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Graffiti Collection (page 8)

Graffiti: A Captivating Fusion of Art and Rebellion From the vibrant streets of Sydney to the bustling corners of London, it has emerged as a powerful form of expression

Background imageGraffiti Collection: CAMUNI Deer hunting with snare, petroglyphs on Permian sandstone

CAMUNI Deer hunting with snare, petroglyphs on Permian sandstone
6202854 CAMUNI Deer hunting with snare, petroglyphs on Permian sandstone by Prehistoric; (add.info.: CAMUNI Deer hunting with snare, petroglyphs on Permian sandstone)

Background imageGraffiti Collection: CAMUNI circular figure of solar symbol and human figures, engraving made using the technique

CAMUNI circular figure of solar symbol and human figures, engraving made using the technique called "a
6202852 CAMUNI circular figure of solar symbol and human figures, engraving made using the technique called " a hammer" obtained by tapping the rocky surface of Permian sandstone with a

Background imageGraffiti Collection: CAMUNI depiction of animals, human figures with spear and village buildings

CAMUNI depiction of animals, human figures with spear and village buildings, petroglyphs on Permian sandstone
6202894 CAMUNI depiction of animals, human figures with spear and village buildings, petroglyphs on Permian sandstone by Prehistoric; (add.info.: CAMUNI Depiction of animals)

Background imageGraffiti Collection: CAMUNI Depiction of buildings and staircases of a camuno village, petroglyphs on Permian sandstone

CAMUNI Depiction of buildings and staircases of a camuno village, petroglyphs on Permian sandstone
6202891 CAMUNI Depiction of buildings and staircases of a camuno village, petroglyphs on Permian sandstone by Prehistoric; (add.info)

Background imageGraffiti Collection: CAMUNI Depiction of buildings, human figures and dog, dense petroglyphs on Permian sandstone

CAMUNI Depiction of buildings, human figures and dog, dense petroglyphs on Permian sandstone
6202890 CAMUNI Depiction of buildings, human figures and dog, dense petroglyphs on Permian sandstone by Prehistoric; (add.info.: CAMUNI Depiction of buildings, human figures and dog)

Background imageGraffiti Collection: CAMUNI Rock n. 23 with figure of four-wheeled carriage drawn by horses

CAMUNI Rock n. 23 with figure of four-wheeled carriage drawn by horses, petroglyphs on Permian sandstone
6202883 CAMUNI Rock n. 23 with figure of four-wheeled carriage drawn by horses, petroglyphs on Permian sandstone. by Prehistoric; (add.info.: CAMUNI Rock n)

Background imageGraffiti Collection: Abstract of brick wall with hearts and hand

Abstract of brick wall with hearts and hand

Background imageGraffiti Collection: Wall Sign

Wall Sign
20th February 1954: A painted sign on a wall in Belfast reading God Is Love. Original Publication: Picture Post - 7029 - The Best And The Worst Of Some British Cities 5 - Belfast - pub

Background imageGraffiti Collection: Shamrock Sign

Shamrock Sign
20th February 1954: A painted sign on a wall in Belfast reading Joy, Love, Peace in the shape of a shamrock. Original Publication

Background imageGraffiti Collection: Typical street, Havana, Cuba, West Indies, Central America

Typical street, Havana, Cuba, West Indies, Central America

Background imageGraffiti Collection: Interior of the Oude Kerk, Delft, probably 1650. Creator: Emanuel de Witte

Interior of the Oude Kerk, Delft, probably 1650. Creator: Emanuel de Witte
Interior of the Oude Kerk, Delft, probably 1650. Detail from a larger artwork

Background imageGraffiti Collection: First Pylon - French Inscription Carved on the Eastern Embrasure at Point H

First Pylon - French Inscription Carved on the Eastern Embrasure at Point H, Island of Fila (Philae), 1851/52. [Archaeological site in Egypt - graffiti made c 1799, during the Napoleonic period]

Background imageGraffiti Collection: Angelica lying across the lap of Medoro and writes their names on a tree trunk, 1784-1836

Angelica lying across the lap of Medoro and writes their names on a tree trunk, 1784-1836. Angelica e Medoro in varj modi / legati insieme di diversi nodi

Background imageGraffiti Collection: Section of the Original Big Tree, 92 ft. in circumference, 1870 / 71

Section of the Original Big Tree, 92 ft. in circumference, 1870 / 71
Section of the Original Big Tree, 92 ft. in circumference, 1870/71. [Men and women posing on giant tree trunk]. Albumen print, stereocard, no. 10 from the series " Mammoth Trees, California"

Background imageGraffiti Collection: Lollards Prison, in the tower of Lambeth Palace

Lollards Prison, in the tower of Lambeth Palace
6340501 Lollards Prison, in the tower of Lambeth Palace by Smith, John Thomas (1766-1833); (add.info.: Lollards Prison, in the tower of Lambeth Palace)

Background imageGraffiti Collection: Runestone with cross graffiti. 10th century

Runestone with cross graffiti. 10th century
LRI4724697 Runestone with cross graffiti. 10th century. by Viking, (10th century); Uppsala, Sweden; (add.info.: Viking: Runic stone with cross graffiti)

Background imageGraffiti Collection: Swedish neolithic graffiti representing a ship. Stockholm Historiska Museet Suede

Swedish neolithic graffiti representing a ship. Stockholm Historiska Museet Suede
GIA4709602 Swedish neolithic graffiti representing a ship. Stockholm Historiska Museet Suede by Neolithic; Statens Historiska Museum, Stockholm

Background imageGraffiti Collection: Graffiti representing a Viking rowing ship. 9th century Stockholm, Historiska Museet

Graffiti representing a Viking rowing ship. 9th century Stockholm, Historiska Museet
GIA4709599 Graffiti representing a Viking rowing ship. 9th century Stockholm, Historiska Museet by Viking, (9th century); Historiska Museet, Stockholm

Background imageGraffiti Collection: Madonna, detail from the Nativity (fresco)

Madonna, detail from the Nativity (fresco)
3469956 Madonna, detail from the Nativity (fresco) by Padova, Antonio da (16th century); Church of St. Rok, Draguc, Croatia; eMark Edward Smith; Croatian, out of copyright

Background imageGraffiti Collection: Nativity (fresco)

Nativity (fresco)
3469935 Nativity (fresco) by Padova, Antonio da (16th century); Church of St. Rok, Draguc, Croatia; eMark Edward Smith; Croatian, out of copyright

Background imageGraffiti Collection: The Dunces Bench (engraving)

The Dunces Bench (engraving)
964509 The Dunces Bench (engraving) by English School, (19th century); Private Collection; (add.info.: The Dunces Bench.); © Look and Learn

Background imageGraffiti Collection: Irish gentlemen fighting a duel with pistols, Dublin, 1821

Irish gentlemen fighting a duel with pistols, Dublin, 1821
Irish gentleman Brian Boru and Naval officer Tarpaulin fighting a duel with pistols, Dublin, 1821. Seconds and members of the Duelling Society of Dublin attending

Background imageGraffiti Collection: Caricature of Doctor Alphonse Bertillon from L Assiette au Beurre

Caricature of Doctor Alphonse Bertillon from L Assiette au Beurre
CHT352361 Caricature of Doctor Alphonse Bertillon from L Assiette au Beurre, July 1909 (colour litho) by Musacchio, Cesare Annibale (b.1881); Bibliotheque Historique de la Ville de Paris, Paris

Background imageGraffiti Collection: Poster advertising Chocolat Menier, 1893 (poster)

Poster advertising Chocolat Menier, 1893 (poster)
CHT206290 Poster advertising Chocolat Menier, 1893 (poster) by Bouisset, Firmin (1859-1925); Bibliotheque des Arts Decoratifs, Paris

Background imageGraffiti Collection: Illustration taken from the book 'Les heros du Siecle'

Illustration taken from the book "Les heros du Siecle"
JLJ4624679 Illustration taken from the book " Les heros du Siecle", anecdotal recits by Dick de Lonlay and illustrated by Louis Bombled (1862-1927)

Background imageGraffiti Collection: College Comforts, A Freshman taking possession of his Rooms

College Comforts, A Freshman taking possession of his Rooms
STC255138 College Comforts, A Freshman taking possession of his Rooms, from The English Spy, by Charles Molloy Westmacott (1788-1868) published London, 1825 (colour litho) by Cruikshank

Background imageGraffiti Collection: German army slogan on the wall of a damaged brick building: 'May God punish England

German army slogan on the wall of a damaged brick building: "May God punish England
GBW451454 German army slogan on the wall of a damaged brick building: " May God punish England! 1914/15", Bucy-le-Long, Aisne, France, 1917 (autochrome) by Cuville

Background imageGraffiti Collection: The Coronation Chair of Edward III. with the Stone of Scone (engraving)

The Coronation Chair of Edward III. with the Stone of Scone (engraving)
655100 The Coronation Chair of Edward III. with the Stone of Scone (engraving) by English School, (19th century); Private Collection; (add.info.: The Coronation Chair of Edward III)

Background imageGraffiti Collection: Girl writing on a wall (colour litho)

Girl writing on a wall (colour litho)
3095020 Girl writing on a wall (colour litho) by Kirchner, Raphael (1876-1917); Private Collection; (add.info.: Girl writing on a wall)

Background imageGraffiti Collection: The Presentation of Jesus at the Temple (fresco)

The Presentation of Jesus at the Temple (fresco)
3469951 The Presentation of Jesus at the Temple (fresco) by Padova, Antonio da (16th century); Church of St. Rok, Draguc, Croatia; eMark Edward Smith; Croatian, out of copyright

Background imageGraffiti Collection: Stone inscribed with a dancer, flute player and a safaitic inscription

Stone inscribed with a dancer, flute player and a safaitic inscription
XIR223666 Stone inscribed with a dancer, flute player and a safaitic inscription, 1st century BC-3rd century AD (stone) by Arabic School; Archaeological Museum, Amman

Background imageGraffiti Collection: Stone inscribed with a hunter in the desert and a safaitic inscription

Stone inscribed with a hunter in the desert and a safaitic inscription
XIR223670 Stone inscribed with a hunter in the desert and a safaitic inscription, 1st century BC-3rd century AD (stone) by Arabic School; Archaeological Museum, Amman

Background imageGraffiti Collection: Entrance of the Great Pyramid of Cheops, c. 1880 (b / w photo)

Entrance of the Great Pyramid of Cheops, c. 1880 (b / w photo)
498340 Entrance of the Great Pyramid of Cheops, c.1880 (b/w photo) by Langaki (fl.1880s); Private Collection; (add.info.: The Pyramid of Cheops)

Background imageGraffiti Collection: The Flight into Egypt (fresco)

The Flight into Egypt (fresco)
3469950 The Flight into Egypt (fresco) by Padova, Antonio da (16th century); Church of St. Rok, Draguc, Croatia; eMark Edward Smith; Croatian, out of copyright

Background imageGraffiti Collection: Couple scratching their initials into a tree (photo)

Couple scratching their initials into a tree (photo)
724533 Couple scratching their initials into a tree (photo) by English Photographer, (20th century); Private Collection; (add.info)

Background imageGraffiti Collection: Leicester Square, London (engraving)

Leicester Square, London (engraving)
586189 Leicester Square, London (engraving) by English School, (19th century); Private Collection; (add.info.: Leicester Square, London); Look and Learn / Peter Jackson Collection; English

Background imageGraffiti Collection: The Name on the Beam, illustration from Jack Sheppard

The Name on the Beam, illustration from Jack Sheppard
2655419 The Name on the Beam, illustration from Jack Sheppard: A Romance by William Harrison Ainsworth, published 1839 (hand coloured etching) by Cruikshank

Background imageGraffiti Collection: A room with walls covered in graffiti referring to important contemporary figures such as Bussche

A room with walls covered in graffiti referring to important contemporary figures such as Bussche and Waldow
660518 A room with walls covered in graffiti referring to important contemporary figures such as Bussche and Waldow. Postcard sent in 1913

Background imageGraffiti Collection: Advertisement for Lux soap (colour litho)

Advertisement for Lux soap (colour litho)
6029819 Advertisement for Lux soap (colour litho) by English School, (20th century); Private Collection; (add.info.: Advertisement for Lux soap.); Look and Learn / Elgar Collection

Background imageGraffiti Collection: L Plate au beurre, Satirique en Couleurs, 1901: Teaching

L Plate au beurre, Satirique en Couleurs, 1901: Teaching
ICA4875776 L Plate au beurre, Satirique en Couleurs, 1901: Teaching, Childhood - Teacher - Illustration by Adolphe (Willette) (1857-1926) by Willette

Background imageGraffiti Collection: The Interior of the Buurkerk at Utrecht, 1644 (oil on panel)

The Interior of the Buurkerk at Utrecht, 1644 (oil on panel)
3700859 The Interior of the Buurkerk at Utrecht, 1644 (oil on panel) by Saenredam, Pieter Jansz (1597-1665); 60.1x50.1 cm; National Gallery, London

Background imageGraffiti Collection: College Comforts, A Freshman taking possession of his Rooms

College Comforts, A Freshman taking possession of his Rooms
3085907 College Comforts, A Freshman taking possession of his Rooms, from " The English Spy", pub. 1824 (hand coloured engraving) by Cruikshank

Background imageGraffiti Collection: On New Years Day, in a bedroom, a man, in pajamas and night cap

On New Years Day, in a bedroom, a man, in pajamas and night cap
LSE4330733 On New Years Day, in a bedroom, a man, in pajamas and night cap, got up from his bed to vomit in his night vase; above his bed, a portrait of a legionary

Background imageGraffiti Collection: Electoral inscription on the walls (graffiti) on the Via del

Electoral inscription on the walls (graffiti) on the Via del
LRI4645208 Electoral inscription on the walls (graffiti) on the Via del Abbondanza (photography) by Roman; Area archeologica di Pompei, Naples, Campania




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Graffiti: A Captivating Fusion of Art and Rebellion From the vibrant streets of Sydney to the bustling corners of London, it has emerged as a powerful form of expression. The Art of Banksy Preview in Sydney showcases the undeniable talent behind this urban art movement, captivating audiences with its thought-provoking messages. Just like Jean-Paul Sartre's philosophical musings challenged societal norms, graffiti challenges conventional notions of art. It breathes life into forgotten spaces, transforming a 1970 Chrysler Three Hundred or an old dilapidated wall into canvases that speak volumes about our world. In North London, an urban red fox gracefully strolls past a mesmerizing mural depicting its own kind – a testament to how graffiti seamlessly blends with nature. Meanwhile, in Liverpool's Strawberry Field gate, the spirit of Che Guevara comes alive on a worn-out wall in Havana, Cuba – showcasing how this artistic rebellion transcends borders. Even luxury cars like the Ferrari Testarossa cannot escape the allure of graffiti; it adds an edgy touch to their sleek exteriors. Borley Graffiti in Germany tells tales from history while Checkpoint Charlie stands as a symbol against division and oppression. London's Hackney neighborhood is adorned with colorful murals at every turn – Redchurch Street and Turville Street serve as galleries for talented artists who go by names like Children Of The Streets. Their creations breathe life into concrete walls and inspire passersby with their creativity. Graffiti is more than just paint on walls; it represents voices longing to be heard amidst chaos. It defies boundaries and embraces diversity through vivid colors and intricate designs. Whether it sparks controversy or admiration, one thing remains certain – graffiti will continue leaving its mark on society for years to come.