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Glasgow Style Collection

"Glasgow Style: A Fusion of Art and Design" Step into the enchanting world of Glasgow Style

Background imageGlasgow Style Collection: White cabinet designed for Mrs. Rowat, 1902 (wood, stained glass, enamel)

White cabinet designed for Mrs. Rowat, 1902 (wood, stained glass, enamel)
3259136 White cabinet designed for Mrs. Rowat, 1902 (wood, stained glass, enamel) by Mackintosh, Charles Rennie (1868-1928); Private Collection; (add.info.: Formerly part of the Dr)

Background imageGlasgow Style Collection: Under the Apple Tree, 1896-99 (oil on canvas)

Under the Apple Tree, 1896-99 (oil on canvas)
3550996 Under the Apple Tree, 1896-99 (oil on canvas) by MacNicol, Bessie (1869-1904); 75.2x64.1 cm; Art Gallery and Museum, Kelvingrove, Glasgow

Background imageGlasgow Style Collection: Faded roses, 1905 (w/c on paper)

Faded roses, 1905 (w/c on paper)
3550993 Faded roses, 1905 (w/c on paper) by Mackintosh, Charles Rennie (1868-1928); 27.2x28 cm; Glasgow Museums, UK; (add.info.: Watercolour composition showing group of blue faded flowers)

Background imageGlasgow Style Collection: Decorative wall panel (painted oak)

Decorative wall panel (painted oak)
3551054 Decorative wall panel (painted oak) by Walton, George (1867-1933); Glasgow Museums, UK; (add.info.: Decorative section of wall panelling from the Luncheon Room at Miss Cranston's Argyle)

Background imageGlasgow Style Collection: Domino Clock, c. 1917 (ebonised wood with ivory and plastic inlay)

Domino Clock, c. 1917 (ebonised wood with ivory and plastic inlay)
3551055 Domino Clock, c.1917 (ebonised wood with ivory and plastic inlay) by Mackintosh, Charles Rennie (1868-1928); 25.5x13x12.8 cm; Art Gallery and Museum, Kelvingrove, Glasgow

Background imageGlasgow Style Collection: Light fitting

Light fitting
3551050 Light fitting by Mackintosh, Charles Rennie (1868-1928); Glasgow Museums, UK; (add.info.: Basket type lampshade with wall fitting. ); © CSG CIC Glasgow Museums Collection

Background imageGlasgow Style Collection: Black painted fireplace, c. 1914-c. 1928 (wood, metal)

Black painted fireplace, c. 1914-c. 1928 (wood, metal)
3259144 Black painted fireplace, c.1914-c.1928 (wood, metal) by Mackintosh, Charles Rennie (1868-1928); Private Collection; (add.info)

Background imageGlasgow Style Collection: Line drawing of furniture (a settle with painted panels), c. 1910 (ink on paper)

Line drawing of furniture (a settle with painted panels), c. 1910 (ink on paper)
3259140 Line drawing of furniture (a settle with painted panels), c.1910 (ink on paper) by Mackintosh, Charles Rennie (1868-1928); Private Collection; (add.info.: Formerly part of the Dr)

Background imageGlasgow Style Collection: Furniture designed for No. 120 Mains Street, Glasgow, Repousse metal plaque originally

Furniture designed for No. 120 Mains Street, Glasgow, Repousse metal plaque originally
3259138 Furniture designed for No. 120 Mains Street, Glasgow, Repousse metal plaque originally above fireplace, c.1900 (metal) by Macdonald

Background imageGlasgow Style Collection: The Silver Apples of the Moon, 1912 (pencil & w / c with gilt & gum arabic on paper laid

The Silver Apples of the Moon, 1912 (pencil & w / c with gilt & gum arabic on paper laid
3500022 The Silver Apples of the Moon, 1912 (pencil & w/c with gilt & gum arabic on paper laid on cardboard) by MacDonald Mackintosh

Background imageGlasgow Style Collection: Line drawing of furniture (a cupboard), c. 1910 (ink on paper)

Line drawing of furniture (a cupboard), c. 1910 (ink on paper)
3259142 Line drawing of furniture (a cupboard), c.1910 (ink on paper) by Mackintosh, Charles Rennie (1868-1928); Private Collection; (add.info.: Formerly part of the Dr)

Background imageGlasgow Style Collection: Design for a Music Room, c. 1901 (colour lithograph)

Design for a Music Room, c. 1901 (colour lithograph)
991159 Design for a Music Room, c.1901 (colour lithograph) by Mackintosh, Charles Rennie (1868-1928) (after); 40.5x53.3 cm; Private Collection; (add.info)

Background imageGlasgow Style Collection: Line drawing of furniture (a cabinet), c. 1910 (ink on paper)

Line drawing of furniture (a cabinet), c. 1910 (ink on paper)
3259137 Line drawing of furniture (a cabinet), c.1910 (ink on paper) by Mackintosh, Charles Rennie (1868-1928); Private Collection; (add.info.: Formerly part of the Dr)

Background imageGlasgow Style Collection: Furniture designed for No. 120 Mains Street, Glasgow, Four-poster bed, c

Furniture designed for No. 120 Mains Street, Glasgow, Four-poster bed, c
3259133 Furniture designed for No. 120 Mains Street, Glasgow, Four-poster bed, c.1900 (painted wood and enamel) by Mackintosh



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"Glasgow Style: A Fusion of Art and Design" Step into the enchanting world of Glasgow Style, a movement that revolutionized art and design in Scotland during the late 19th and early 20th centuries. Under the Apple Tree, an exquisite oil on canvas masterpiece created between 1896-99, captures the essence of this artistic era. Faded roses delicately painted with watercolors on paper in 1905 evoke a sense of nostalgia and fleeting beauty. The Decorative wall panel adorned with intricate patterns showcases the mastery of painted oak craftsmanship. The Domino Clock, crafted around 1917 from ebonised wood embellished with ivory and plastic inlay, exemplifies the attention to detail that defined Glasgow Style. Its unique design seamlessly blends form and function. A mesmerizing light fitting illuminates any space it graces, casting a warm glow reminiscent of this iconic style. Meanwhile, a black painted fireplace dating back to c. 1914-c. 1928 stands as a testament to both elegance and functionality. Intricate line drawings capture furniture designs such as settle panels from circa 1910 - their simplicity exuding sophistication. Furniture designed for No. 120 Mains Street features repousse metal plaques originally adorning its surfaces; each piece tells its own story. "The Silver Apples of the Moon, " rendered using pencil & w/c with gilt & gum arabic on paper laid down in 1912, transports viewers into an ethereal realm where imagination knows no bounds. Mrs. Rowat's white cabinet from 1902 is a stunning example showcasing stained glass and enamel workmanship at its finest – blending practicality with artistic flair effortlessly. Line drawings depicting cupboards from circa 1910 reveal how even everyday objects were transformed into works of art through meticulous ink strokes on paper. Finally, "The Christmas Story" title page beautifully illustrated using pencil in 1895-96 encapsulates the spirit – a celebration of creativity and craftsmanship.