Giulio Carpioni Collection

The Holy Family with the Virgin holding Christ over the cradle, 1640-60. 1640-60
The Holy Family with the Virgin holding Christ over the cradle, 1640-60

Bacchanal, 1660. Creator: Giulio Carpioni
Bacchanal, 1660

Bacchanal, 1770. Creator: Jacob Wilhelm Mechau
Bacchanal, 1770

The Holy Family with the infant Saint John kissing Christ's feet, 1640-60. Creator: Anon
The Holy Family with the infant Saint John kissing Christ's feet, 1640-60

Water, represented by a naiad seated at the base of a tree... 1640-60. Naiad resting her arm on a supine urn from which water flows

A guardian angel walking hand in hand with a young child, 1640-60

The Holy Family with the infant Saint John kissing Christs feet, 1640-60

The Holy Family with the Virgin reading a book, 1640-60. Creator: Giulio Carpioni
The Holy Family with the Virgin reading a book, 1640-60

Saint Jerome kneeling beside a tree with his arms outstretched, 1640-60

The Penitent Saint Mary Magdalene, kneeling before a skull and bones, 1640-60

Holy Family with the Virgin reading, the Virgin sits in profile with a book in her left hand and the Child facing the viewer, Joseph stands behind them with a staff in his right hand, 1640-60

Penitent Magdalen kneeling on a rocky ground before a skull and bones, an ointment jar lies in the left foreground, rays of light and winged putti descend from above, ca. 1640-55

Air, represented by Iris reclining on her rainbow, accompanied by a winged putto bearing a torch and another winged putto riding an eagle, from " The Elements", 1640-60

Fire, represented by Venus seated before Vulcans forge, with armor, a cannon, and cannon balls surrounding her, she turns her head toward Cupid, who stretches his body away from her

Bacchanal satyr playing lute surrounded four figures
Artokoloro

Fire represented Venus seated Vulcan forge armor
Artokoloro

R Figure Studies Standing Nude Figure Putti Man
Artokoloro

Bacchanal infant satyrs putti left naked male figure reclines
Artokoloro

Air represented Iris reclining rainbow accompanied
Artokoloro

Earth represented Cybele seated base tree fruits
Artokoloro

Water represented naiad seated base tree resting
Artokoloro

Bacchanalian Group Children Drinking 1613-78
Artokoloro

Penitent Magdalen kneeling rocky ground skull
Artokoloro

Holy Family Virgin reading sits profile book
Artokoloro

Giulio Carpioni (Italian, c. 1613 - 1678), Christ on the Mount of Olives, etching

Giulio Carpioni (Italian, 1613 - 1678). Christ on the Mount of Olives, 17th century. Second or third state

Jacob Wilhelm Mechau after Giulio Carpioni (German, 1745-1808), Bacchanal, 1770, etching on laid paper

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Giulio Carpioni: A Master of Captivating Imagery Step into the enchanting world of Giulio Carpioni, an Italian painter who mesmerizes viewers with his exquisite artworks. Born in 1613 and passing away in 1678, Carpioni left behind a legacy that continues to captivate art enthusiasts to this day. One of his remarkable pieces is "The Holy Family with the Virgin holding Christ over the cradle. " Painted between 1640-1660, this masterpiece portrays the tender love and care shared within the sacred family unit. The Virgin Mary delicately holds baby Jesus over the cradle, radiating maternal affection. In another artwork from the same period, Carpioni depicts water through a naiad seated at the base of a tree. This ethereal representation showcases his ability to bring nature's elements to life on canvas. The tranquil scene invites us to immerse ourselves in its serene beauty. Carpioni's talent for capturing spiritual themes shines through in "A guardian angel walking hand in hand with a young child. " Painted during those same years, this piece evokes feelings of protection and guidance as we witness an angelic figure leading a child along their path. "The Holy Family with the infant Saint John kissing Christ's feet" further exemplifies Carpioni's devotion to religious subjects. Here, he skillfully portrays Saint John expressing adoration towards baby Jesus' holy presence—an intimate moment frozen in time by his brushstrokes. Delving deeper into spirituality, we encounter "Saint Jerome kneeling beside a tree with his arms outstretched. " This painting showcases Saint Jerome's profound faith as he seeks solace and enlightenment amidst nature—a testament to human connection with divinity beyond traditional settings. Carpioni also explores themes beyond religion; one such example is "The Penitent Saint Mary Magdalene. " Kneeling before a skull and bones symbolizing mortality, she demonstrates repentance and spiritual transformation.