Giovanni Domenico Campiglia Collection

Statue of Hercules, 1734. Creator: Marc Antonio Corsi
Statue of Hercules, 1734. Plate LXVIII (68) from " Museum Florentinum" (Statuae antiquae deorum et virorum illustrium), a work on ancient Greek and Roman sculptures

Statue of Apollo, 1734. Creator: Giovanni Battista Jacoboni
Statue of Apollo, 1734. Plate X (10) from " Museum Florentinum" (Statuae antiquae deorum et virorum illustrium), a work on ancient Greek and Roman sculptures

Statue of Venus, 1734. Creator: Giovanni Girolamo Frezza
Statue of Venus, 1734. Plate XXXIII (33) from " Museum Florentinum" (Statuae antiquae deorum et virorum illustrium), a work on ancient Greek and Roman sculptures

Diana, Plate XIX (19). From "Museum Florentinum"
Diana, Plate XIX (19). From " Museum Florentinum" (Statuae antiquae dorum et virorum illustrium), 1734

Plate IIII (4): Leda and the Swan. From "Museum Florentinum"
Plate IIII (4): Leda and the Swan. From " Museum Florentinum" (Statuae antiquae dorum et virorum illustrium), 1734

Plate XVII (17): A Muse. From "Museum Florentinum"
Plate XVII (17): A Muse. From " Museum Florentinum" (Statuae antiquae dorum et virorum illustrium), 1734

Plate LXXV (75): Male Athlete. From "Museum Florentinum"
Plate LXXV (75): Male Athlete. From " Museum Florentinum" (Statuae antiquae dorum et virorum illustrium), 1734

Plate XXXVIII (38): Mercury. From "Museum Florentinum"
Plate XXXVIII (38): Mercury. From " Museum Florentinum" (Statuae antiquae dorum et virorum illustrium), 1734

Plate LXXI (71): Narcissus. From "Museum Florentinum"
Plate LXXI (71): Narcissus. From " Museum Florentinum" (Statuae antiquae dorum et virorum illustrium), 1734

Plate XXXVII (37): Mars. From "Museum Florentinum"
Plate XXXVII (37): Mars. From " Museum Florentinum" (Statuae antiquae dorum et virorum illustrium), 1734

Self-portrait in a Turkish Outfit, 18th century. Creator: Carlo Gregori
Self-portrait in a Turkish Outfit, 18th century. [Jean Etienne Liotard]

She gathers the fairest flower (Il piubel fior ne coglie)
She gathers the fairest flower (Il piu bel fior ne coglie), a group of six putti working together in an arched workshop, 1740-59

For sale as Licensed Images

Choose your image, Select your licence and Download the media

Giovanni Domenico Campiglia, a renowned Italian sculptor of the 18th century, left an indelible mark on the art world with his exquisite creations. His talent and craftsmanship are evident in every piece he crafted. One of his notable works is the magnificent Statue of Hercules, created in 1734 by Marc Antonio Corsi. This powerful depiction showcases Campiglia's ability to capture strength and heroism through stone. Another masterpiece attributed to him is the Statue of Apollo, skillfully sculpted by Giovanni Battista Jacoboni. The statue exudes grace and beauty, reflecting Campiglia's mastery in portraying divine figures. Campiglia's expertise extended beyond gods and heroes as seen in the delicate Statue of Venus, crafted by Giovanni Girolamo Frezza. This sculpture radiates elegance and sensuality, showcasing Campiglia's versatility as an artist. In addition to these mythological figures, Campiglia also contributed to "Museum Florentinum, " a collection that immortalizes various subjects from classical mythology. Plate XIX presents Diana gracefully poised with her bow while Plate IIII depicts Leda entwined with a swan - both pieces demonstrating Campiglia's attention to detail and storytelling abilities. Plate XVII introduces us to A Muse captured in marble form – her ethereal beauty inspiring creativity for generations to come. Meanwhile, Plate LXXV portrays a Male Athlete frozen mid-action; his muscular physique testament to Campiglia's ability to convey movement through stone. Campiglia further explores mythology with Mercury showcased in Plate XXXVIII - his winged sandals ready for swift flight. In contrast, Narcissus captivates viewers' attention on Plate LXXI as he gazes at his own reflection - a poignant reminder of vanity's consequences. The god Mars takes center stage on Plate XXXVII; fierce determination etched into every muscle fiber underlining Mars' role as the god of war. Campiglia's attention to detail is evident once again.