Goya Y Lucientes Collection (#2)

193-0082312 The exhortations, plate 16 of Proverbs, 1819-23, pub. 1864 (etching)
IND82116 193-0082312 The exhortations, plate 16 of Proverbs, 1819-23, pub. 1864 (etching) by Goya y Lucientes, Francisco Jose de (1746-1828); 24.6x35.9 cm; Private Collection; Index Fototeca

Clear fantasy, plate 15 of Proverbs, 1819-23, pub. 1864 (etching)
IND82115 Clear fantasy, plate 15 of Proverbs, 1819-23, pub. 1864 (etching) by Goya y Lucientes, Francisco Jose de (1746-1828); 24.7x35.7 cm; Private Collection; Index Fototeca

Simpleton, plate 4 of Proverbs, 1819-23, pub. 1864 (etching)
IND82104 Simpleton, plate 4 of Proverbs, 1819-23, pub. 1864 (etching) by Goya y Lucientes, Francisco Jose de (1746-1828); 24.7x35.9 cm; Private Collection; Index Fototeca

They loose dogs on the bull, plate 25 of The Art of Bullfighting, pub. 1816 (etching)
IND81925 They loose dogs on the bull, plate 25 of The Art of Bullfighting, pub. 1816 (etching) by Goya y Lucientes, Francisco Jose de (1746-1828); 25x35.7 cm; Private Collection; Index Fototeca

The Moors use donkeys as a barrier to defend themselves against the bull, whose horns have been tipped with balls
IND81917 The Moors use donkeys as a barrier to defend themselves against the bull, whose horns have been tipped with balls, plate 17 of The Art of Bullfighting, pub

The very skilful student of Falces (b. 1709) wrapped in his cape, tricks the bull with the play of his body
IND81914 The very skilful student of Falces (b.1709) wrapped in his cape, tricks the bull with the play of his body, plate 14 of The Art of Bullfighting, pub

The Bullfight
IND36757 The Bullfight by Goya y Lucientes, Francisco Jose de (1746-1828); Biblioteca Nacional, Madrid, Spain; Index Fototeca

193-0082314 Funereal riddle, plate 18 of Proverbs, 1819-23, pub. 1864 (etching)
IND82118 193-0082314 Funereal riddle, plate 18 of Proverbs, 1819-23, pub. 1864 (etching) by Goya y Lucientes, Francisco Jose de (1746-1828); 24.4x35.8 cm; Private Collection; Index Fototeca

193-0082313 Loyalty, plate 17 of Proverbs, 1819-23, pub. 1864 (etching)
IND82117 193-0082313 Loyalty, plate 17 of Proverbs, 1819-23, pub. 1864 (etching) by Goya y Lucientes, Francisco Jose de (1746-1828); 24.6x35.8 cm; Private Collection; Index Fototeca

Carnival fantasy, plate 14 of Proverbs, 1819-23, pub. 1864 (etching)
IND82114 Carnival fantasy, plate 14 of Proverbs, 1819-23, pub. 1864 (etching) by Goya y Lucientes, Francisco Jose de (1746-1828); 24.6x35.7 cm; Private Collection; Index Fototeca

The same Mariano Ceballos, mounted on a bull, breaks short spears in the ring at Madrid
IND81924 The same Mariano Ceballos, mounted on a bull, breaks short spears in the ring at Madrid, plate 24 of The Art of Bullfighting, pub

Destres of the war: Vaines complaints (preparatory drawing, 1810-1820)
LRI4606740 Destres of the war: Vaines complaints (preparatory drawing, 1810-1820) by Goya y Lucientes, Francisco Jose de (1746-1828); Prado, Madrid

Ensayos, plate from Los Caprichos, 1799 (etching & aquatint)
3112270 Ensayos, plate from Los Caprichos, 1799 (etching & aquatint) by Goya y Lucientes, Francisco Jose de (1746-1828); 32x22 cm; Private Collection; (add.info)

Charles V, Holy Roman Emperor and King of Spain as Charles I (1500-58) spearing a bull in the ring at Valladolid
IND81910 Charles V, Holy Roman Emperor and King of Spain as Charles I (1500-58) spearing a bull in the ring at Valladolid, plate 10 of The Art of Bullfighting, pub

The Tyrant: Portrait of the Actress Rosario Fernandez
IND54189 The Tyrant: Portrait of the Actress Rosario Fernandez by Goya y Lucientes, Francisco Jose de (1746-1828); 2, 06 x 1, 30 cm; Real Academia de Bellas Artes de San Fernando, Madrid

The wrong woman Anthropophagy Scene, a witch has a child. Grey wash by Francisco Goya y Lucientes (1746-1828) Sun
JLJ4974507 The wrong woman Anthropophagy Scene, a witch has a child. Grey wash by Francisco Goya y Lucientes (1746-1828) Sun

Pedro Romero killing the halted bull, plate 30 of The Art of Bullfighting, pub. 1816 (etching)
IND81930 Pedro Romero killing the halted bull, plate 30 of The Art of Bullfighting, pub. 1816 (etching) by Goya y Lucientes

The famous Martincho (probably Antonio Ebassum) places the banderillas, playing the bull with the movement of his body
IND81915 The famous Martincho (probably Antonio Ebassum) places the banderillas, playing the bull with the movement of his body, plate 15 of The Art of Bullfighting, pub

A Spanish mounted knight in the ring breaking short spears without the help of assistants
IND81913 A Spanish mounted knight in the ring breaking short spears without the help of assistants, plate 13 of The Art of Bullfighting, pub

Court of the Inquisition (engraving)
IND52912 Court of the Inquisition (engraving) by Goya y Lucientes, Francisco Jose de (1746-1828); Real Academia de Bellas Artes de San Fernando, Madrid, Spain; Index Fototeca

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"Goya y Lucientes: A Journey Through the Mind of an Artistic Genius" Step into the world of Francisco Goya, a Spanish painter and printmaker who left an indelible mark on the art world with his captivating works. From his iconic Plate 80 from Los Caprichos titled "It is time (Ya es hora. )" to his mesmerizing portrayal of "Boys Playing at Soldiers, " Goya's talent shines through. In Plate 60 from Los Caprichos, aptly named "Trials (Ensayos. ), " Goya delves into the complexities of human nature and society. His ability to capture raw emotions and social commentary is further exemplified in Plate 25 from Los Caprichos, where he explores the consequences of one's actions in "If he broke the pot (Si quebro el Cantaro. ). " Goya's artistic prowess extends beyond just paintings; his etchings showcase his versatility as an artist. In "Disparate de tontos (Fool's folly), " created in 1877, Goya combines etching, aquatint, and drypoint techniques to create a whimsical yet thought-provoking piece. One cannot discuss Goya without mentioning his self-portrait titled "Francisco Goya Y Lucientes, Pintor. " Created in 1799 using etching, aquatint, drypoint & burin techniques, this self-portrait allows us a glimpse into the mind behind these extraordinary creations. Moving forward in time to later works such as "Lo Mismo (The Same)" and "No Hay Quien Los Socorra (There is no one to help them), " both created in 1863 using various printmaking techniques like etching and burnishing. These pieces continue to demonstrate Goya's ability to depict societal issues with profound depth. "The Dream of Reason Produces Monsters, " created by Goya himself in 1799, showcases his mastery of etching and aquatint.