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Georgian Period Collection

The Georgian period, spanning from 1714 to 1830, was a time of elegance and refinement in British history

Background imageGeorgian Period Collection: A late George III or Regency painted long case clock dial, c.1810 (mixed media)

A late George III or Regency painted long case clock dial, c.1810 (mixed media)
7443810 A late George III or Regency painted long case clock dial, c.1810 (mixed media) by English School, (19th century); 43x31 cm; Private Collection; (add.info.: By M)

Background imageGeorgian Period Collection: Mrs Gwynne and Mrs Bunbury as the Merry Wives of Windsor, c. 1779 (oil on wood)

Mrs Gwynne and Mrs Bunbury as the Merry Wives of Windsor, c. 1779 (oil on wood)
3743877 Mrs Gwynne and Mrs Bunbury as the Merry Wives of Windsor, c.1779 (oil on wood) by Gardner, Daniel (1750-1805); 24.1x27.3 cm; Nottingham City Museums and Galleries (Nottingham Castle)

Background imageGeorgian Period Collection: Miss Elizabeth Hoare, 1826 (oil on canvas)

Miss Elizabeth Hoare, 1826 (oil on canvas)
3743834 Miss Elizabeth Hoare, 1826 (oil on canvas) by Barber, Thomas (1768-1843) (attr.to); 74.9x62.2 cm; Nottingham City Museums and Galleries (Nottingham Castle); (add.info)

Background imageGeorgian Period Collection: Mrs Catherine Gordon Byron (oil on canvas)

Mrs Catherine Gordon Byron (oil on canvas)
3744719 Mrs Catherine Gordon Byron (oil on canvas) by Stewardson, Thomas (1781-1859); 73.5x65.4 cm; Nottingham City Museums and Galleries (Newstead Abbey); (add.info)

Background imageGeorgian Period Collection: He Steers his Flight Aloft, incumbent on the dusky air that felt unusual weight. 1810 (etching)

He Steers his Flight Aloft, incumbent on the dusky air that felt unusual weight. 1810 (etching)
3869782 He Steers his Flight Aloft, incumbent on the dusky air that felt unusual weight. 1810 (etching) by Gillray, James (1757-1815) (after); (add.info)

Background imageGeorgian Period Collection: Yachts of the Cumberland Fleet racing off Lambeth Palace, 1775 (oil on canvas)

Yachts of the Cumberland Fleet racing off Lambeth Palace, 1775 (oil on canvas)
3870697 Yachts of the Cumberland Fleet racing off Lambeth Palace, 1775 (oil on canvas) by English School, (18th century); Royal Thames Yacht Club, London, UK; Photo © Derek Bayes

Background imageGeorgian Period Collection: The Wreck of the Grosvenor, 1783 (oil on canvas)

The Wreck of the Grosvenor, 1783 (oil on canvas)
3870574 The Wreck of the Grosvenor, 1783 (oil on canvas) by Smirke, Robert (1752-1845); Private Collection; (add.info.: Courtesy of Captain A R Coxon, RN (Retd)

Background imageGeorgian Period Collection: Mr Sadlers Ascent from Hackney, 1811 (print)

Mr Sadlers Ascent from Hackney, 1811 (print)
3869781 Mr Sadlers Ascent from Hackney, 1811 (print) by Elmes, William (fl.1797-1814); (add.info.: Depiction of Englands first balloonist, James Sadler (1753-1828)

Background imageGeorgian Period Collection: Officer (left) and sergeant of the 42nd Highlanders--the Black Watch--c. 1750 (engraving)

Officer (left) and sergeant of the 42nd Highlanders--the Black Watch--c. 1750 (engraving)
3697332 Officer (left) and sergeant of the 42nd HighlandersA--the Black WatchA--c.1750 (engraving) by Unknown artist, (18th century); Private Collection; (add.info)

Background imageGeorgian Period Collection: Mary Chaworth Musters (oil on canvas)

Mary Chaworth Musters (oil on canvas)
3744727 Mary Chaworth Musters (oil on canvas) by Phillips, Thomas (1770-1845); 130x102 cm; Nottingham City Museums and Galleries (Newstead Abbey); (add.info)

Background imageGeorgian Period Collection: The Promenade at Cowes, 1825 (print)

The Promenade at Cowes, 1825 (print)
3870627 The Promenade at Cowes, 1825 (print) by Cruikshank, Isaac Robert (1789-1856); Royal Yacht Squadron, Cowes, Isle of Wight; Photo © Derek Bayes. All rights reserved 2022

Background imageGeorgian Period Collection: Cowes Regatta, 1776

Cowes Regatta, 1776
3870619 Cowes Regatta, 1776 by Serres, Dominic (1722-93); Photo © Derek Bayes. All rights reserved 2022

Background imageGeorgian Period Collection: A new conveyance in the regions of folly, or the ladies balloon dress for the year 1786

A new conveyance in the regions of folly, or the ladies balloon dress for the year 1786, 1786 (print)
3869776 A new conveyance in the regions of folly, or the ladies balloon dress for the year 1786, 1786 (print) by Unknown artist, (18th century); (add.info.: Published 17 April 1786 by W.Wellings)

Background imageGeorgian Period Collection: The King, Queen etc. viewing a baloon let off in the garden of Windsor Castle (print)

The King, Queen etc. viewing a baloon let off in the garden of Windsor Castle (print)
3869768 The King, Queen etc. viewing a baloon let off in the garden of Windsor Castle (print) by Basire, James (1730-1802) (after); (add.info.: King George III (1738-1820)

Background imageGeorgian Period Collection: Ticket to witness Vicenzo Lunardis balloon ascent, c. 1784-85

Ticket to witness Vicenzo Lunardis balloon ascent, c. 1784-85
3869762 Ticket to witness Vicenzo Lunardis balloon ascent, c.1784-85 by English School, (19th century); (add.info.: Vicenzo Lunardi (1754-1806) was a pioneering Italian aeronaut

Background imageGeorgian Period Collection: Wanted poster for Charles Edward Stuart the Young Pretender

Wanted poster for Charles Edward Stuart the Young Pretender
3697330 Wanted poster for Charles Edward Stuart the Young Pretender issued during the Jacobite rebellion of 1745, 18th century (engraving) by Unknown artist

Background imageGeorgian Period Collection: The air balloon as it ascended with Mr Lunardi from the artillery ground, 15th September

The air balloon as it ascended with Mr Lunardi from the artillery ground, 15th September, 1784 (coloured print)
3869774 The air balloon as it ascended with Mr Lunardi from the artillery ground, 15th September, 1784 (coloured print) by Unknown artist

Background imageGeorgian Period Collection: The Eve of the Battle of Copenhagen (print)

The Eve of the Battle of Copenhagen (print)
3870736 The Eve of the Battle of Copenhagen (print) by Davidson, Thomas (fl.1863-1908) (after); (add.info.: The Eve of the Battle of Copenhagen: Dinner aboard the Elephant)

Background imageGeorgian Period Collection: The Cumberland Fleet racing above London Bridge, 1782 (oil on canvas)

The Cumberland Fleet racing above London Bridge, 1782 (oil on canvas)
3870617 The Cumberland Fleet racing above London Bridge, 1782 (oil on canvas) by Unknown artist, (18th century); Royal Thames Yacht Club, London, UK; Photo © Derek Bayes. All rights reserved 2022

Background imageGeorgian Period Collection: Half guinea ticket for balloon ascent at Tottenham Court Road, London, March 23 1785 (print)

Half guinea ticket for balloon ascent at Tottenham Court Road, London, March 23 1785 (print)
3869771 Half guinea ticket for balloon ascent at Tottenham Court Road, London, March 23 1785 (print) by Unknown artist, (18th century); Photo © Derek Bayes. All rights reserved 2022

Background imageGeorgian Period Collection: King George IV at Carlton House, pub. 1825. Creator: Isaac Robert Cruikshank (1789-1856)

King George IV at Carlton House, pub. 1825. Creator: Isaac Robert Cruikshank (1789-1856)
King George IV at Carlton House, from The English Spy, by Charles Westmacott, published 1825 (colour lithographgraph). George IV (1762-1830)



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The Georgian period, spanning from 1714 to 1830, was a time of elegance and refinement in British history. It was an era marked by significant social, political, and artistic developments. The artworks from this period provide us with glimpses into the lives of individuals who lived during this fascinating time. In "Mrs Gwynne and Mrs Bunbury as the Merry Wives of Windsor, " painted around 1779, we see two women dressed in elaborate costumes that reflect the fashion trends of the time. Their vibrant personalities shine through their expressions, capturing the spirit of merriment that defined Georgian society. "Miss Elizabeth Hoare, " painted in 1826, showcases a young woman exuding grace and poise. Her portrait reveals not only her beauty but also hints at her status within society. The attention to detail in her attire reflects the importance placed on fashion during this period. Another captivating artwork is "Mrs Catherine Gordon Byron. " Painted on canvas, it immortalizes Lord Byron's wife with striking realism. Her gaze is both alluring and mysterious—a testament to the allure she held over one of England's most famous poets. Moving away from portraits onto other mediums such as pastel on paper or watercolor on ivory brings us closer to everyday life during this era. In "Portrait of Letitia Wodehouse, " created between 1783-87 using pastels on paper, we catch a glimpse into a moment frozen in time—an intimate portrayal that captures Letitia's delicate features and gentle demeanor. "Lieutenant Colonel Otto William Offeney" depicts an officer proudly posing for his portrait in watercolor on ivory dating back to 1807. This miniature painting highlights not only his military rank but also his refined taste for art—a common characteristic among many Georgians who sought personal expression through collecting fine works. A beautiful example showcasing Georgian children's portraiture can be seen in "A Young Girl, wearing a white dress.