary Robinson preparing to receive the Duke of Chartres (engraving)
KW1073691 Mary Robinson preparing to receive the Duke of Chartres (engraving) by English School, (18th century); Private Collection; (add.info.: Mary Robinson, nee Darby, 1757?-A-1800)

BRIGHTON ROYAL PAVILION. The Brighton Royal Pavilion, founded in 1784 by the Prince of Wales (the future George IV). Etching, English, 1827

GEORGE IV: WEDDING. Satirical cartoon of King George IV, then Prince of Wales, and Maria Anna Fitzherbert, whom he married in secret on 15 December, 1785

GEORGE IV (1762-1830). King of Great Britain and Ireland, 1820-1830. Oil on canvas, 1815, studio of Sir Thomas Lawrence

KING GEORGE IV OF ENGLAND. George IV (1762-1830), King of Great Britain and Ireland (1820-30), and King of Hanover (1820-30). A Voluptuary under the horrors of Digestion

CAROLINE OF BRUNSWICK (1781-1821). Queen of Great Britain and Ireland, wife of George IV. The Toy, from George Cruikshanks supportive pamphet, The Queens Matrimonial Ladder, A National Toy, London

Candlemaker Row, Edinburgh
Looking down Candlemaker Row from George IV Bridge with the spire of The Hub prominent in the background, Edinburgh

Fountain with statue of George IV and St. Martin-in-the-Fields church, Trafalgar Square, London, England, United Kingdom, Europe

Sadlers royal balloon flight, 1811
Sadlers royal balloon flight. Artwork of English aeronaut James Sadler (1751-1828) ascending in a balloon on 12 August 1811, with Captain Paget (right) of the Royal Navy

CAROLINE OF BRUNSWICK (1768-1821). Queen of Great Britain and Ireland, wife of George IV. Contemporary stipple engraving

GEORGE IV (1762-1830). King of Great Britain and Ireland, 1820-1830. Stipple engraving after Sir Thomas Lawrence

CAROLINE OF BRUNSWICK (1781-1821). Queen of Great Britain and Ireland, wife of George IV. Title-page of George Cruikshanks supportive pamphlet, The Queens Matrimonial Ladder, A National Toy, London

LONDON: MARBLE ARCH. Built, 1828, by John Nash for King George IV

Statue of King George IV, Brighton, East Sussex, Sussex, England, United Kingdom, Europe

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George IV, also known as the King of Great Britain and Ireland from 1820 to 1830, was a fascinating figure who left an indelible mark on British history. His reign was characterized by his extravagant lifestyle and his love for art and architecture. One notable aspect of George IV's legacy is his association with the city of Brighton. The Royal Pavilion, often referred to as George IV's summer palace, stands as a testament to his unique taste in design. This architectural marvel combines elements of Indian and Chinese styles, creating a truly mesmerizing sight that continues to captivate visitors today. Art played a significant role in George IV's life, evident through various works depicting him or reflecting his interests. For instance, "The Court at Brighton à La Chinese" by George Cruikshank showcases the king's fascination with oriental aesthetics. Similarly, "Princely Predilections" portrays him indulging in ancient music while surrounded by modern discord. Despite being known for his opulent lifestyle, George IV had moments where he connected with ordinary people. In "Nosing the Nob at Ramsgate, " we see him engaging with commoners during a visit to this coastal town. Such interactions helped bridge the gap between royalty and society. Family also held great importance for George IV; he cherished Princess Amelia of Brunswick and their daughter Princess Charlotte dearly. A touching portrait by artist George Hayter captures their bond beautifully. To fully understand this influential monarch's reign, one can explore historical artifacts such as English coins featuring images of both George IV and Queen Victoria – symbols of continuity within British monarchy. Whether it be through maps documenting Dublin or etchings showcasing comedic encounters like "The Interview, " studying different aspects related to King George IV offers valuable insights into an era defined by grandeur and cultural exploration.