Giovanni Domenico Collection

The Last Supper, (black chalk, pen and brown ink)
1197629 The Last Supper, (black chalk, pen and brown ink) by Tiepolo, Giandomenico (Giovanni Domenico) (1727-1804); 23.3x36.9 cm; Private Collection; Photo eChristies Images; Italian, out of copyright

Christ Healing the Blind Man, c. 1751 (oil on canvas)
827762 Christ Healing the Blind Man, c.1751 (oil on canvas) by Tiepolo, Giandomenico (Giovanni Domenico) (1727-1804); 44.5x65.5 cm; Private Collection; (add.info.: Christ Healing the Blind Man)

Departure of David the Shepherd from the House of His Father (Partenza di David pastore dalla casa paterna), 1743-63. After Giovanni Benedetto Castiglione

One of the Sons of Noah who Goes to Populate a Part of the Earth (Uno de figli di Noè
One of the Sons of Noah who Goes to Populate a Part of the Earth (Uno de figli di Noe che va a popolare una parte della terra), 1743-63. After Giovanni Benedetto Castiglione

The Minuet, 1765. Creator: Giacomo Leonardis
The Minuet, 1765

The Quack Dentist, 1765. Creator: Giacomo Leonardis
The Quack Dentist, 1765

Plate IIII (4): Leda and the Swan. From "Museum Florentinum"
Plate IIII (4): Leda and the Swan. From " Museum Florentinum" (Statuae antiquae dorum et virorum illustrium), 1734

Plate XVII (17): A Muse. From "Museum Florentinum"
Plate XVII (17): A Muse. From " Museum Florentinum" (Statuae antiquae dorum et virorum illustrium), 1734

Plate LXXV (75): Male Athlete. From "Museum Florentinum"
Plate LXXV (75): Male Athlete. From " Museum Florentinum" (Statuae antiquae dorum et virorum illustrium), 1734

Plate XXXVIII (38): Mercury. From "Museum Florentinum"
Plate XXXVIII (38): Mercury. From " Museum Florentinum" (Statuae antiquae dorum et virorum illustrium), 1734

Plate LXXI (71): Narcissus. From "Museum Florentinum"
Plate LXXI (71): Narcissus. From " Museum Florentinum" (Statuae antiquae dorum et virorum illustrium), 1734

Plate XXXVII (37): Mars. From "Museum Florentinum"
Plate XXXVII (37): Mars. From " Museum Florentinum" (Statuae antiquae dorum et virorum illustrium), 1734

Self-portrait in a Turkish Outfit, 18th century. Creator: Carlo Gregori
Self-portrait in a Turkish Outfit, 18th century. [Jean Etienne Liotard]

Standing Angel Holding a Scroll, ca. 1614. Creator: Giovanni Domenico Caresana
Standing Angel Holding a Scroll, ca. 1614

Europe. Creator: Giovanni Domenico Tiepolo
Europe

The Departure of the Gondola, mid-1760s. Creator: Giovanni Domenico Tiepolo
The Departure of the Gondola, mid-1760s

Africa. Creator: Giovanni Domenico Tiepolo
Africa

America. Creator: Giovanni Domenico Tiepolo
America

Asia. Creator: Giovanni Domenico Tiepolo
Asia

The Sacrifice of Isaac, mid-1750s. Creator: Giovanni Domenico Tiepolo
The Sacrifice of Isaac, mid-1750s

A Dance in the Country, ca. 1755. Creator: Giovanni Domenico Tiepolo
A Dance in the Country, ca. 1755

The Glorification of the Giustiniani Family, 1783. Creator: Giovanni Domenico Tiepolo
The Glorification of the Giustiniani Family, 1783

A Shop with smoked Wares, 1791, (1928). Artist: Giovanni Domenico Tiepolo
A Shop with smoked Wares, 1791, (1928). Pen with wash on paper. At one time known to have been in the collection of Henry Oppenheimer, London

Cows watering, mid-late 18th century, (1928). Artist: Giovanni Domenico Tiepolo
Cows watering, mid-late 18th century, (1928). Cows drinking, pen with wash on paper. At one time known to have been in the collection of Henry Oppenheimer, London

The Citadel of Brescia, mid-late 18th century, (1928). Artist: Giovanni Domenico Tiepolo
The Citadel of Brescia, mid-late 18th century, (1928). Chalk on paper. At one time known to have been in the collection of Dr Hans Wendland, Lugano, Switzerland

The Evangelist Matthew, 1743, (1928). St Matthew, chalk on paper. Study for a figure in the Capella Sagredo in the church of San Francesco della Vigna in Venice, Italy, finished in 1743

Group of Old and Young Men, mid-late 18th century, (1928). Artist: Giovanni Domenico Tiepolo
Group of Old and Young Men, mid-late 18th century, (1928). Group of old and young men, listening to a guitar player seated left in the foreground, pen with many-coloured wash on paper

Praying Saint surrounded by Angels, 1762, (1928). Artist: Giovanni Domenico Tiepolo
Praying Saint surrounded by Angels, 1762, (1928). A Saint with hands raised in prayer, standing on clouds, surrounded by Angels, chalk on paper

Chronos, 1752, (1928). Artists: Giovanni Battista Tiepolo, Giovanni Domenico Tiepolo
Chronos, 1752, (1928). Chalk on paper. Study for the frescoes of the staircase-hall in the Wü rzburg Residence, Germany. Staatsgalerie, Stuttgart, Germany

Two Oriental Merchants, 1753, (1928). Chalk on paper. Study for the Africa section, frescoes of the staircase-hall in the Wü rzburg Residence, Germany. Staatsgalerie, Stuttgart, Germany

St. Mark, 1743, (1928). Artists: Giovanni Battista Tiepolo, Giovanni Domenico Tiepolo
St. Mark, 1743, (1928). The Evangelist Mark, chalk on paper. Study for a figure in the Capella Sagredo in the church of San Francesco della Vigna in Venice, Italy, finished in 1743

Four evangelists Tiepolo Giovanni Battista 1696-1770
Four evangelists, Tiepolo, Giovanni Battista, 1696-1770, Tiepolo, Giovanni Domenico, 1726?-1804, Etching, ca. 1743, Opus in pariete pictum, in AEdibus S. Francisci a Vinea Venetiarum. Joan

Plates 1-2 Four Evangelists Tiepolo Giovanni Battista
Plates 1-2, Four Evangelists, Tiepolo, Giovanni Battista, 1696-1770, Tiepolo, Giovanni Domenico, 1726?-1804, Etching, ca. 1743, Joan. Bapta Tiepolo inv, et pinx

stoning Saint Stephen Tiepolo Giovanni Domenico
The stoning of Saint Stephen, Tiepolo, Giovanni Domenico, 1726?-1804, ca. 1754

Punchinello Helped Chair Giovanni Domenico Tiepolo
Punchinello Is Helped to a Chair; Giovanni Domenico Tiepolo (Italian, 1727 - 1804); Italy; about 1791; Pen and brown ink, brush with brown wash, and black chalk; 35.4 × 47 cm (13 15, 16 × 18 1)

Centaur Female Faun Landscape Giovanni Domenico
A Centaur and a Female Faun in a Landscape; Giovanni Domenico Tiepolo (Italian, 1727 - 1804); about 1775; Pen and brown ink, brown wash, over black chalk; 19.4 × 27.5 cm (7 5, 8 × 10 13, 16 in.)

She gathers the fairest flower (Il piubel fior ne coglie)
She gathers the fairest flower (Il piu bel fior ne coglie), a group of six putti working together in an arched workshop, 1740-59

Caesar meeting Cleopatra, 1747. Artist: Giovanni Domenico Tiepolo
Caesar meeting Cleopatra, 1747. Found in the collection of the State Museum Arkhangelskoye Estate, Moscow

Feast in the House of Simon, 18th / early 19th century. Artist: Giovanni Domenico Tiepolo
Feast in the House of Simon, 18th/early 19th century. From a private collection

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Giovanni Domenico, a renowned artist of his time, left an indelible mark on the art world with his masterpieces. One such masterpiece is "The Last Supper, " a stunning portrayal of this iconic biblical scene. Using black chalk, pen, and brown ink, Giovanni captures the emotions and intricacies of each disciple gathered around Jesus. In another captivating work titled "Christ Healing the Blind Man, " Giovanni showcases his exceptional talent in oil painting. The canvas comes alive as Christ's miraculous healing power is depicted with great detail and skill. "Departure of David the Shepherd from the House of His Father" tells a tale from ancient times. Giovanni's brushstrokes transport us to that moment when David embarks on his journey towards greatness. "One of the Sons of Noah who Goes to Populate a Part of the Earth" portrays an important chapter in human history. Giovanni's artwork beautifully illustrates this significant event as one son sets out to fulfill his destiny. Moving away from religious themes, we delve into Giacomo Leonardis' creations influenced by Giovanni Domenico. In "The Minuet, " Leonardis pays homage to Giovanni's style while adding his own flair for capturing movement and elegance. "The Quack Dentist" takes us into a comical scene where Leonardis humorously depicts an unskilled dentist at work. This playful piece showcases both artists' ability to bring laughter through their artistry. Giovanni also contributed illustrations for "Museum Florentinum. " Plate IIII presents an enchanting depiction of Leda and the Swan - a mythological tale brought to life through intricate details and delicate strokes. Plate XVII introduces us to a muse radiating grace and inspiration; her presence evokes creativity within all who gaze upon her image. Plate LXXV portrays a male athlete in all his glory - muscles defined, poised for action - showcasing strength personified through skilled craftsmanship.