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Gospel Collection (#5)

"Gospel: A Journey Through Time and Art" The concept of the gospel, derived from the Greek word "euangelion, " meaning good news or glad tidings

Background imageGospel Collection: The Annunciation to the Shepherds, 1645-1691. Creator: Livio Mehus

The Annunciation to the Shepherds, 1645-1691. Creator: Livio Mehus
The Annunciation to the Shepherds, 1645-1691

Background imageGospel Collection: Landscape with the Good Samaritan, 1600-1660. Creator: Follower of Adam Elsheimer

Landscape with the Good Samaritan, 1600-1660. Creator: Follower of Adam Elsheimer
Landscape with the Good Samaritan, 1600-1660

Background imageGospel Collection: The Archangel Gabriel Appearing to Zacharias, 1625. Creator: Nicolaes de Gyselaer

The Archangel Gabriel Appearing to Zacharias, 1625. Creator: Nicolaes de Gyselaer
The Archangel Gabriel Appearing to Zacharias, 1625

Background imageGospel Collection: Ether Monument, Public Garden, Boston, between 1900 and 1906. Creator: Unknown

Ether Monument, Public Garden, Boston, between 1900 and 1906. Creator: Unknown
Ether Monument, Public Garden, Boston, between 1900 and 1906

Background imageGospel Collection: The Good Thief (Saint Dismas), 1450-1460. Creator: Unknown

The Good Thief (Saint Dismas), 1450-1460. Creator: Unknown
The Good Thief (Saint Dismas), 1450-1460

Background imageGospel Collection: Landscape with the Good Samaritan, 1700-1799. Creator: Rembrandt Harmensz van Rijn

Landscape with the Good Samaritan, 1700-1799. Creator: Rembrandt Harmensz van Rijn
Landscape with the Good Samaritan, 1700-1799

Background imageGospel Collection: The Daughter of Jairus, 1863. Creator: Carl Bloch

The Daughter of Jairus, 1863. Creator: Carl Bloch
The Daughter of Jairus, 1863

Background imageGospel Collection: The Good Samaritan - sketch, 1878. Creator: Aime Morot

The Good Samaritan - sketch, 1878. Creator: Aime Morot
The Good Samaritan - sketch, 1878. The parable of the good Samaritan from the Gospel according to Saint Luke. The Samaritan rescues an injured man who has been attacked and left for dead

Background imageGospel Collection: Le départ de l'enfant prodigue, 1863. Creator: James Tissot

Le départ de l'enfant prodigue, 1863. Creator: James Tissot
Le depart de l'enfant prodigue, 1863. The departure of the prodigal son. Scene from the Gospel according to Saint Luke, set in 15th-century Venice

Background imageGospel Collection: Le retour de l'enfant prodigue, 1862. Creator: James Tissot

Le retour de l'enfant prodigue, 1862. Creator: James Tissot
Le retour de l'enfant prodigue, 1862. The return of the prodigal son. Scene from the Gospel according to Saint Luke, set in a medieval city

Background imageGospel Collection: The gospel, 1899. Creator: Jay Campbell Phillips

The gospel, 1899. Creator: Jay Campbell Phillips
The gospel, 1899

Background imageGospel Collection: Le Bon Samaritain, 1880. Creator: Aime Morot

Le Bon Samaritain, 1880. Creator: Aime Morot
Le Bon Samaritain, 1880. The parable of the good Samaritan from the Gospel according to Saint Luke. The Samaritan rescues an injured man who has been attacked and left for dead

Background imageGospel Collection: Tuam ipsius animam.... Creator: Antonius Wierix

Tuam ipsius animam.... Creator: Antonius Wierix
Tuam ipsius animam.... and a sword will pierce through your own soul also - Luke 2:35-37

Background imageGospel Collection: Saint Mark, fourth quarter 12th century. Creator: Unknown

Saint Mark, fourth quarter 12th century. Creator: Unknown
Saint Mark, fourth quarter 12th century

Background imageGospel Collection: Saint Luke, fourth quarter 12th century. Creator: Unknown

Saint Luke, fourth quarter 12th century. Creator: Unknown
Saint Luke, fourth quarter 12th century

Background imageGospel Collection: The Christianity of the Gospel, 1854. Creator: George Cruikshank

The Christianity of the Gospel, 1854. Creator: George Cruikshank
The Christianity of the Gospel, 1854. From "Cassells Illustrated Family Paper; London Weekly 31/12/1853 - 30/12/1854"

Background imageGospel Collection: Return of the Prodigal Son, c. 1720. Creator: Unknown

Return of the Prodigal Son, c. 1720. Creator: Unknown
Return of the Prodigal Son, c. 1720

Background imageGospel Collection: The Return of the Prodigal Son, c. 1640. Creator: Guercino

The Return of the Prodigal Son, c. 1640. Creator: Guercino
The Return of the Prodigal Son, c. 1640

Background imageGospel Collection: La Vallée des larmes, 1883. Creator: Gustave Doré

La Vallée des larmes, 1883. Creator: Gustave Doré
La Vallee des larmes, 1883

Background imageGospel Collection: La Vallée des larmes, 1883. Creator: Gustave Doré

La Vallée des larmes, 1883. Creator: Gustave Doré
La Vallee des larmes, 1883

Background imageGospel Collection: La Visitation, between 1632 and 1634. Creator: Jean de Saint-Igny

La Visitation, between 1632 and 1634. Creator: Jean de Saint-Igny
La Visitation, between 1632 and 1634

Background imageGospel Collection: La Visitation, between 1632 and 1634. Creator: Jean de Saint-Igny

La Visitation, between 1632 and 1634. Creator: Jean de Saint-Igny
La Visitation, between 1632 and 1634

Background imageGospel Collection: Saint Luke, c. 1425/1435. Creator: Unknown

Saint Luke, c. 1425/1435. Creator: Unknown
Saint Luke, c. 1425/1435

Background imageGospel Collection: Saint Mark, c. 1425/1435. Creator: Unknown

Saint Mark, c. 1425/1435. Creator: Unknown
Saint Mark, c. 1425/1435

Background imageGospel Collection: Saint John, c. 1425/1435. Creator: Unknown

Saint John, c. 1425/1435. Creator: Unknown
Saint John, c. 1425/1435

Background imageGospel Collection: Saint Matthew, c. 1425/1435. Creator: Unknown

Saint Matthew, c. 1425/1435. Creator: Unknown
Saint Matthew, c. 1425/1435

Background imageGospel Collection: The return of the Prodigal Son, 1650-1700. Creator: Anon

The return of the Prodigal Son, 1650-1700. Creator: Anon
The return of the Prodigal Son, 1650-1700

Background imageGospel Collection: Saint Philip praying before the Holy Family. Creator: Bonito, Giuseppe (1707-1789)

Saint Philip praying before the Holy Family. Creator: Bonito, Giuseppe (1707-1789)
Saint Philip praying before the Holy Family. Found in the collection of the Complesso Museale dell'Augustissima Arciconfraternita dei Pellegrini

Background imageGospel Collection: Return of the Prodigal Son, n.d. Creator: Unknown

Return of the Prodigal Son, n.d. Creator: Unknown
Return of the Prodigal Son, n.d

Background imageGospel Collection: Christ on the Road to Emmaus, n.d. Creator: Unknown

Christ on the Road to Emmaus, n.d. Creator: Unknown
Christ on the Road to Emmaus, n.d

Background imageGospel Collection: The Good Samaritan Arriving at the Inn, c.1660. Creator: Constantijn van Renesse

The Good Samaritan Arriving at the Inn, c.1660. Creator: Constantijn van Renesse
The Good Samaritan Arriving at the Inn, c.1660

Background imageGospel Collection: Supper at Emmaus, 1590/95. Creator: Peter Candid

Supper at Emmaus, 1590/95. Creator: Peter Candid
Supper at Emmaus, 1590/95

Background imageGospel Collection: The Owner of the Vineyard Paying his Labourers... 1850. Creator: Unknown

The Owner of the Vineyard Paying his Labourers... 1850. Creator: Unknown
The Owner of the Vineyard Paying his Labourers - painted by Rembrandt - from the Gallery of the late King of Holland, at the Hague, 1850

Background imageGospel Collection: The Woman Healed of an Issue of Blood from Plenarium (also called...1489...assembled 1929)

The Woman Healed of an Issue of Blood from Plenarium (also called...1489...assembled 1929)
The Woman Healed of an Issue of Blood from Plenarium (also called Deutsche Evangelien und Episteln, or German Gospels and Epistles), Plate 36 from Woodcuts from Books of the 15th Century, 1489

Background imageGospel Collection: Jesus Calling Zacchaeus from Geistliche Auslegung des Lebens Jesu...c. 1485...assembled 1929

Jesus Calling Zacchaeus from Geistliche Auslegung des Lebens Jesu...c. 1485...assembled 1929
Jesus Calling Zacchaeus from Geistliche Auslegung des Lebens Jesu Christi (The Spiritual Interpretation of the Life of Christ), Plate 15 from Woodcuts from Books of the 15th Century, c

Background imageGospel Collection: Illustration from Das Buch der Evangelien, plate eighteen from Woodcuts...assembled... 1937

Illustration from Das Buch der Evangelien, plate eighteen from Woodcuts...assembled... 1937
Illustration from Das Buch der Evangelien, plate eighteen from Woodcuts from Books of the XVI Century, 1515, assembled into portfolio 1937

Background imageGospel Collection: The Parable of the Unjust Steward from Plenarium, Plate 14 from Woodcuts from Books... 1929

The Parable of the Unjust Steward from Plenarium, Plate 14 from Woodcuts from Books... 1929
The Parable of the Unjust Steward from Plenarium, Plate 14 from Woodcuts from Books of the 15th Century, 1497, portfolio assembled 1929

Background imageGospel Collection: The Good Samaritan, n.d. Creator: Unknown

The Good Samaritan, n.d. Creator: Unknown
The Good Samaritan, n.d

Background imageGospel Collection: Jesus talks with the Samaritan woman - Bible

Jesus talks with the Samaritan woman - Bible
3780238 Jesus talks with the Samaritan woman - Bible; (add.info.: Jesus talks with the Samaritan woman at Jacobs well in the city of Sychar. John iv 1-4)

Background imageGospel Collection: Saint Francis Xavier preaching. (print)

Saint Francis Xavier preaching. (print)
7420034 Saint Francis Xavier preaching. (print) by Edelinck, Gerard (1640-1707) (after); (add.info.: Saint Francis Xavier, full name Francisco de Jasso y Azpilicueta, 1506 - 1552)

Background imageGospel Collection: Bible manuscript, Codex Sinaiticus, facsimile, published in 1882

Bible manuscript, Codex Sinaiticus, facsimile, published in 1882
Sample of Greek Bible manuscript, Codex Sinaiticus, Hebrew 13, 9. Facsimile, published in 1882

Background imageGospel Collection: The woman who touched the hem of his garment, illustration from

The woman who touched the hem of his garment, illustration from
IL281084 The woman who touched the hem of his garment, illustration from Women of the Bible, published by The Religious Tract Society, 1927 (colour litho) by Copping

Background imageGospel Collection: Sister Rosetta Tharpe giving a performance on her guitar. London, 21st November 1957

Sister Rosetta Tharpe giving a performance on her guitar. London, 21st November 1957

Background imageGospel Collection: Granada TV films their Blues and Gospel Train music show at the derelict

Granada TV films their Blues and Gospel Train music show at the derelict railway station of Wilbraham Road, Manchester. Sister Rosetta Tharpe pictured in the middle. 7th May 1964

Background imageGospel Collection: Sacha Distel and Dionne Warwick at the BBC TV theatre, Shepherds Bush, London

Sacha Distel and Dionne Warwick at the BBC TV theatre, Shepherds Bush, London. They were there to appear in the Billy Cotton Band show series. 21st September 1964

Background imageGospel Collection: Burt Bacharach and Dionne Warwick recording a song at the Pye studios in London

Burt Bacharach and Dionne Warwick recording a song at the Pye studios in London. At the control panels, Dionne and Burt listen to the recording. 29th November 1964

Background imageGospel Collection: Russian manuscript painting, (1898). Creator: Unknown

Russian manuscript painting, (1898). Creator: Unknown
Russian manuscript painting, (1898). Fig 1: From a Gospel of the 14th century in the Imperial Public Library. Figs 3, 12 and 13: From Psalteries in the library of the Trinity Cloister near Moscow

Background imageGospel Collection: Painted wooden ceiling in St. Martins Church, Zillis, Switzerland, (1928). Creator: Unknown

Painted wooden ceiling in St. Martins Church, Zillis, Switzerland, (1928). Creator: Unknown
Painted wooden ceiling in St. Martins Church, Zillis, Switzerland, (1928). 2nd Half of 12th Century...Detail of a painted wooden ceiling in St. Martins at Zillis (Grisons)




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"Gospel: A Journey Through Time and Art" The concept of the gospel, derived from the Greek word "euangelion, " meaning good news or glad tidings, has been a source of inspiration for centuries. Illustrated in various forms throughout history, it continues to captivate hearts and minds. One such captivating illustration is found in the Book of Kells, an illuminated manuscript dating back to around 800 AD. The intricate depiction of St. Matthew showcases the meticulous craftsmanship that went into creating this masterpiece. Similarly, the Lindisfarne Gospels offer a glimpse into early medieval artistry with its beautifully adorned pages. One page stands out as it features The Lord's Prayer written in gold lettering, showcasing devotion and reverence. The Ms - Lindisfarne Gospel further emphasizes the significance of these ancient texts by preserving their delicate beauty. Its careful preservation allows us to appreciate not only their religious importance but also their artistic value. Moving forward through time, we encounter Christ Pantocrator encaustic on panel—a powerful representation of Jesus as ruler and judge—reminding us of his divine authority over all creation. In contrast to these grand depictions are intimate moments captured within illuminated texts like that from St Luke's Gospel circa 700 AD. This page transports us back in time, allowing us to witness scenes from Jesus' life with awe-inspiring detail. Beyond illustrations lie real-life embodiments music's power—the Jubilee Singers at Fisk University in the USA—a group photo capturing their harmonious voices spreading hope during challenging times. Returning once again to sacred texts, we find solace in witnessing Jesus praying fervently amidst anguish in the Garden—an emotional reminder that even he sought strength through prayer during trying moments. Finally, another remarkable example comes from the Book of Kells where St John’s symbol is depicted on folio 27v—a testament to Hiberno-Saxon creativity merging Christian symbolism with intricate designs.