Gothic Revival Collection (#7)

Tong Castle, from England's Lost Houses by Giles Worsley (1961-2006) published 2002 (b/w photo)
CLF311889 Tong Castle, from England's Lost Houses by Giles Worsley (1961-2006) published 2002 (b/w photo) by English Photographer

Arbury Hall, the south front overlooking the gardens, from 100 Favourite Houses (b/w photo)
CLF310435 Arbury Hall, the south front overlooking the gardens, from 100 Favourite Houses (b/w photo) by English Photographer

The garden front, Cassiobury Park, from England's Lost Houses by Giles Worsley (1961-2006)
CLF311727 The garden front, Cassiobury Park, from England's Lost Houses by Giles Worsley (1961-2006) published 2002 (b/w photo) by English Photographer

The Entrance Hall, Eaton Hall, Cheshire, from The English Country House (b/w photo)
CLF306390 The Entrance Hall, Eaton Hall, Cheshire, from The English Country House (b/w photo) by English Photographer, (20th century); (add.info.: built for Hugh Lupus Grosvenor)

The Courtyard of the Keep, Alnwick Castle, from The English Country House (b/w photo)
CLF306364 The Courtyard of the Keep, Alnwick Castle, from The English Country House (b/w photo) by English Photographer, (20th century); (add.info)

Knightshayes Court, from 100 Favourite Houses (b/w photo)
CLF310469 Knightshayes Court, from 100 Favourite Houses (b/w photo) by English Photographer, (20th century); (add.info.: built by William Burges (1827-81)

The small parlour known as the Balcombe Room at Nymans, Sussex, from The English Manor House (b/w photo)
CLF309186 The small parlour known as the Balcombe Room at Nymans, Sussex, from The English Manor House (b/w photo) by English Photographer

The east forecourt and entrance to the Great Hall, Nymans, from The English Manor House (b/w photo)
CLF309185 The east forecourt and entrance to the Great Hall, Nymans, from The English Manor House (b/w photo) by English Photographer

Marks Hall, from England's Lost Houses by Giles Worsley (1961-2006) published 2002 (b/w photo)
CLF311829 Marks Hall, from England's Lost Houses by Giles Worsley (1961-2006) published 2002 (b/w photo) by English Photographer

Hillington Hall, from England's Lost Houses by Giles Worsley (1961-2006) published 2002 (b/w photo)
CLF311787 Hillington Hall, from England's Lost Houses by Giles Worsley (1961-2006) published 2002 (b/w photo) by English Photographer

Haverholme Priory, from England's Lost Houses by Giles Worsley (1961-2006) published 2002 (b/w photo)
CLF311774 Haverholme Priory, from England's Lost Houses by Giles Worsley (1961-2006) published 2002 (b/w photo) by English Photographer

Newstead Abbey, from 100 Favourite Houses (b/w photo)
CLF310433 Newstead Abbey, from 100 Favourite Houses (b/w photo) by English Photographer, (20th century); (add.info.: the priory church (on left)

Mrs Messel's bedroom, Nymans, Sussex, from The English Manor House (b/w photo)
CLF309187 Mrs Messel's bedroom, Nymans, Sussex, from The English Manor House (b/w photo) by English Photographer, (20th century); (add.info)

The Great Hall, Nymans, Sussex, from England's Lost Houses by Giles Worsley (1961-2006) published 2002 (b/w photo)
CLF311813 The Great Hall, Nymans, Sussex, from England's Lost Houses by Giles Worsley (1961-2006) published 2002 (b/w photo) by English Photographer

A window bay in the Teddington Room at Radnor House, Middlesex, from England's Lost Houses by Giles Worsley
CLF311801 A window bay in the Teddington Room at Radnor House, Middlesex, from England's Lost Houses by Giles Worsley (1961-2006) published 2002 (b/w photo) by English Photographer

Chimneypiece at Stouts Hill, Gloucestershire, from Country Houses of the Cotswolds (b/w photo)
CLF320662 Chimneypiece at Stouts Hill, Gloucestershire, from Country Houses of the Cotswolds (b/w photo) by English Photographer, (20th century); Stouts Hill, Gloucestershire

The Great Hall, Nymans, Sussex, from The English Manor House (b/w photo)
CLF309189 The Great Hall, Nymans, Sussex, from The English Manor House (b/w photo) by English Photographer, (20th century); (add.info)

The south front, Newark Park, from Country Houses of the Cotswolds (b/w photo)
CLF320629 The south front, Newark Park, from Country Houses of the Cotswolds (b/w photo) by English Photographer, (20th century); (add.info)

Woodchester Park, from Country Houses of the Cotswolds (b/w photo)
CLF320628 Woodchester Park, from Country Houses of the Cotswolds (b/w photo) by English Photographer, (20th century); (add.info.: the approach from the south east)

East front of Apley Hall, from England's Lost Houses by Giles Worsley (1961-2006) published 2002 (b/w photo)
CLF311703 East front of Apley Hall, from England's Lost Houses by Giles Worsley (1961-2006) published 2002 (b/w photo) by English Photographer

The Library, Eaton Hall, Cheshire, from The English Country House (b/w photo)
CLF306388 The Library, Eaton Hall, Cheshire, from The English Country House (b/w photo) by English Photographer, (20th century); (add.info.: built for Hugh Lupus Grosvenor)

The Chapel, Eaton Hall, Cheshire, from The English Country House (b/w photo)
CLF306385 The Chapel, Eaton Hall, Cheshire, from The English Country House (b/w photo) by English Photographer, (20th century); (add.info.: the chapel)

Interior at Bayons Manor, Lincolnshire, from England's Lost Houses by Giles Worsley (1961-2006)
CLF311710 Interior at Bayons Manor, Lincolnshire, from England's Lost Houses by Giles Worsley (1961-2006) published 2002 (b/w photo) by English Photographer

Walpole's Library, Strawberry Hill, Middlesex, from 100 Favourite Houses (b/w photo)
CLF310454 Walpole's Library, Strawberry Hill, Middlesex, from 100 Favourite Houses (b/w photo) by English Photographer

The east facade, Eaton Hall, from The English Country House (b/w photo)
CLF306389 The east facade, Eaton Hall, from The English Country House (b/w photo) by English Photographer, (20th century); (add.info.: built for Hugh Lupus Grosvenor)

Design for a conversational Sofa, 1842 (pencil & w/c on paper)
BAL1340 Design for a conversational Sofa, 1842 (pencil & w/c on paper) by Cottingham, Lewis Nockalls (1787-1847); Victoria & Albert Museum, London

Design For Chancel Arch, Brigham Church, Cumberland, c. 1876 (pen & ink and w/c on paper)
5980408 Design For Chancel Arch, Brigham Church, Cumberland, c.1876 (pen & ink and w/c on paper) by Butterfield, William (1814-1900); 38.3x48.1 cm; Manchester Art Gallery

Hohenzollern Castle in Baden-Wuerttemberg, Germany, Historical, photochrome print from the 1890s
architectural style, architectural styles, attraction, attractions, baden-wuerttemberg, baden-wurttemberg, bisingen, black, black-and-white, black-white, building, buildings, castell, castelo

Hohenschwangau Castle in Allgaeu, Bavaria, Germany, Historic, digitally restored reproduction of a photochrome print
allgaeu, architectural style, architectural styles, attraction, attractions, bavarian, bayern, black, black-and-white, black-white, building, buildings, castles, contemporary, copy, depiction

Desk and escritoire, 1865-67 (pine, mahogany, ceramic & brass) (see also 5942439)
3711008 Desk and escritoire, 1865-67 (pine, mahogany, ceramic & brass) (see also 5942439) by Burges, William (1827-81); height: 258 cm; Manchester Art Gallery

Lantern for The Light of the World, 1852 (patinated brass)
4055748 Lantern for The Light of the World, 1852 (patinated brass) by Hunt, William Holman (1827-1910); height: 35 cm; Manchester Art Gallery, UK; (add.info.: William Holman Hunt (Designer)

Madonna Enthroned (stained glass)
493274 Madonna Enthroned (stained glass) by Bertini, Giuseppe (1825-98); Vatican Museums and Galleries, Vatican City; Photo © Stefano Baldini

Deanery church (Decanale kerk van Onze-Lieve-Vrouw), Interior, The high altar (wood)
7337297 Deanery church (Decanale kerk van Onze-Lieve-Vrouw), Interior, The high altar (wood) by Rooms, Remy (1861-1934); (add.info.: interior view, the mainaltal)

Deanery church (Decanale kerk van Onze-Lieve-Vrouw), Interior, The high altar (wood)
7337298 Deanery church (Decanale kerk van Onze-Lieve-Vrouw), Interior, The high altar (wood) by Rooms, Remy (1861-1934); (add.info.: interior view, the mainaltal)

Deanery church (Decanale kerk van Onze-Lieve-Vrouw), Interior, The high altar (wood)
7337301 Deanery church (Decanale kerk van Onze-Lieve-Vrouw), Interior, The high altar (wood) by Rooms, Remy (1861-1934); (add.info.: interior view, the mainaltal)

Southwark Church, Southwark, London, England
6317585 Southwark Church, Southwark, London, England by English School, (19th century); (add.info.: Southwark Church, Southwark, London, England, 19th century)

Statue of Martin Luther in front of the Protestant-Lutheran Market Church of St. Georgii
7277776 Statue of Martin Luther in front of the Protestant-Lutheran Market Church of St. Georgii by German School, (19th century); Hanover

Print of Der Rittersaal zu Erbach (Interior of Gothic Revival armory of Erbach Castle)... ca. 1850
Print of Der Rittersaal zu Erbach (Interior of Gothic Revival armory of Erbach Castle), ca. 1850

Chateau de la Reine Blanche at the Ponds of Commelles, built by the Duke of Bourbon in 1826 (photo)
XIR161027 Chateau de la Reine Blanche at the Ponds of Commelles, built by the Duke of Bourbon in 1826 (photo) by French School, (19th century); Chantilly, Oise

New College Oxford: Proposed passage from Old to New Buildings, 1875-77 (ink on paper)
NCO232968 New College Oxford: Proposed passage from Old to New Buildings, 1875-77 (ink on paper) by Scott, George Gilbert (1811-1878); Courtesy of the Warden and Scholars of New College, Oxford

The Battle of Beth Horon, 1862-3 (stained glass)
3474767 The Battle of Beth Horon, 1862-3 (stained glass) by Burne-Jones, Edward Coley (1833-98); St Michael, Lyndhurst, UK; (add.info.: Manufactured by Morris, Marshall, Faulkner & Co)

USA, New York. Trinity Church and grounds

Benedictine Palace. (Illustration, circa 1930)
5975927 Benedictine Palace. (Illustration, circa 1930) by French School, (20th century); Private Collection; (add.info.: Power supply)

Ms. New Coll 380, f40r. The antiquities of the Cathedral Church of Saint Mary, Carlisle, drawn by Robert Carlile
833749 Ms. New Coll 380, f40r. The antiquities of the Cathedral Church of Saint Mary, Carlisle, drawn by Robert Carlile, 1795 (pen & ink and w/c on paper) by Carlile

Ms. New Coll 380, f41r. The antiquities of the Cathedral Church of Saint Mary, Carlisle, drawn by Robert Carlile
833750 Ms. New Coll 380, f41r. The antiquities of the Cathedral Church of Saint Mary, Carlisle, drawn by Robert Carlile, 1795 (pen & ink and w/c on paper) by Carlile

Dido stabbing herself, opening of Book IV of Virgils Aeneid (w / c on vellum)
621801 Dido stabbing herself, opening of Book IV of Virgils Aeneid (w/c on vellum) by Morris, William (1834-96); 14x13.5 cm; Private Collection; Photo © Christies Images

Wooden church, St. Marys, Georgia, 1936. Creator: Walker Evans
Wooden church, St. Marys, Georgia

Tapestries, hangings and altar cloths, from The Glossary of Ecclesiastical Ornament and Costume, lithograph by H. C
STC156401 Tapestries, hangings and altar cloths, from The Glossary of Ecclesiastical Ornament and Costume, lithograph by H.C

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Gothic Revival: A Journey Through Time and Architecture Step into the enchanting world of Gothic Revival, where ancient traditions blend seamlessly with modern aesthetics. From the bustling Christmas Market in Marienplatz to the majestic New Town Hall in Munich, Bavaria, Germany, Europe, this architectural movement takes us on a captivating journey. Venture further west to Tongwynlais, Cardiff, Wales, United Kingdom and you'll discover Castell Coch (The Red Castle), a fairytale-like fortress that stands as a testament to Gothic Revival's influence. Its striking turrets and vibrant hues transport visitors back in time. In Mumbai (Bombay), India, an unexpected sight awaits - a double-decker bus parked outside the Mumbai Municipal corporation building. This juxtaposition of old and new showcases how Gothic Revival transcends borders and cultures. Travel south to Albury Park in Surrey, England where The Chancel of Catholic Apostolic Church stands proudly since 1904. Its intricate details and soaring arches exemplify the craftsmanship that defined this era. Machynlleth's town clock is another hidden gem within this architectural movement. Standing tall amidst its quaint surroundings in Wales' picturesque countryside; it serves as a reminder of Gothic Revival's enduring legacy. Architectural drawings by AWN Pugin offer insight into the creative process behind these magnificent structures. His meticulous designs for inner gate houses showcase his dedication to preserving historical authenticity while infusing innovation. Stained glass windows have long been synonymous with Gothic architecture. In Lyndhurst Church's design featuring an Angel Harpist playing heavenly melodies through colorful panes; we witness artistry at its finest. Eastnor Castle in Hertfordshire beckons us with its opulent Drawing Room decoration from around 1850. Intricate patterns adorn every surface while maintaining harmony with surrounding elements—a true masterpiece born out of passion for detail.