Giorgio Collection (#5)

Apollo Pan putto blowing horn Ghisi Giorgio 1520-1582
Apollo, Pan, and a putto blowing a horn, Ghisi, Giorgio, 1520-1582, Lafrery, Antoine, 1512-1577, Primaticcio, Francesco, 1504-1570, Engraving

Chiesa dis Giorgio Velabro Delle magnificenze
Chiesa di S. Giorgio in Velabro, Delle magnificenze di Roma antica e moderna, Vasi, Giuseppe, 1710-1782, Engraving, 1747-1761, plate 55, volume 3 (book contains volumes 3 and 4)

Page titled Pius Papa Quintus Le vite de piv eccellenti
Page titled Pius Papa Quintus, Le vite de piv eccellenti pittori, scvltori, et architettori, Vasari, Giorgio, 1511-1574, Letterpress, 1568, Woodcut initial

Edificij et machine Martini Francesco di Giorgio
Edificij et machine, Martini, Francesco di Giorgio, 1439-1501, brown ink and wash, ca. 1475-ca. 1480, The volume comprises 103 drawings by Francesco di Giorgio Martini and his assistants

Folio 15 mill Edificij et machine MS Martini
Folio 15 mill, Edificij et machine MS, Martini, Francesco di Giorgio, 1439-1502, Brown ink and wash on paper, between ca. 1475 and ca. 1480

Mill powered crank Edificij et machine MS Martini
Mill powered by crank, Edificij et machine MS, Martini, Francesco di Giorgio, 1439-1502, Brown ink and wash on paper, between ca. 1475 and ca. 1480

Folio 40 mill horizontal water wheel Edificij et
Folio 40 mill with horizontal water wheel, Edificij et machine MS, Martini, Francesco di Giorgio, 1439-1502, Brown ink and wash on paper, between ca. 1475 and ca. 1480

Folio 13 mill powered water siphon Edificij et
Folio 13 mill powered by water from siphon, Edificij et machine MS, Martini, Francesco di Giorgio, 1439-1502, Brown ink and wash on paper, between ca. 1475 and ca. 1480

Folio 10 piston pumps water wheel Edificij et
Folio 10 piston pumps and water wheel, Edificij et machine MS, Martini, Francesco di Giorgio, 1439-1502, Brown ink and wash on paper, between ca. 1475 and ca. 1480

Folio 22 mill powered undershot water wheel Edificij et
Folio 22 mill powered by undershot water wheel, Edificij et machine MS, Martini, Francesco di Giorgio, 1439-1502, Brown ink and wash on paper, between ca. 1475 and ca. 1480

Folio 39 mill horizontal water wheel Edificij et
Folio 39 mill with horizontal water wheel, Edificij et machine MS, Martini, Francesco di Giorgio, 1439-1502, Brown ink and wash on paper, between ca. 1475 and ca. 1480

Folio 43 mill powered horse Edificij et machine
Folio 43 mill powered by horse, Edificij et machine MS, Martini, Francesco di Giorgio, 1439-1502, Brown ink and wash on paper, between ca. 1475 and ca. 1480

Folio 44 mill powered horizontal wheel Edificij et
Folio 44 mill powered by horizontal wheel, Edificij et machine MS, Martini, Francesco di Giorgio, 1439-1502, Brown ink and wash on paper, between ca. 1475 and ca. 1480

Folio 40 mill overshot water wheel Edificij et
Folio 40 mill with overshot water wheel, Edificij et machine MS, Martini, Francesco di Giorgio, 1439-1502, Brown ink and wash on paper, between ca. 1475 and ca. 1480

Mill horizontal water wheel Edificij et machine
Mill with horizontal water wheel, Edificij et machine MS, Martini, Francesco di Giorgio, 1439-1502, Brown ink and wash on paper, between ca. 1475 and ca. 1480

Folio 5 two piston pumps Edificij et machine
Folio 5 two piston pumps, Edificij et machine MS, Martini, Francesco di Giorgio, 1439-1502, Brown ink and wash on paper, between ca. 1475 and ca. 1480

Two mills wheel Edificij et machine MS Martini
Two mills with wheel between, Edificij et machine MS, Martini, Francesco di Giorgio, 1439-1502, Brown ink and wash on paper, between ca. 1475 and ca. 1480

Folio 14 mill undershot water wheel Edificij et
Folio 14 mill with undershot water wheel, Edificij et machine MS, Martini, Francesco di Giorgio, 1439-1502, Brown ink and wash on paper, between ca. 1475 and ca. 1480

Figures water holding oars portable bridge Edificij et
Figures in water holding oars and portable bridge, Edificij et machine MS, Martini, Francesco di Giorgio, 1439-1502, Brown ink and wash on paper, between ca. 1475 and ca. 1480

Triumph Chastity Francesco di Giorgio Martini
Triumph of Chastity; Francesco di Giorgio Martini (Italian (Sienese), 1439 - 1501); mid-1460s; Tempera on panel; 38.7 x 170.4 cm (15 1, 4 x 67 1, 16 in.)

Story Oenone Paris center panel Francesco di
The Story of Oenone and Paris (center panel); Francesco di Giorgio Martini (Italian (Sienese), 1439 - 1501); 1460s; Tempera on panel; 40 x 113 cm (15 3, 4 x 44 1, 2 in.)

Paris right panel Francesco di Giorgio Martini
Paris (right end panel); Francesco di Giorgio Martini (Italian (Sienese), 1439 - 1501); 1460s; Tempera on panel; 41.9 x 24.1 cm (16 1, 2 x 9 1, 2 in.)

Oenone left panel Francesco di Giorgio Martini
Oenone (left end panel); Francesco di Giorgio Martini (Italian (Sienese), 1439 - 1501); 1460s; Tempera on panel; 41.9 x 24.1 cm (16 1, 2 x 9 1, 2 in.)

S Marco Palazzo Ducale Giorgio Venice Attributed
S. Marco, Palazzo Ducale S. Giorgio - Venice; Attributed to Antonio Perini (Italian, 1830 - 1879); Venice, Italy; about 1855; Albumen silver print

Giorgio Ronconi, 1810 - 1890. Italian Operatic Baritone And Actor. From El Museo Popular Published Madrid, 1887

Giorgio Vasari, 1511 A

Six Tuscan Poets By Giorgio Vasari. From Left To Right Marsilio Ficino, 1433-1499, Cristoforo Landino, 1424-1498/1504, Francesco Petrarch, 1304-1374, Giovanni Boccaccio, 1313-1375, Dante Alighieri

Boats anchored at marina; Venice, Italy

Gondolas on the grand canal by st marks square (piazza san marco), looking across to isola di san giorgio maggiore; Venice, italy

Le Christ a la colonne. Creator: Jean Morin
Le Christ a la colonne

Street life, Naples, Italy, circa 1880 (Giorgio Sommer). Date: circa 1800s

Riviera di Chaija, Naples, Italy, circa 1880 (Giorgio Sommer
Riviera di Chaija, Naples, Italy, circa 1880. (Giorgio Sommer). Date: circa 1880

Lucerne, Switzerland, circa 1890 (Giorgio Sommer). Date: circa 1890

Italy. Florence. Dome of Brunelleschi. Last Judgement, by Gi
Italy. Florence. Last Judgement frescoes of the Dome of Brunelleschi, by Giorgio Vasari (1511-1574) and Zuccari (1572-1579). Detail. Hell

Villa Carlotta, Lake Como, Italy
The beautiful Botanic Gardens at the Villa Carlotta, Lake Como, Italy. Built at the end of 17th century by the Milanese Marquis Giorgio Clerici. Date: 1918

GIORGIONE. Youth holding an Arrow 1505
GIORGIONE, Giorgio da Castelfranco, called (1477-1510). Youth holding an Arrow. 1505. Renaissance art. Cinquecento. Venetian school. Oil on canvas. AUSTRIA. VIENNA. Vienna

ITALY: NAPLES. A view of Naples, Italy, with Castel dell Ovo in the distance. Photograph by Giorgio Sommer, c1880

SWITZERLAND: LUCERNE. A view of Lucerne, Switzerland. Photograph by Giorgio Sommer, c1870

FILIPPO BRUNELLESCHI (1377-1446) Italian architect. Woodcut by Giorgio Vasari from his biographies of Italian artists, 1550

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Giorgio: A Journey through Italian Art and History Giorgio, a name that echoes throughout the annals of Italian art and history. From the opulent days of the Medici family to the masterpieces created by Giorgione da Castelfranco, this name carries with it a legacy of creativity and brilliance. In Renaissance Italy, under the patronage of Lorenzo the Magnificent, artists like Giorgione flourished. His paintings adorned churches such as San Giorgio Maggiore in Venice, showcasing his mastery over color and composition. The beauty of these works still captivates visitors today. But Giorgio is not limited to painting alone; he transcends time and medium. In 19th-century Naples, photographer Giorgio Sommer captured street life with his lens, immortalizing scenes filled with vibrant energy. From bustling markets to serene coastal landscapes along Riviera di Chiaja, Sommer's photographs transport us back in time. Even beyond Italy's borders, Giorgio's influence can be felt. In Lucerne, Switzerland during the late 19th century, photographer Giorgio Sommer continued to capture moments frozen in time. His photographs reveal glimpses into daily life against breathtaking Alpine backdrops. Italian architecture also bears witness to the impact of this illustrious name. The Dome of Brunelleschi in Florence stands tall as a testament to human ingenuity and artistic vision. Its Last Judgement frescoes depict biblical scenes brought to life by talented hands - perhaps even those belonging to an artist named Giorgio. Nature too finds its place within this narrative surrounding our enigmatic protagonist. Villa Carlotta on Lake Como offers respite from urban chaos amidst lush gardens and stunning views. Here one can imagine strolling through its corridors while contemplating artistry inspired by nature itself. Yet amidst all these cultural treasures lies another facet - one intertwined with adventure on high seas.