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Gibson Girl Collection (#2)

The Gibson Girl, a creation of American illustrator Charles Dana Gibson (1867-1944), captivated audiences with her elegance and charm

Background imageGibson Girl Collection: STEPHENS: PAINTING, 1895. Illustration for Three Chapters by Gertrude Blake Stanton

STEPHENS: PAINTING, 1895. Illustration for Three Chapters by Gertrude Blake Stanton, illustrated by Alice Barber Stephens, 1895

Background imageGibson Girl Collection: CAMILLE CLIFFORD (1885-1971). Belgian-born actress and model for the Gibson Girl

CAMILLE CLIFFORD (1885-1971). Belgian-born actress and model for the Gibson Girl. Photograph, c1910

Background imageGibson Girl Collection: GIBSON: WIDOWs GRIEF. Charles Dana Gibson (1867-1944)

GIBSON: WIDOWs GRIEF. Charles Dana Gibson (1867-1944). American illustrator. No Respecter Of A Widows Grief. Pen and ink drawing, 1894

Background imageGibson Girl Collection: GIBSON: BOY, 1896. In Days To Come, Who Will Look After This Boy? Pen and ink drawing

GIBSON: BOY, 1896. In Days To Come, Who Will Look After This Boy? Pen and ink drawing, 1896, by Charles Dana Gibson

Background imageGibson Girl Collection: Chares Dana Gibson (1867-1944). American illustrator. Making Bread Pills. Pen and ink drawing, 1903

Chares Dana Gibson (1867-1944). American illustrator. Making Bread Pills. Pen and ink drawing, 1903
GIBSON: MAKING BREAD PILLS. Chares Dana Gibson (1867-1944). American illustrator. Making Bread Pills. Pen and ink drawing, 1903

Background imageGibson Girl Collection: The stout gentleman hoped he had found a secluded spot for the honeymoon. Pen-and-ink drawing

The stout gentleman hoped he had found a secluded spot for the honeymoon. Pen-and-ink drawing
GIBSON: BATHER, 1900. The stout gentleman hoped he had found a secluded spot for the honeymoon. Pen-and-ink drawing, by Charles Dana Gibson (1867-1944)

Background imageGibson Girl Collection: Pen and ink drawing by Charles Dana Gibson, 1900

Pen and ink drawing by Charles Dana Gibson, 1900
GIBSON: BIG GAME, 1900. Pen and ink drawing by Charles Dana Gibson, 1900

Background imageGibson Girl Collection: Mr. A. Merger Hogg Is Taking a Few Days Much-Needed Rest at His Country Home

Mr. A. Merger Hogg Is Taking a Few Days Much-Needed Rest at His Country Home
GIBSON: BUSINESSMAN, 1903. Mr. A. Merger Hogg Is Taking a Few Days Much-Needed Rest at His Country Home. Pen and ink drawing, 1903, by Charles Dana Gibson

Background imageGibson Girl Collection: The Question Mark. Drawing, 1903, by Charles Dana Gibson

The Question Mark. Drawing, 1903, by Charles Dana Gibson
GIBSON GIRL, 1903. The Question Mark. Drawing, 1903, by Charles Dana Gibson

Background imageGibson Girl Collection: Having Taken All The Legal Steps, Mr. Tagg Is Greatly Mortified At His Daughters Refusal To Marry

Having Taken All The Legal Steps, Mr. Tagg Is Greatly Mortified At His Daughters Refusal To Marry A Nobleman
GIBSON: DRAWINGS, 1904. Having Taken All The Legal Steps, Mr. Tagg Is Greatly Mortified At His Daughters Refusal To Marry A Nobleman. Pen and ink drawing by Charles Dana Gibson, 1904

Background imageGibson Girl Collection: School Days. A golf-playing Gibson girl. Pen and ink drawing, 1899, by Charles Dana Gibson

School Days. A golf-playing Gibson girl. Pen and ink drawing, 1899, by Charles Dana Gibson
GIBSON GIRL, 1899. School Days. A golf-playing Gibson girl. Pen and ink drawing, 1899, by Charles Dana Gibson

Background imageGibson Girl Collection: Drawing by Charles Dana Gibson, 1903

Drawing by Charles Dana Gibson, 1903
A GIBSON GIRL, 1903. Drawing by Charles Dana Gibson, 1903

Background imageGibson Girl Collection: A Senseless After-Dinner Custom. Pen-and-ink drawing, 1899, by Charles Dana Gibson (1867-1944)

A Senseless After-Dinner Custom. Pen-and-ink drawing, 1899, by Charles Dana Gibson (1867-1944)
GIBSON ART, 1899. A Senseless After-Dinner Custom. Pen-and-ink drawing, 1899, by Charles Dana Gibson (1867-1944)

Background imageGibson Girl Collection: Drawing by Charles Dana Gibson

Drawing by Charles Dana Gibson
A GIBSON GIRL, 1899. Drawing by Charles Dana Gibson

Background imageGibson Girl Collection: His Dance. Pen and ink drawing, 1903, by Charles Dana Gibson

His Dance. Pen and ink drawing, 1903, by Charles Dana Gibson
GIBSON: GIBSON GIRL, 1903. His Dance. Pen and ink drawing, 1903, by Charles Dana Gibson

Background imageGibson Girl Collection: On the golf links: drawing, 1899, by Charles Dana Gibson

On the golf links: drawing, 1899, by Charles Dana Gibson
GIBSON GIRL, 1899. On the golf links: drawing, 1899, by Charles Dana Gibson

Background imageGibson Girl Collection: Pen and ink drawing by Charles Dana Gibson, 1902

Pen and ink drawing by Charles Dana Gibson, 1902
GIBSON: FROZEN, 1902. Pen and ink drawing by Charles Dana Gibson, 1902

Background imageGibson Girl Collection: Was that you I kissed in the conservatory last night? Pen and ink drawing by Charles Dana Gibson

Was that you I kissed in the conservatory last night? Pen and ink drawing by Charles Dana Gibson, 1903
GIBSON: KISS, 1903. Was that you I kissed in the conservatory last night? Pen and ink drawing by Charles Dana Gibson, 1903

Background imageGibson Girl Collection: Pen and ink drawing by Charles Dana Gibson (1867-1944)

Pen and ink drawing by Charles Dana Gibson (1867-1944)
GIBSON: TYPING. Pen and ink drawing by Charles Dana Gibson (1867-1944)

Background imageGibson Girl Collection: No Wonder the sea serpent frequents our coast

No Wonder the sea serpent frequents our coast
GIBSON: BATHER, 1900. No Wonder the sea serpent frequents our coast. Pen-and-ink drawing, by Charles Dana Gibson (1867-1944)

Background imageGibson Girl Collection: A Little Incident. Showing that even inanimate objects can enter into the spirit of the game

A Little Incident. Showing that even inanimate objects can enter into the spirit of the game. Pen and ink drawing, 1900
GIBSON: A LITTLE INCIDENT. A Little Incident. Showing that even inanimate objects can enter into the spirit of the game. Pen and ink drawing, 1900

Background imageGibson Girl Collection: The race is not always to the beautiful. Drawing, 1900, by Charles Dana Gibson

The race is not always to the beautiful. Drawing, 1900, by Charles Dana Gibson
GIBSON GIRL, 1900. The race is not always to the beautiful. Drawing, 1900, by Charles Dana Gibson

Background imageGibson Girl Collection: The Turning of the Tide. Pen and ink drawing by Charles Dana Gibson, 1901

The Turning of the Tide. Pen and ink drawing by Charles Dana Gibson, 1901
GIBSON: TURNING TIDE, 1901. The Turning of the Tide. Pen and ink drawing by Charles Dana Gibson, 1901

Background imageGibson Girl Collection: American drawing, late 1890s, testifying to the popularity of illustrator Charles Dana Gibsons

American drawing, late 1890s, testifying to the popularity of illustrator Charles Dana Gibsons Gibson Girls
GIBSON GIRL, 1890s. American drawing, late 1890s, testifying to the popularity of illustrator Charles Dana Gibsons Gibson Girls

Background imageGibson Girl Collection: GIBSON GIRL: BICYCLE. A Gibson girl with bicycle. Drawing, 1900-1910

GIBSON GIRL: BICYCLE. A Gibson girl with bicycle. Drawing, 1900-1910




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The Gibson Girl, a creation of American illustrator Charles Dana Gibson (1867-1944), captivated audiences with her elegance and charm. In his pen-and-ink drawings from the late 19th and early 20th centuries, Gibson depicted this iconic figure in various scenarios. One such illustration from 1900 shows the Gibson Girl seeking solace among some of the old ones. With delicate strokes of ink, Gibson portrays her surrounded by elderly individuals who offer her comfort and wisdom. This drawing showcases not only his artistic talent but also his ability to capture the complexities of human emotions. In another piece from 1898, we see a different side of the Gibson Girl as she mingles with mermaids. Through intricate lines and shading techniques, Gibson brings these mythical creatures to life while maintaining the gracefulness that defines his signature style. Gibson's work often featured social commentary as well. In "The Latest Nobleman" (1898), he satirizes high society by depicting an aristocrat whose extravagant attire fails to hide his lack of substance or intelligence. The artist's sharp wit shines through in this clever portrayal. "The Jury Disagrees" (c1904) is yet another example of Gibson's keen observation skills. Through meticulous details and expressive lines, he captures a courtroom scene where conflicting opinions prevail despite attempts at justice. This drawing serves as a reminder that truth can be elusive even within seemingly objective systems. While many associate beauty with success, one particular artwork challenges this notion. In "The race is not always to the beautiful" (1900), Gibson depicts ordinary-looking individuals triumphing over their more conventionally attractive counterparts. His message resonates even today - appearances can be deceiving, and true victory lies beyond physical attributes. Gibson also explored societal trends in his illustrations like "Is Bicycling Bad For The Heart?" (1897). Here he humorously questions whether cycling, a popular activity at the time, poses health risks.