Gluttony Collection (#6)

The Seven Deadly Sins (engraving)
REV146012 The Seven Deadly Sins (engraving) by Russian School (19th century); Pushkin Museum, Moscow, Russia; Russian, out of copyright

Seven deadly fishing: Gourmandise. Epinal imaging late 19th century
XEE4179363 Seven deadly fishing: Gourmandise. Epinal imaging late 19th century. (I sette peccati o vizi capitali) by French School

Girl bringing a milk bowl to cats - cover "Cats"by Steinlen, n. d. 19th
LSE4093191 Girl bringing a milk bowl to cats - cover " Cats" by Steinlen, n.d. 19th. by Steinlen, Theophile Alexandre (1859-1923); Private Collection; (add.info)

Letter G, H and I: cakes, hood and Italian. Recreative alphabet. Epinal imaging
DUV4203057 Letter G, H and I: cakes, hood and Italian. Recreative alphabet. Epinal imaging. Stencilled wood engravings, circa 1880

A greedy cat. Illustrated alphabet (lithograph on a bistre background)
DUV4200351 A greedy cat. Illustrated alphabet (lithograph on a bistre background) by French School, (20th century); 40x29 cm; Private Collection; (add.info.: Imageries reunited in Jarville-Nancy)

The time of cherries, walking merchant in the streets of Paris
LSE4324068 The time of cherries, walking merchant in the streets of Paris. Engraving in " Le petit journal" 9/06/1895. Selvas collection

Letter G: cakes. Recreative alphabet. Epinal imaging. Stencilled wood engravings
DUV4203055 Letter G: cakes. Recreative alphabet. Epinal imaging. Stencilled wood engravings, circa 1880. Small booklet of 16 pages by French School

Les meditations d un gourmet - engraving in "
XEE4163339 Les meditations d un gourmet - engraving in " Almanach des gourmands, serving as a guide in ways to make excellent dear

Le rat de ville et le rat des champs - The Town Mouse and the Country Mouse - from
XEE4156093 Le rat de ville et le rat des champs - The Town Mouse and the Country Mouse - from Fables by Jean de La Fontaine (Lafontaine) (1621-95) - engravin after Gustave Dore (1832-83)

A sorbet dealer in Florence. Lithography around 1820
GIA4797775 A sorbet dealer in Florence. Lithography around 1820 by Unknown Artist, (19th century); Private Collection; (add.info.: A sorbet dealer in Florence)

Illustration of Adolphe dit Willette (1857-1926) for the Cover of Le Rire
ICA4861965 Illustration of Adolphe dit Willette (1857-1926) for the Cover of Le Rire, 29/02/08 - L amour est un plaisir partage - Metiers, Architecture Urbanisme, Province, Love, Fashion

The confectioner: a young woman holding a tray of candy and confectionery
JLJ4583856 The confectioner: a young woman holding a tray of candy and confectionery. Engraving by Martin Engelbrecht (1684-1756) 18th century

Birthday A little boy comes out of a pastry shop holding his cake in his hands
JLJ4583669 Birthday A little boy comes out of a pastry shop holding his cake in his hands. Lithography of the 19th century Paris, decorative arts by French School

La passerie gloppe avenue des Champs Elysees. Painting by Jean Beraud (1849 - 1935), 1889
JLJ4575170 La passerie gloppe avenue des Champs Elysees. Painting by Jean Beraud (1849 - 1935), 1889. Oil on wood, 0.38 x 0.53m. Paris, Musee Carnavalet

Representation of Gabrielle d Estrees, Marquise of Monceaux (1573-1599
JLJ4611886 Representation of Gabrielle d Estrees, Marquise of Monceaux (1573-1599) in the bath Near her a nurse nursing her children. Detail of one of the children and a basket of fruit

The child has the cluster Marble sculpture by Pierre Jean David dit David d
JLJ4579180 The child has the cluster Marble sculpture by Pierre Jean David dit David d Angers (1788-1856) 1845 Paris, Musee du Louvre by David d Angers, Pierre Jean (1788-1856); Louvre, Paris

Dante and Virgil meet Forese de Donati with the gluttonous (song 23 from Purgatory
LRI4636709 Dante and Virgil meet Forese de Donati with the gluttonous (song 23 from Purgatory, in the Divine Comedy) - Minature, 14th century by Italian School, (14th century); Girolamini Library

Small Neapolitan trades: a street vendor of cooked maccheroni. 19th century (lithography)
LRI4628873 Small Neapolitan trades: a street vendor of cooked maccheroni. 19th century (lithography) by Italian School, (19th century); Museo Nazionale delle Paste Alimentari, Fondazione Agnesi

The nurse with the child Detail of "Gabrielle d Estree in the bath"
JLJ4658772 The nurse with the child Detail of " Gabrielle d Estree in the bath". THE maid breastfed the little Cesar (1594-1665), Duke of Vendome

Harlequin glutton. He always tries to catch something to eat
GIA4738194 Harlequin glutton. He always tries to catch something to eat, symbol of the misery of past centuries. Painting 18th century

Cartoon about gastronomic abuse. Serie "Paris qui drinks"
JEB4914918 Cartoon about gastronomic abuse. Serie " Paris qui drinks" : " in a cabinet of the house d or. Herbal tea that is not champagne." Engraving by Honore DAUMIER (1808-1879)

Economy, 1816 (hand-coloured engraving)
2562149 Economy, 1816 (hand-coloured engraving) by Cruikshank, Isaac Robert (1789-1856); Private Collection; (add.info.: George IV of the United Kingdom (12 August 1762 - 26 June 1830)

Gluttony, probably after 1621. Creator: Jacques Callot
Gluttony, probably after 1621

Raùl, the gluttonous
Fabi Art

gluttony
Sergey Parishkov

Crisps for Life! A warehouse worker at the Golden Wonder warehouse in Bothwell seen here putting an order together. January 3rd 1970

Yes we have some banans Noddy the chimp enjoying a snack at the Geest banana ripening plant in Shenstone, Staffordshire. February 1976

The Industrious Prentice Grown Rich and Sheriff of London (Industry and Idleness, plate 8), September 30, 1747

Resurrection, 1625-77. Creator: Wenceslaus Hollar
Resurrection, 1625-77

Studious Gluttons, October 1788. Creator: Samuel Alken
Studious Gluttons, October 1788

The Fat Kitchen, 1563. Creator: Pieter van der Heyden
The Fat Kitchen, 1563

Venerable Idleness, Queen of Cockaigne; a fat woman seated on a movable toilet chair being waited on and fed by seven women, 1565

EATING LOTS FOR 1S 6D
Three hungry customers get their moneys worth with a cheap lunchtime restaurant meal. Date: circa 1835

GLUTTON / BENJAMIN MARRIOT
Benjamin Marriot, a Prodigious Eater

Gluttony
A SWALLOW AT CHRISTMAS satire on seasonal gluttony Date: 1841

HOGARTH / INDUSTRY / IDLE 8
8. The industrious apprentice has grown rich and become Sheriff of London Date: 1747

EyeUbiquitous_20106571
England, West Sussex, Chichester, Colourful trinket boxes on a market displaying the words of the Seven Deadly Sins

EyeUbiquitous_20106570
England, West Sussex, Chichester, Colourful trinket boxes on a market displaying the words of the Seven Deadly Sins

City Feast, 1747, (1925). Creator: William Hogarth
City Feast, 1747, (1925). Plate 8 of 12 plot-linked engravings created by William Hogarth in 1747 for series Industry and Idleness. The Industrious Prentice grown rich, & Sheriff of London

A Lesson in Constitutional Government, 1897. Creator: John Leech
A Lesson in Constitutional Government, 1897. A child holds its stomach in pain after over-eating. From " The Comic History of England" by Gilbert Abbott A Beckett

A Repast in the Monastery, 1865-1875, (1939). Creator: Vasily Perov
A Repast in the Monastery, 1865-1875, (1939). Also known as Meal : poor people beg on the floor, as well-fed Russian orthodox priests sit at a table, with more wine being opened on the left

Victorian satirical cartoon the greedy monk
Vintage engraving of a victorian satirical cartoon the greedy monk. 19th Century. The Lord is my shepherd - I shall not want

The Taste, 1618, by Jan Brueguel

George III feeding himself on guineas, London, 1787
Monstrous craws, at a new coalition feast, London, 1787; showing King George III, Queen Charlotte and the Prince of Wales seated outside the treasury round a bowl of guineas

Fatal effects of gluttony, a Lord Mayors Day night mare, 1830; depicting an alderman asleep in bed. On top of him is a crowd of animals including a turtle, lobster and duck

Mansion House Monitor, 1809. Cits guzzling at a Mansion House dinner are terrified by the appearance of the ghost of Henry Fitzailwin, first Lord Mayor of London

Select vestry comforts, 1828. Artist: Thomas Jones
Select vestry comforts, 1828. Eight of the select vestry of St Paul s, Covent Garden dining in the vestry room. At the head of the table is the vicar of St Martin-in-the-Fields, Dr George Richards

The industrious prentice grown rich... plate VIII of Industry and Idleness, 1747
The industrious prentice grown rich and sheriff of London, plate VIII of Industry and Idleness, 1747; the scene is old Fishmongers Hall

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"Indulgence knows no bounds as Pulcinella generously feeds pasta to a little Pulcinella, capturing the essence in this 19th-century painting. " "In the whimsical world of art, even plum puddings are not safe from the clutches of gluttony, as depicted in this vibrant colored engraving from 1805. " "Satisfying cravings with every bite, these delectable iced cupcakes tempt even the most disciplined souls into succumbing to their gluttonous desires. " "The title 'Champion Beer Drinker' speaks volumes about society's fascination with excessive consumption and the allure of indulgence that accompanies it. " "A bon viveur takes center stage as a humanized elephant revels in his insatiable appetite, embodying the spirit through extravagant feasting and pleasure-seeking. " "Pieter Bruegel's masterpiece 'Peasant Dance' transports us to an era where communal celebrations were marked by excessive eating and drinking, showcasing how gluttony transcends time. " "In Jos Posada's early 20th-century metal engraving, we witness a rich man relentlessly pursued by the Seven Deadly Sins, including gluttony. A reminder that excess can lead to spiritual downfall. " "Gaining political favor through lavish banquets and grandiose displays of opulence was not uncommon during elections, as portrayed in 'The Election II: Canvassing for Votes. '" "With intricate details adorning each panel, 'Tabletop of the Seven Deadly Sins and Four Last Things' serves as a cautionary reminder against falling prey to our baser instincts like gluttony. " "A large boy devouring an equally large pie captures both awe and concern over unchecked appetites. A visual testament to how easily we can lose ourselves in moments of indulgence.