Gihaut Et Collection

The Kennel, from the series Hunting Scenes, 1829. Creator: Alexandre Gabriel Decamps
The Kennel, from the series Hunting Scenes, 1829

The Climb, from the series Hunting Scenes, 1829. Creator: Alexandre Gabriel Decamps
The Climb, from the series Hunting Scenes, 1829

Wolf Hunt: Wounded Animal Attacked by Dogs, from the series Hunting Scenes, 1829

Interior of the Kennel, from the series Hunting Scenes, 1829

Children Frightened by Snarling Dog, from the series Hunting Scenes, 1829

Hunting in the Field, from the series Hunting Scenes, 1829

Turkish Barrack, 1823-60. Creator: Alexandre Gabriel Decamps
Turkish Barrack, 1823-60

Hunting a Ferret with Blanks, from the series Hunting Scenes, 1829

The Death of Ophelia, 1843. 1843. Creator: Eugene Delacroix
The Death of Ophelia, 1843. Ophelias death is described in act 4, scene 7 by Queen Gertrude

Hamlet and Horatio before The Gravediggers, 1843. 1843. Creator: Eugene Delacroix
Hamlet and Horatio before The Gravediggers, 1843. Act 5, scene 1, grave diggers preparing a burial site unearth the skull of Yorick

Polonius and Hamlet, 1834-43. 1834-43. Creator: Eugene Delacroix
Polonius and Hamlet, 1834-43. In act 2, scene 2, the prince mocks the courtier Polonious who asks what he is reading, by replying " Words, words, words."

Hamlet and Guildenstern, 1834-43. 1834-43. Creator: Eugene Delacroix
Hamlet and Guildenstern, 1834-43. In act 3, scene 2, the prince suspects Guildenstern has been summoned by the king to act as a spy

Hamlet Attempts to Kill the King, 1834-43. 1834-43. Creator: Eugene Delacroix
Hamlet Attempts to Kill the King, 1834-43. In act 3, scene 3, the prince does not revenge his uncle who is at prayer

The Queen Tries to Console Hamlet, 1834. 1834. Creator: Eugene Delacroix
The Queen Tries to Console Hamlet, 1834

The Death of Hamlet, 1843. 1843. Creator: Eugene Delacroix
The Death of Hamlet, 1843. In act 5, scene 2, Laertes and Hamlet kill each other in a duel and the queen dies from drinking poison intended for her son

Quel gaillard! Qu en dis-tu ma femme? - he! he! he!, c1822. Creator: Pierre LanglumA©
Quel gaillard! Qu en dis-tu ma femme? - he! he! he!, c1822. An elderly couple looking at the Farnese Hercules. The husband says: What a strapping fellow! What do you say, wife?

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"Gihaut et" is a captivating series of hunting scenes created by Alexandre Gabriel Decamps in 1829. The Kennel, one of the remarkable pieces from this collection, transports us to a world where dogs eagerly await their next adventure. Their anticipation is palpable as they prepare for the exhilarating chase that lies ahead. In The Climb, we witness the determination and agility of both man and beast as they navigate treacherous terrain in pursuit of their prey. This scene captures the essence of the hunt, showcasing the bond between humans and animals working together towards a common goal. Wolf Hunt: Wounded Animal Attacked by Dogs portrays a gripping moment filled with intensity and danger. The wounded animal fights for its survival while being fiercely pursued by relentless hounds. It serves as a reminder of nature's raw power and the primal instincts that drive both predator and prey. Stepping away from hunting scenes momentarily, Interior of the Kennel offers an intimate glimpse into these loyal companions' lives when not on duty. We see them resting peacefully within their sanctuary, providing respite from their tireless pursuits. Children Frightened by Snarling Dog takes us beyond traditional hunting imagery to explore unexpected encounters with our four-legged friends. Here, innocent children are startled by an intimidating canine presence – a reminder that even domesticated animals can evoke fear in those unaccustomed to their ways. Returning to more action-packed scenes, Hunting in the Field immerses us in an open landscape teeming with excitement. Hunters gallop across vast fields on horseback accompanied by faithful hounds eager to assist them in tracking down elusive game. Decamps also delves into other themes beyond hunting with his Turkish Barrack piece from 1823-60. This artwork invites us into another culture entirely – transporting us to Turkey through intricate details capturing daily life within its barracks. Hunting a Ferret with Blanks showcases yet another facet of the hunt, where hunters employ different techniques to challenge themselves and their dogs.