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Goldsmiths Collection (page 6)

Goldsmiths: A Legacy of Craftsmanship and Elegance Step into the world of goldsmiths, where artistry meets precious metals

Background imageGoldsmiths Collection: Blackwork Print Foliate Scrolls Oval Center Series

Blackwork Print Foliate Scrolls Oval Center Series
Artokoloro

Background imageGoldsmiths Collection: Title Plate Blackwork Motifs Trophies Grotesques

Title Plate Blackwork Motifs Trophies Grotesques
Artokoloro

Background imageGoldsmiths Collection: Blackwork Print Roundel Tendrils Birds Two Ovals

Blackwork Print Roundel Tendrils Birds Two Ovals
Artokoloro

Background imageGoldsmiths Collection: Title Plate Goldsmiths Bouquet Livre de Toutes Sorte Feuilles Pour Servir

Title Plate Goldsmiths Bouquet Livre de Toutes Sorte Feuilles Pour Servir
Artokoloro

Background imageGoldsmiths Collection: Blackwork Print Grotesques Fighting Top Large Motif Surrounded

Blackwork Print Grotesques Fighting Top Large Motif Surrounded
Artokoloro

Background imageGoldsmiths Collection: Laying the Cloth - Illustration for Goldsmiths The Vicar of

Laying the Cloth - Illustration for Goldsmiths The Vicar of
Laying the Cloth (1899) (Illustration for Oliver Goldsmiths The Vicar of Wakefield, 1890). Thomson, Hugh 1860 - 1920. Date: 1899

Background imageGoldsmiths Collection: Source Size = 2260 x 1438

Source Size = 2260 x 1438
The Goldsmiths Institute, Opened by T.R.H. the Prince and Princess of Wales: the Lecture and Music Hall

Background imageGoldsmiths Collection: Source Size = 3887 x 5694

Source Size = 3887 x 5694
Sketches of Goldsmiths " deserted Village, " Lishoy or Auburn, Near Athlone, 1871

Background imageGoldsmiths Collection: Ms Palat. 218-220 Book IX Melting and casting gold in the Aztec empire, from the

Ms Palat. 218-220 Book IX Melting and casting gold in the Aztec empire, from the
XTD82722 Ms Palat. 218-220 Book IX Melting and casting gold in the Aztec empire, from the Florentine Codex by Bernardino de Sahagun, c.1540-85 by Spanish School

Background imageGoldsmiths Collection: Interior of Etienne Delaunes workshop, from Les Arts au Moyen Age

Interior of Etienne Delaunes workshop, from Les Arts au Moyen Age
KW415617 Interior of Etienne Delaunes workshop, from Les Arts au Moyen Age, published 1873 (litho) by French School, (19th century); Private Collection; (add.info)

Background imageGoldsmiths Collection: Louis XIV visiting the Gobelins factory (pierre noire on paper)

Louis XIV visiting the Gobelins factory (pierre noire on paper)
XIR414669 Louis XIV visiting the Gobelins factory (pierre noire on paper) by Le Brun, Charles (1619-90); 58.1x92.7 cm; Louvre (Cabinet de dessins), Paris

Background imageGoldsmiths Collection: Street map of London around Guildhall, c. 1795 (print)

Street map of London around Guildhall, c. 1795 (print)
XJF2639719 Street map of London around Guildhall, c.1795 (print) by Horwood, Richard (1758-1803); Private Collection; (add.info)

Background imageGoldsmiths Collection: Goldbeater, reproduction of a woodcut by Jost Amman (1539-91) from Le Moyen

Goldbeater, reproduction of a woodcut by Jost Amman (1539-91) from Le Moyen
KW260639 Goldbeater, reproduction of a woodcut by Jost Amman (1539-91) from Le Moyen Age et La Renaissance by Paul Lacroix (1806-84) published 1847 (litho) by French School

Background imageGoldsmiths Collection: Twelve designs for goldsmiths, Daniel Marot (I), Anonymous, Anonymous, after 1703

Twelve designs for goldsmiths, Daniel Marot (I), Anonymous, Anonymous, after 1703 - before 1800

Background imageGoldsmiths Collection: Edge of circular plate with leaf tendrils, masks and putti, Anthonie de Winter, C

Edge of circular plate with leaf tendrils, masks and putti, Anthonie de Winter, C. de Moelder, 1696

Background imageGoldsmiths Collection: Three strips with foliate scrolls, masks and putti, Anthonie de Winter, Anonymous, 1696

Three strips with foliate scrolls, masks and putti, Anthonie de Winter, Anonymous, 1696

Background imageGoldsmiths Collection: Three friezes with leaf tendrils, print maker: Anthonie de Winter, Anonymous, 1696

Three friezes with leaf tendrils, print maker: Anthonie de Winter, Anonymous, 1696

Background imageGoldsmiths Collection: Three friezes with leaf tendrils, Anthonie de Winter, Anonymous, 1696

Three friezes with leaf tendrils, Anthonie de Winter, Anonymous, 1696

Background imageGoldsmiths Collection: Three friezes with leaf tendrils, Anonymous, Anthonie de Winter, 1696

Three friezes with leaf tendrils, Anonymous, Anthonie de Winter, 1696

Background imageGoldsmiths Collection: Vertical panel and two friezes, Anthonie de Winter, Anonymous, 1696

Vertical panel and two friezes, Anthonie de Winter, Anonymous, 1696

Background imageGoldsmiths Collection: Three friezes with leaf tendrils, Anthonie de Winter, C. de Moelder, 1696

Three friezes with leaf tendrils, Anthonie de Winter, C. de Moelder, 1696

Background imageGoldsmiths Collection: Mercury, c. 1464 (engraving)

Mercury, c. 1464 (engraving)
XJF1127536 Mercury, c.1464 (engraving) by Baldini, Baccio (c.1436-87); Private Collection; (add.info.: Mercury rides a chariot drawn by two eagles)

Background imageGoldsmiths Collection: Excavations at Pompei: Wall painting from the House of the Vetti showing cupids as goldsmiths

Excavations at Pompei: Wall painting from the House of the Vetti showing cupids as goldsmiths, uncovered during the excavations. Pompei was destroyed by the eruption of Vesuvius in 79 AD

Background imageGoldsmiths Collection: St Dunstan (c925-988), born in Glastonbury, Somerset, Archbishop of Canterbury (961)

St Dunstan (c925-988), born in Glastonbury, Somerset, Archbishop of Canterbury (961), patron saint of goldsmiths. Illustration of legend that Dunstan, interrupted while making a golden chalice

Background imageGoldsmiths Collection: Goldsmith, artwork

Goldsmith, artwork
Goldsmith, historical artwork. Molten metal heated over a fire in a crucible is being poured into a container by a goldsmith using long-handled tongs

Background imageGoldsmiths Collection: Xipetotec

Xipetotec. God of goldsmiths, agriculture and spring. Sculpture found at tomb no. 109. Zapotec art. Sculpture. Proc:

Background imageGoldsmiths Collection: Faenza, Italy - Loggiato Orifici

Faenza, Italy - Loggiato Orifici (The Goldsmiths Portico) Date: circa 1910s

Background imageGoldsmiths Collection: Indian Silver and Gold Craftsmen

Indian Silver and Gold Craftsmen
Metalworking in silver and Gold in India Date: circa 1920s

Background imageGoldsmiths Collection: Football medal, Derby Sunday Schools

Football medal, Derby Sunday Schools
Football medal of the Derby Sunday Schools Amateur Football League, 1910-1911 season, awarded to J. H. Watson. 1911

Background imageGoldsmiths Collection: Indian Goldsmiths

Indian Goldsmiths at work

Background imageGoldsmiths Collection: Arms of Companies 2

Arms of Companies 2
Arms of six London city companies - Drapers, Fishmongers, Goldsmiths, Merchant Taylors, Mercers and Grocers

Background imageGoldsmiths Collection: German Goldsmiths / C16

German Goldsmiths / C16
The workshop of German Goldsmith Hans Brosamer von Fulda (1506 - 1554)

Background imageGoldsmiths Collection: Goldsmith / 16th Century

Goldsmith / 16th Century
Goldsmiths at work




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Goldsmiths: A Legacy of Craftsmanship and Elegance Step into the world of goldsmiths, where artistry meets precious metals. Located in New Cross, London, Goldsmiths College has been a hub for nurturing creative minds since its establishment. With a rich history dating back to 1891, this institution has shaped countless talented individuals who have left an indelible mark on the world of art and design. In the bustling streets of London, shops adorned with glittering jewels catch the eye. These jewellers carry on a tradition that spans over a century, offering exquisite pieces crafted with meticulous attention to detail. Imagine stepping into one such shop in 1905; you would be greeted by sparkling displays showcasing stunning Victorian items from Goldsmiths & Silversmiths. During World War I, goldsmiths played an unexpected role as they transformed military badges into unique pieces of jewellery. These cherished mementos allowed soldiers to keep their memories close even amidst the chaos of war. The craftsmanship is not limited to contemporary times alone; it transcends centuries. Reproducing woodcuts from Le Moyen Age by Jost Amman (1539-91), these skilled artisans bring ancient designs back to life through their intricate creations. A map of London reveals how deeply intertwined they can within the fabric of this vibrant city. Their presence can be felt across various sectors - from high-end luxury brands like White Star Line using Goldsmith's Regent plate oval bo for first-class dining experiences aboard their ships to delicate egg cups and caviar pots that add elegance even at sea. No luxurious voyage would be complete without champagne served in a silver-plated bucket or trays gleaming under soft lights – all masterpieces crafted by none other than Goldsmiths themselves. First-class passengers were treated to coffee poured from ornate pots bearing the prestigious Goldsmith's seal. As time passes, the legacy continues to shine brightly.