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Gillray James Collection

James Gillray was a renowned British caricaturist and printmaker who left an indelible mark on the art world with his satirical illustrations

Background imageGillray James Collection: The Union Club, 1801. Creator: Unknown

The Union Club, 1801. Creator: Unknown
The Union Club, 1801

Background imageGillray James Collection: The Lovable Rake, 1813. Creator: James Gillray

The Lovable Rake, 1813. Creator: James Gillray
The Lovable Rake, 1813. L'Aimable Roue'. Possibly by James Gillray

Background imageGillray James Collection: Cymon and Iphigenia, May 2, 1796. Creator: James Gillray

Cymon and Iphigenia, May 2, 1796. Creator: James Gillray
Cymon and Iphigenia, May 2, 1796

Background imageGillray James Collection: British Tars Towing the Danish Fleet into Harbour; the Broad-Bottom Leviathan t

British Tars Towing the Danish Fleet into Harbour; the Broad-Bottom Leviathan trying Billys Old Boat, and the Little Corsican tottering on the Clouds of Ambition, October 1, 1807

Background imageGillray James Collection: The Magnanimous Minister, Chastising Prussian Perfidy. -vide-Morning Chronicle April

The Magnanimous Minister, Chastising Prussian Perfidy. -vide-Morning Chronicle April
The Magnanimous Minister, Chastising Prussian Perfidy.-vide-Morning Chronicle April 28th, May 2, 1806

Background imageGillray James Collection: The Bottomless-Pitt, March 16, 1792. Creator: James Gillray

The Bottomless-Pitt, March 16, 1792. Creator: James Gillray
The Bottomless-Pitt, March 16, 1792

Background imageGillray James Collection: Enter Cowslip with a Bowl of Cream. - vide Brandenburg Theatricals, June 13, 1795

Enter Cowslip with a Bowl of Cream. - vide Brandenburg Theatricals, June 13, 1795

Background imageGillray James Collection: Maecenas, in pursuit of the Fine Arts. -Scene, Pall Mall; a Frosty Morning, May 9, 1808

Maecenas, in pursuit of the Fine Arts. -Scene, Pall Mall; a Frosty Morning, May 9, 1808
Maecenas, in pursuit of the Fine Arts.-Scene, Pall Mall; a Frosty Morning, May 9, 1808

Background imageGillray James Collection: L Enfant Trouve: -a Sample of Roman Charity!-or-the Misfortune of Not Being Born wi

L Enfant Trouve: -a Sample of Roman Charity!-or-the Misfortune of Not Being Born wi
L Enfant Trouve:-a Sample of Roman Charity!-or-the Misfortune of Not Being Born with Marks of " the Talents", May 19, 1808

Background imageGillray James Collection: Pillars of the Constitution, February 1, 1809. Creator: James Gillray

Pillars of the Constitution, February 1, 1809. Creator: James Gillray
Pillars of the Constitution, February 1, 1809

Background imageGillray James Collection: Counsellor O. P. -Defender of our Theatric Liberties, December 5, 1809

Counsellor O. P. -Defender of our Theatric Liberties, December 5, 1809
Counsellor O.P.-Defender of our Theatric Liberties, December 5, 1809

Background imageGillray James Collection: A Bravura Air. Mandane, December 22, 1801. Creator: James Gillray

A Bravura Air. Mandane, December 22, 1801. Creator: James Gillray
A Bravura Air. Mandane, December 22, 1801

Background imageGillray James Collection: Blowing-up the Pic-Nic s; -or-Harlequin Quixote Attacking the Puppets, vide Totten

Blowing-up the Pic-Nic s; -or-Harlequin Quixote Attacking the Puppets, vide Tottenham Street Pantomime, April 2, 1802

Background imageGillray James Collection: Uncorking Old Sherry, March 10, 1805. Creator: James Gillray

Uncorking Old Sherry, March 10, 1805. Creator: James Gillray
Uncorking Old Sherry, March 10, 1805

Background imageGillray James Collection: Temperance Enjoying a Frugal Meal, July 28, 1792. Creator: James Gillray

Temperance Enjoying a Frugal Meal, July 28, 1792. Creator: James Gillray
Temperance Enjoying a Frugal Meal, July 28, 1792

Background imageGillray James Collection: The Pic-Nic Orchestra, April 23, 1802. Creator: James Gillray

The Pic-Nic Orchestra, April 23, 1802. Creator: James Gillray
The Pic-Nic Orchestra, April 23, 1802

Background imageGillray James Collection: A Pair of Polished Gentlemen, March 10, 1801. Creator: James Gillray

A Pair of Polished Gentlemen, March 10, 1801. Creator: James Gillray
A Pair of Polished Gentlemen, March 10, 1801

Background imageGillray James Collection: Characters in High Life, June 20, 1795. Creator: James Gillray

Characters in High Life, June 20, 1795. Creator: James Gillray
Characters in High Life, June 20, 1795

Background imageGillray James Collection: Les Invisibles (The Invisible Ones), 1810. Creator: William Brocas

Les Invisibles (The Invisible Ones), 1810. Creator: William Brocas
Les Invisibles (The Invisible Ones), 1810

Background imageGillray James Collection: Cymon and Iphigenia, 1796. Creator: James Gillray

Cymon and Iphigenia, 1796. Creator: James Gillray
Cymon and Iphigenia, 1796



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James Gillray was a renowned British caricaturist and printmaker who left an indelible mark on the art world with his satirical illustrations. One of his notable works, "Cymon and Iphigenia, " created on May 2, 1796, showcases his talent for capturing humorous moments in history. Another masterpiece by Gillray is "British Tars Towing the Danish Fleet into Harbour; the Broad-Bottom Leviathan t, " which humorously depicts a naval event. In "The Magnanimous Minister, Chastising Prussian Perfidy, " published in April's Morning Chronicle, Gillray cleverly criticizes political deceit. His sharp wit is further evident in "The Bottomless-Pitt" from March 16, 1792. Gillray's versatility shines through in pieces like "Enter Cowslip with a Bowl of Cream" from June 13, 1795 - a delightful scene from Brandenburg Theatricals. He also explores societal themes such as art appreciation in "Maecenas, in pursuit of the Fine Arts" set against a frosty morning backdrop on May 9, 1808. "The Misfortune of Not Being Born wi: L'Enfant Trouve" exemplifies Roman charity while highlighting social inequalities. In another thought-provoking work titled "Pillars of the Constitution, " dated February 1, 1809, Gillray comments on political structures. Gillray's artistic brilliance extends to theatrical representations like "A Bravura Air: Mandane" (December 22, 1801), where he captures captivating musical performances. Additionally, he fearlessly addresses socio-political issues such as freedom and slavery through powerful images like "French Liberty - British Slavery" (December 21st), created during tumultuous times. With whimsical titles like "Blowing-up the Pic-Nic s.