Gothick Collection (#5)

Seraph or angel, designed 1865 (stained glass)
3474621 Seraph or angel, designed 1865 (stained glass) by Morris, William (1834-96); St Nicholas Beaudesert, Henley-In-Arden, UK; (add.info.: Manufactured by Morris, Marshall)

Punt on the River Clodiagh at Charleville Forest, Offaly with the Castellated Farm
5914744 Punt on the River Clodiagh at Charleville Forest, Offaly with the Castellated Farm and Gothick Dairy beyond, c.1810 by Ashford

Tile with Kingfisher with Beak through Fish, 1882-88 (red and white lustreware)
1217836 Tile with Kingfisher with Beak through Fish, 1882-88 (red and white lustreware) by Morgan, William De (1839-1917); 15.2x15.2 cm; Ashmolean Museum, University of Oxford

A set of sixteen tiles arranged in pairs to form eight illustrations of the
1217588 A set of sixteen tiles arranged in pairs to form eight illustrations of the Briar Rose tale, 1862 - 1865 (ceramic) by Burne-Jones, Edward Coley (1833-98); 131.6x40.7 cm; Ashmolean Museum

Design for a foliage background (unfinished) (graphite with brown washes)
1217503 Design for a foliage background (unfinished) (graphite with brown washes) by Morris, William (1834-96); 62.4x27.9 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; English

Oscarshal Saloon, 1852 (colour litho)
699654 Oscarshal Saloon, 1852 (colour litho) by Hanno, Wilhelm von (1826-82); Private Collection; (add.info.: saloon at Oscarshal summer palace)

Window depicting the martyrs death of St. Wenceslas, 1893 (stained glass)
1127925 Window depicting the martyrs death of St. Wenceslas, 1893 (stained glass) by Czech School, (19th century); Church of St. Ludmila, Prague, Czech Republic; (add.info.: Figures of St)

Window with figures of St. Veronica and St. Anthony of Padua (stained glass)
1127922 Window with figures of St. Veronica and St. Anthony of Padua (stained glass) by Czech School, (19th century); Church of St

Window with figures of St. Joseph and St. Barbara (stained glass)
1127920 Window with figures of St. Joseph and St. Barbara (stained glass) by Czech School, (19th century); Church of St. Ludmila, Prague, Czech Republic; eLubomir Synek; Czech, out of copyright

Ms. New Coll 380, f44r. The antiquities of the Cathedral Church of Saint Mary, Carlisle
833753 Ms. New Coll 380, f44r. The antiquities of the Cathedral Church of Saint Mary, Carlisle, drawn by Robert Carlile, 1795 (pen & ink and w/c on paper) by Carlile

Ms. New Coll 380, f36r. The antiquities of the Cathedral Church of Saint Mary, Carlisle
833745 Ms. New Coll 380, f36r. The antiquities of the Cathedral Church of Saint Mary, Carlisle, drawn by Robert Carlile, 1795 (pen & ink and w/c on paper) by Carlile

Ms. New Coll 380, f26r. The antiquities of the Cathedral Church of Saint Mary, Carlisle
833735 Ms. New Coll 380, f26r. The antiquities of the Cathedral Church of Saint Mary, Carlisle, drawn by Robert Carlile, 1795 (pen & ink and w/c on paper) by Carlile

Ms. New Coll 380, f23r. The antiquities of the Cathedral Church of Saint Mary, Carlisle
833732 Ms. New Coll 380, f23r. The antiquities of the Cathedral Church of Saint Mary, Carlisle, drawn by Robert Carlile, 1795 (pen & ink and w/c on paper) by Carlile

Ms. New Coll 380, f21r. The antiquities of the Cathedral Church of Saint Mary, Carlisle
833730 Ms. New Coll 380, f21r. The antiquities of the Cathedral Church of Saint Mary, Carlisle, drawn by Robert Carlile, 1795 (pen & ink and w/c on paper) by Carlile

Ms. New Coll 380, f18r. The antiquities of the Cathedral Church of Saint Mary, Carlisle
833726 Ms. New Coll 380, f18r. The antiquities of the Cathedral Church of Saint Mary, Carlisle, drawn by Robert Carlile, 1795 (pen & ink and w/c on paper) by Carlile

Ms. New Coll 380, f8r. The antiquities of the Cathedral Church of Saint Mary, Carlisle
833760 Ms. New Coll 380, f8r. The antiquities of the Cathedral Church of Saint Mary, Carlisle, drawn by Robert Carlile, 1795 (pen & ink and w/c on paper) by Carlile

Ms. New Coll 380, f17r. The antiquities of the Cathedral Church of Saint Mary, Carlisle
833725 Ms. New Coll 380, f17r. The antiquities of the Cathedral Church of Saint Mary, Carlisle, drawn by Robert Carlile, 1795 (pen & ink and w/c on paper) by Carlile

Ms. New Coll 380, f16r. The antiquities of the Cathedral Church of Saint Mary, Carlisle
833724 Ms. New Coll 380, f16r. The antiquities of the Cathedral Church of Saint Mary, Carlisle, drawn by Robert Carlile, 1795 (pen & ink and w/c on paper) by Carlile

Ms. New Coll 380, f15r. The antiquities of the Cathedral Church of Saint Mary, Carlisle
833723 Ms. New Coll 380, f15r. The antiquities of the Cathedral Church of Saint Mary, Carlisle, drawn by Robert Carlile, 1795 (pen & ink and w/c on paper) by Carlile

Ms. New Coll 380, f11r. The antiquities of the Cathedral Church of Saint Mary, Carlisle
833719 Ms. New Coll 380, f11r. The antiquities of the Cathedral Church of Saint Mary, Carlisle, drawn by Robert Carlile, 1795 (pen & ink and w/c on paper) by Carlile

Charles I, c. 1873 (stained glass)
LLW402810 Charles I, c.1873 (stained glass) by English School, (19th century); Parliament Buildings, Bridgetown, Barbados; (add.info.: Charles I (1600-49) King of England

Charles II, c. 1873 (stained glass)
LLW402806 Charles II, c.1873 (stained glass) by English School, (19th century); Parliament Buildings, Bridgetown, Barbados; (add.info.: Charles II (1630-85) King of England; ); Photo

Archway leading into the dining room of the Hotel Woodward, Broadway and 55th Street
MNY380802 Archway leading into the dining room of the Hotel Woodward, Broadway and 55th Street, New York, 1920 (silver gelatin print) by Byron Company (fl.1890-1942)

South side of the Gateway at Arnos Vale, showing figures
2832557 South side of the Gateway at Arnos Vale, showing figures, 1826 (pencil & w/c on paper) by Rowbotham, Thomas Leeson the Elder (1783-1853); Bristol Museum and Art Gallery, UK; eBristol Museums

New front to Colstons School (copy of original design) (pencil & w / c on paper)
2831636 New front to Colstons School (copy of original design) (pencil & w/c on paper) by O Neill, Hugh (1784-1824); Bristol Museum and Art Gallery, UK; eBristol Museums

Knepp Castle, West Sussex (colour photo)
3094959 Knepp Castle, West Sussex (colour photo) by English Photographer, (20th century); Private Collection; (add.info.: Knepp Castle, West Sussex)

Beaufront Castle, Hexham (colour photo)
3094862 Beaufront Castle, Hexham (colour photo) by English Photographer, (20th century); Private Collection; (add.info.: Beaufront Castle, Hexham. Postcard, early 20th century.); © Look and Learn

The Regiments Colours, Guards Chapel (b / w photo)
3094478 The Regiments Colours, Guards Chapel (b/w photo) by English Photographer, (20th century); Private Collection; (add.info.: The Regiments Colours, Guards Chapel)

St Deiniols Library, Hawarden, Flintshire (b / w photo)
3093886 St Deiniols Library, Hawarden, Flintshire (b/w photo) by English Photographer, (20th century); Private Collection; (add.info.: St Deiniols Library, Hawarden, Flintshire)

Dulwich College, London (b / w photo)
3094827 Dulwich College, London (b/w photo) by English Photographer, (20th century); Private Collection; (add.info.: Dulwich College, London. Postcard, early 20th century.); © Look and Learn

The New College, Hampstead (colour photo)
3095048 The New College, Hampstead (colour photo) by English Photographer, (20th century); Private Collection; (add.info.: The New College, Hampstead)

Strawberry Hill from the Thames (engraving)
3099375 Strawberry Hill from the Thames (engraving) by English School, (19th century); Private Collection; (add.info.: Strawberry Hill from the Thames)

Shakespeare Memorial Fountain, Stratford-upon-Avon (colour photo)
3091246 Shakespeare Memorial Fountain, Stratford-upon-Avon (colour photo) by English Photographer, (20th century); Private Collection; (add.info.: Shakespeare Memorial Fountain, Stratford-upon-Avon)

Chateau de Pierrefonds, illustration from Le Moniteur des architectes
REV287783 Chateau de Pierrefonds, illustration from Le Moniteur des architectes, engraved by Bosredon (colour engraving) by French School, (19th century); Bibliotheque des Arts Decoratifs, Paris

The Melee (pencil, w / c and bodycolour on paper)
AJV341207 The Melee (pencil, w/c and bodycolour on paper) by Nixon, James Henry (1802-57); 34.5x51.5 cm; Private Collection; (add.info)

View of the Southern Schools and Dormitories of Rugby School from the Playground
STC121740 View of the Southern Schools and Dormitories of Rugby School from the Playground, from History of Rugby School, part of History of the Colleges

Design for the Decoration of the Summer Smoking Room at Cardiff Castle
CJP107787 Design for the Decoration of the Summer Smoking Room at Cardiff Castle, 1870 (w/c on paper) by Burges, William (1827-81); Private Collection; eCharles Plante Fine Arts; English

Ceiling design for the Palace of Westminster (pen & ink and w / c on paper)
BBC210097 Ceiling design for the Palace of Westminster (pen & ink and w/c on paper) by Pugin, Augustus Welby Northmore (1812-52); Victoria & Albert Museum, London, UK; English, out of copyright

Floor design for the Houses of Parliament (gouache & pencil on paper)
BBC207323 Floor design for the Houses of Parliament (gouache & pencil on paper) by Pugin, Augustus Welby Northmore (1812-52); Victoria & Albert Museum, London, UK; English, out of copyright

Stained glass window design for the Houses of Parliament (w / c & pencil on paper)
BBC207321 Stained glass window design for the Houses of Parliament (w/c & pencil on paper) by Pugin, Augustus Welby Northmore (1812-52); Victoria & Albert Museum, London, UK; English, out of copyright

Design for the decoration of the Houses of Parliament (pencil, gouache & w / c on paper)
BBC207320 Design for the decoration of the Houses of Parliament (pencil, gouache & w/c on paper) by Pugin, Augustus Welby Northmore (1812-52); Victoria & Albert Museum, London, UK; English

The Great Western Hall Leading to the Grand Saloon, or Octagon, Fonthill Abbey
TPG182338 The Great Western Hall Leading to the Grand Saloon, or Octagon, Fonthill Abbey, 1824 (engraving) (b/w photo) by English School

Lancet windows, 1873 (stained glass)
MAE181392 Lancet windows, 1873 (stained glass) by Bethune, Jean-Baptiste (1821-94); Begijnhofkerk Sint Amandsberg, Ghent, Belgium; ePaul Maeyaert; Belgian, out of copyright

Details of Entrances, Stairs, Furnace Chamber Doorway and Handrails, (New Big School)
FFA178165 Details of Entrances, Stairs, Furnace Chamber Doorway and Handrails, (New Big School), Rugby School, 1844 (black ink, pencil & w/c) by Butterfield

West and North Elevations, New School, Rugby School, 1867 (black ink
FFA178160 West and North Elevations, New School, Rugby School, 1867 (black ink, pencil and w/c) (b/w photo) by Butterfield, William (1814-1900); 50.8x67.5 cm; Private Collection; English

New College Oxford: Proposed New Buildings, 1870-79 (ink on paper)
NCO232969 New College Oxford: Proposed New Buildings, 1870-79 (ink on paper) by Scott, George Gilbert (1811-1878); Courtesy of the Warden and Scholars of New College, Oxford; English, out of copyright

Pair of Chairs, made by Morel and Seddon, 1828 (gilt wood)
LMG172511 Pair of Chairs, made by Morel and Seddon, 1828 (gilt wood) by Pugin, Augustus Welby Northmore (1812-52); Leeds Museums and Galleries (Lotherton Hall)

Ecclesiastical design, The Glossary of Ecclesiastical Ornament and Costume
STC156400 Ecclesiastical design, The Glossary of Ecclesiastical Ornament and Costume, lithograph by H.C. Maguire, 1844 (colour litho) by Pugin

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Step into the enchanting world of "gothick" design, where history and artistry intertwine to create breathtaking masterpieces. From the intricate stained glass windows in Lyndhurst Church depicting an ethereal Angel Harpist, to the majestic Nelsons Tower in Forres that stands as a testament to Britain's grandeur. Lady Clare's pen and ink drawing, adorned with brown and black washes on paper, transports us to a realm of dark beauty. The delicate strokes capture the essence of gothic elegance, leaving us captivated by its mysterious allure. The stained glass masterpiece of St Jacob in 1862 showcases the skillful craftsmanship that defines gothick design. Its vibrant colors dance across the light-filled space, illuminating stories from centuries past. Milton Ernest Hall beckons us with its timeless charm captured in a monochrome photograph. This architectural gem is one among England's favorite houses; it whispers tales of forgotten splendor through every corner. Osmaston Manor emerges from Giles Worsley's book "England's Lost Houses, " reminding us of treasures lost but not forgotten. The hauntingly beautiful image evokes a sense of longing for what once was. Strawberry Hill enchants with its garden front view - an embodiment architecture at its finest. Every detail tells a story, inviting our imagination to wander through hidden passages and secret gardens. Alnwick Castle welcomes visitors with a vaulted approach that exudes grandeur and majesty. As we step inside this historic marvel captured in black-and-white photography, we are transported back in time to witness the opulence enjoyed by generations past. Eaton Hall mesmerizes with its corridor adorned in timeless elegance - each step taken feels like traversing through history itself. This Cheshire estate epitomizes gothick design at its most refined form. Madresfield Court invites exploration into another era as we gaze upon this beloved house.