Goya Y Lucients Collection

GOYA Y LUCIENTES, Francisco de (1746-1828); ALCANTARA LOPEZ DE ZUNIGA, Pedro (18th century)
CUL4870263 GOYA Y LUCIENTES, Francisco de (1746-1828); ALCANTARA LOPEZ DE ZUNIGA, Pedro (18th century). 14th Count of Miranda del Castanar and 10th Duke of Penaranda

GOYA Y LUCIENTES, Francisco de (1746-1828). Pedro Romero killing the halted bull. 1816. (25. 1 x 35. 9 cm)
CUL4871900 GOYA Y LUCIENTES, Francisco de (1746-1828). Pedro Romero killing the halted bull. 1816. (25.1 x 35.9 cm). ROMERO, Pedro (1754-1839). Spanish bullfighter

GOYA Y LUCIENES, Francisco de (1746-1828). Proverbs. Female riddle. 1815-1824. (24'7 x 35'8 cm)
CUL4874394 GOYA Y LUCIENES, Francisco de (1746-1828). Proverbs. Female riddle. 1815-1824. (24'7 x 35'8 cm). Plate 1 of " Proverbs". Romanticism. Engraving. SPAIN

GOYA Y LUCIENTES, Francisco de (1746-1828). Equestrian Portrait of Philip III of Spain. 1778
CUL4878576 GOYA Y LUCIENTES, Francisco de (1746-1828). Equestrian Portrait of Philip III of Spain. 1778. PHILIP III of Spain (1578-1621). King of Spain (1598-1621)

GOYA Y LUCIENTES, Francisco de (1746-1828). Wrong. Until Death. 1799. (21 x 15 cm)
CUL4874729 GOYA Y LUCIENTES, Francisco de (1746-1828). Wrong. Until Death. 1799. (21 x 15 cm). Plate 55 of " Los Caprichos", etching and burnished aquatint. Romanticism. Engraving. Etching

GOYA Y LUCIENTES, Francisco de (1746-1828). The daring of Martincho (probably Antonio Ebassum)
CUL4871908 GOYA Y LUCIENTES, Francisco de (1746-1828). The daring of Martincho (probably Antonio Ebassum) in the ring at Saragossa. 1816. (24.9 x 35.7 cm)

GOYA Y LUCIENTES, Francisco de (1746-1828). It is time. 1797-1799. (21 x 14'5 cm)
CUL4877269 GOYA Y LUCIENTES, Francisco de (1746-1828). It is time. 1797-1799. (21 x 14'5 cm). Plate 80 of " Los Caprichos", etching, burnished aquatint, drypoint and chisel

Pretty Teacher. 1793-1799 (aquatint)
CUL4874399 Pretty Teacher. 1793-1799 (aquatint) by Goya y Lucientes, Francisco Jose de (1746-1828); 20x14 cm; Biblioteca Nacional, Madrid, Spain; (add.info.: By GOYA Y LUCIENTES)

Portrait of King Ferdinand VII, detail, 1814 (oil on canvas)
CUL4933289 Portrait of King Ferdinand VII, detail, 1814 (oil on canvas) by Goya y Lucientes, Francisco Jose de (1746-1828); 207x140 cm; (add.info.: By GOYA Y LUCIENTES)

Wonderful advice. 1799. (20 5 x 14 5 cm). Capricho plate 15, etching
CUL4870797 Wonderful advice. 1799. (20 5 x 14 5 cm). Capricho plate 15, etching, burnished aquatint and chisel (etching) by Goya y Lucientes, Francisco Jose de (1746-1828); 20, 5x14

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"Goya y Lucientes: A Glimpse into the Artistic World of Francisco de Goya" Francisco de Goya, a renowned Spanish artist from the 18th and 19th centuries, left an indelible mark on the art world with his diverse range of works. From bullfighting scenes to political satire, his creations captured the essence of Spanish culture and society during his time. One notable piece attributed to Goya is "Pedro Romero killing the halted bull, " depicting a dramatic moment in bullfighting history. This etching showcases Pedro Romero, a celebrated Spanish bullfighter, displaying his skill and bravery in facing a fierce opponent. Another intriguing work by Goya is "Proverbs: Female Riddle, " which presents a captivating scene filled with symbolism and mystery. Through this engraving, Goya invites viewers to decipher hidden meanings within traditional proverbs. In contrast to these lively depictions, Goya's "Equestrian Portrait of Philip III of Spain" offers a glimpse into historical portraiture. Created through meticulous copying of Velazquez paintings, this drawing exemplifies Baroque art while honoring King Philip III's reign. Goya's satirical side shines through in pieces like "Wrong. Until Death" from his series called "Los Caprichos. " This print combines etching and burnished aquatint techniques to criticize societal vices prevalent during Romanticism. The world of bullfighting reappears in another work titled "The daring of Martincho (probably Antonio Ebassum) in the ring at Saragossa. " Here, Goya captures Martincho's audacious performance as he enthralls audiences with his skills inside the arena. Exploring darker themes such as war and suffering can be seen in works like "A Woman's Charity" from "The Disasters of War" series. Through powerful imagery created by etching techniques, Goya sheds light on the hardships faced by women during times of conflict.