Gothic Architecture Collection (#9)

St. Veran exorcising the possessed in the north aisle of the Cathedral of Notre-Dame de
MMT161151 St. Veran exorcising the possessed in the north aisle of the Cathedral of Notre-Dame de Paris, from the Heures d Etienne Chevalier, 1452-60 (vellum) by Fouquet

Tour Saint-Jacques la Boucherie (1508-22), Paris, 1853 (b / w photo)
CHT164482 Tour Saint-Jacques la Boucherie (1508-22), Paris, 1853 (b/w photo) by Le Secq, Henri Jean-Louis (1818-82); Musee de la Ville de Paris, Musee Carnavalet, Paris

Ms Fr 2629 fol. 17 Sultan Omar Initiates the Reconstruction of the Temple of Jerusalem
BNP159909 Ms Fr 2629 fol.17 Sultan Omar Initiates the Reconstruction of the Temple of Jerusalem, from the Histoire de la conquete de Jerusalem by William of Tyre (c.1130-85) c.1470 (vellum)

The Two Foscari: Francesco Foscari, Doge of Venice (c. 1372-1457
AII80203 The Two Foscari: Francesco Foscari, Doge of Venice (c.1372-1457) banishing his son Jacopo on the charge of treasonable correspondence while in exile; subject of Bryons poetic drama The Two

Interior of the Oude Kerk, Amsterdam, 1659 (oil on canvas)
XKH152266 Interior of the Oude Kerk, Amsterdam, 1659 (oil on canvas) by Witte, Emanuel de (c.1617-92); 60.5x75.5 cm; Hamburger Kunsthalle, Hamburg, Germany; Dutch, out of copyright

View of the Palace of St Mark, Venice, with preparations for the Doge
HLK151703 View of the Palace of St Mark, Venice, with preparations for the Doges Wedding (oil on canvas) by Canaletto, (Giovanni Antonio Canal) (1697-1768)

Westminster Abbey and Hospital, from London As It Is
STC134086 Westminster Abbey and Hospital, from London As It Is, engraved and published by the artist, 1842 (colour litho) (see 8674) by Boys

View Across Siena, from Fragments d Architecture du Moyen Age et de la
STC134509 View Across Siena, from Fragments d Architecture du Moyen Age et de la Renaissance, engraved by Jules Adolphe Chauvet (b.1828) (litho) by French School

Octagon Tower, from the south, built 1322 (photo)
MAE170017 Octagon Tower, from the south, built 1322 (photo) by English School, (14th century); Ely Cathedral, Ely, Cambridgeshire

West facade of Strasbourg Cathedral, begun 1277 (photo)
MAE170066 West facade of Strasbourg Cathedral, begun 1277 (photo) by German School, (13th century); Strasbourg, Alsace, France; ePaul Maeyaert; German, out of copyright

View of the nave, begun 1194 (photo)
MAE170059 View of the nave, begun 1194 (photo) by French School, (12th century); Chartres Cathedral, Chartres, France; ePaul Maeyaert; French, out of copyright

St. Martin, St. Jerome, St. Gregory and St. Avitus, jamb figures of the Confessors
MAE170060 St. Martin, St. Jerome, St. Gregory and St. Avitus, jamb figures of the Confessors from the east portal of the south porch, early 13th century (stone) by French School

Detail of the Virgin and Child, from the gable above the central portal on the west
MAE171261 Detail of the Virgin and Child, from the gable above the central portal on the west facade, begun 1277 (stone) by German School, (13th century); Strasbourg Cathedral, Strasbourg, Alsace

Interior view (photo)
MAE174401 Interior view (photo) by Spanish School, (16th century); Catedral Nueva, Salamanca, Spain; ePaul Maeyaert; Spanish, out of copyright

View of the west facade (photo)
XIR54951 View of the west facade (photo) by French School; Chartres Cathedral, Chartres, France; (add.info.: rose window and gallery of king s; new north tower by Jean de Beauce, 1507-13; ); French

Lat 6067 f. 3v The author dedicating his book to Pierre d Aubusson
BAL52747 Lat 6067 f.3v The author dedicating his book to Pierre d Aubusson, Grand Master of the Order of St. John of Jerusalem, from A History of the Siege of Rhodes, by Guillaume Caoursin

The West Front of the Abbey Gate, Bury St. Edmunds, 1788-1801 (w / c over pencil on paper)
BIR189286 The West Front of the Abbey Gate, Bury St. Edmunds, 1788-1801 (w/c over pencil on paper) by Rooker, Michael (Angelo) (1743-1801); 38x53.3 cm; Birmingham Museums and Art Gallery; English

View of the West Facade, c. 1220-70 (photo)
XIR187074 View of the West Facade, c.1220-70 (photo) by French School, (13th century); Cathedral of Notre Dame, Amiens, France; French, out of copyright

Nuremberg. (engraving, ca. 1830)
5975581 Nuremberg. (engraving, ca. 1830) by French School, (19th century); Private Collection; (add.info.: Geography. Germany)

Saint Mary of Wurzburg. (engraving, ca. 1850)
5975644 Saint Mary of WAorzburg. (engraving, ca. 1850) by German School, (19th century); Private Collection; (add.info.: Geography. Germany. Chapel of St)

Senlis Cathedral. (engraving, ca. 1840)
5975624 Senlis Cathedral. (engraving, ca. 1840) by French School, (19th century); Private Collection; (add.info.: Geography. France. Senlis Cathedral)

St. Just Cathedral from the south, begun 1272 (photo)
MAE170062 St. Just Cathedral from the south, begun 1272 (photo) by French School, (13th century); Narbonne, Aude, France; (add.info)

View of the nave of St. Etienne Cathedral, built 1200-60 (photo)
XIR241593 View of the nave of St. Etienne Cathedral, built 1200-60 (photo) by French School, (13th century); Bourges, France; French, out of copyright

Entrance to the abbey (photo)
XIR236831 Entrance to the abbey (photo) by French School, (14th century); Mont Saint-Michel, Normandy, France; (add.info.: the chatelet with the large external degree; ); French, out of copyright

Alphonso II the Liberal (1285 - 1291) confirming the city of Barcelona and its merchants the privilege of sales (1286). Miniature in the Llibre dels Usatges i Constitucions de Catalunya

Milan, Basilica of Sant Eustorgio

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Gothic architecture, with its intricate designs and towering structures, has left an indelible mark on the world. From the majestic Thurles Cathedral in Co Tipperary, Ireland to the iconic Westminster Abbey in London, these architectural wonders are a testament to human creativity and ingenuity. One cannot help but be captivated by the enchanting beauty of New College in Oxford, as depicted in the 1675 engraving from Oxonia Illustrata. The delicate details and grandeur of this Gothic masterpiece transport us back to a time when craftsmanship was revered. Across Europe, from Budapest's Danube Architecture to Munich's Gothic Town Hall in Bavaria, Germany, one can witness how this style transcended borders and became a symbol of cultural identity. Each structure tells its own story through its unique design elements and historical significance. Durham Cathedral stands proudly amidst England's North Yorkshire landscape. With watercolor brushstrokes capturing its essence on paper, it reminds us of the enduring legacy that Gothic architecture has bestowed upon our world. Venturing further into Central America brings us to St. Georges' unfinished church in Bermuda. This hauntingly beautiful structure serves as a reminder that even incomplete works can possess an ethereal charm that leaves visitors awe-struck. The Buxtehude Altar's right wing painting "Visit of the Angel" transports us back to medieval times when artistry flourished alongside architectural marvels. Its tempera colors evoke emotions while showcasing how Gothic art seamlessly blended with architecture during this period. Finally, an aerial view at sunset reveals Santa Maria del Carmine church in Pavia, Lombardy - a true gem nestled within Italy's picturesque landscapes. Its soaring spires against the backdrop of golden hues remind us why Gothic architecture continues to inspire awe centuries later. Whether it is Thurles Cathedral or York Minster or any other magnificent example across continents – Gothic architecture remains an everlasting testament to human creativity, craftsmanship, and the power of architectural design to transcend time and borders.