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Grief Collection (#52)

"Grief: A Universal Language of Loss and Sorrow" In the depths of sorrow, we bid farewell to the old man, a soldier and his loyal horse

Background imageGrief Collection: The Tomb of Atala, 1808 (oil on canvas)

The Tomb of Atala, 1808 (oil on canvas)
XIR35895 The Tomb of Atala, 1808 (oil on canvas) by Girodet de Roucy-Trioson, Anne Louis (1767-1824); 207x267 cm; Louvre, Paris, France; French, out of copyright

Background imageGrief Collection: Motherless (colour litho)

Motherless (colour litho)
KW345527 Motherless (colour litho) by Fildes, Samuel Luke (1844-1927) (after); Private Collection; Ken Welsh; English, out of copyright

Background imageGrief Collection: Mater Dolorosa, 1555 (oil on canvas)

Mater Dolorosa, 1555 (oil on canvas)
XBP340105 Mater Dolorosa, 1555 (oil on canvas) by Titian (Tiziano Vecellio) (c.1488-1576); 68x53 cm; Prado, Madrid, Spain; (add.info)

Background imageGrief Collection: Pilgrimage to San Isidro, 1821 (oil on canvas) (detail of 38639)

Pilgrimage to San Isidro, 1821 (oil on canvas) (detail of 38639)
XBP335619 Pilgrimage to San Isidro, 1821 (oil on canvas) (detail of 38639) by Goya y Lucientes, Francisco Jose de (1746-1828); Prado, Madrid, Spain; Photo eBoltin Picture Library; Spanish

Background imageGrief Collection: Detail of Deposition (altarpiece) showing Madonna fainting

Detail of Deposition (altarpiece) showing Madonna fainting
BAL33488 Detail of Deposition (altarpiece) showing Madonna fainting by Sodoma, Giovanni Antonio Bazzi (1477-1549); Pinacoteca Nazionale, Siena, Italy; Italian, out of copyright

Background imageGrief Collection: Descent from the Cross, c. 1505-10 (altarpiece)

Descent from the Cross, c. 1505-10 (altarpiece)
BAL33462 Descent from the Cross, c.1505-10 (altarpiece) by Sodoma, Giovanni Antonio Bazzi (1477-1549); Pinacoteca Nazionale, Siena, Italy; Italian, out of copyright

Background imageGrief Collection: The Lamentation of Christ, 1495 (oil on panel)

The Lamentation of Christ, 1495 (oil on panel)
BAL33460 The Lamentation of Christ, 1495 (oil on panel) by Perugino, Pietro (c.1445-1523); Palazzo Pitti, Florence, Italy; (add.info.: detail of altarpiece; ); Italian, out of copyright

Background imageGrief Collection: The Avignon Pieta, 1450-60 (oil on panel) (detail of 244976)

The Avignon Pieta, 1450-60 (oil on panel) (detail of 244976)
XIR331780 The Avignon Pieta, 1450-60 (oil on panel) (detail of 244976) by Quarton, Enguerrand (c.1410-66); 163 x 218.5 cm; Louvre, Paris

Background imageGrief Collection: Reformers group at a miracle (oil on canvas) (see also 308463)

Reformers group at a miracle (oil on canvas) (see also 308463)
XPH330492 Reformers group at a miracle (oil on canvas) (see also 308463) by Cranach, Lucas, The Younger (1515-86) (after); Nordhausen Cathedral, Nordhausen, Thuringen

Background imageGrief Collection: Last moments of Marshal Lannes, Duke of Montebello, at the battle of Essling on 22nd May 1809

Last moments of Marshal Lannes, Duke of Montebello, at the battle of Essling on 22nd May 1809
XIR326614 Last moments of Marshal Lannes, Duke of Montebello, at the battle of Essling on 22nd May 1809, engraved by Abraham Girardet (1764-1823) (engraving) (b/w photo) by Raffet

Background imageGrief Collection: The death of Cardinal Wolsey at Leicester Abbey, November 29, 1530, from The National

The death of Cardinal Wolsey at Leicester Abbey, November 29, 1530, from The National
KW322641 The death of Cardinal Wolsey at Leicester Abbey, November 29, 1530, from The National and Domestic History of England by William Hickman Smith Aubrey (1858-1916) published London

Background imageGrief Collection: Napoleon bidding farewell to Marshal Jean Lannes, 1858 (oil on canvas)

Napoleon bidding farewell to Marshal Jean Lannes, 1858 (oil on canvas)
BAL322409 Napoleon bidding farewell to Marshal Jean Lannes, 1858 (oil on canvas) by Dorian, (fl.1858); Borodino, Mozhaysky, Moscow Oblast

Background imageGrief Collection: Siege of Calais: Departure of the Citizens (engraving)

Siege of Calais: Departure of the Citizens (engraving)
XJF314381 Siege of Calais: Departure of the Citizens (engraving) by English School, (19th century); Private Collection; (add.info.: The Siege of Calais (1346-47)

Background imageGrief Collection: Luther Death Scene (oil on canvas)

Luther Death Scene (oil on canvas)
XPH308478 Luther Death Scene (oil on canvas) by German School, (16th century); Sterbehaus Luther, Eisleben, Germany; (add.info.: Sterbeszene; Sterbehaus; Luther died on February 18, 1546 in Eisleben)

Background imageGrief Collection: Bismarcks Death in Friedrichsruh on the 30th July, 1898 (colour litho)

Bismarcks Death in Friedrichsruh on the 30th July, 1898 (colour litho)
XPH308491 Bismarcks Death in Friedrichsruh on the 30th July, 1898 (colour litho) by German School, (19th century); Private Collection; (add.info)

Background imageGrief Collection: A MORNING RIDE IN ATHENS, GREECE, At an evil moment, however, I urged my steed to

A MORNING RIDE IN ATHENS, GREECE, At an evil moment, however, I urged my steed to take a small brook, and I came to grief, engraving 1890

Background imageGrief Collection: The Death of a Good Old Man, p. 11, illustration from The Grave, A Poem

The Death of a Good Old Man, p. 11, illustration from The Grave, A Poem
XYC290780 The Death of a Good Old Man, p.11, illustration from The Grave, A Poem, engraved by Luigi Schiavonetti (1765-1810), 1808 (etching) by Blake

Background imageGrief Collection: Lamentation for Christ, 1500-03 (oil on panel)

Lamentation for Christ, 1500-03 (oil on panel)
XJL61055 Lamentation for Christ, 1500-03 (oil on panel) by DAOErer or Duerer, Albrecht (1471-1528); 151x121 cm; Alte Pinakothek, Munich, Germany; (add.info.: dedicated by the Nuremberg goldsmith)

Background imageGrief Collection: The final moments of the Duke of Orleans after the accident at Neuilly, 13th July 1842

The final moments of the Duke of Orleans after the accident at Neuilly, 13th July 1842
XIR468143 The final moments of the Duke of Orleans after the accident at Neuilly, 13th July 1842 (pencil on paper) by Provost, A (fl)

Background imageGrief Collection: Study of Three Crosses (red chalk on paper)

Study of Three Crosses (red chalk on paper)
BAL42701 Study of Three Crosses (red chalk on paper) by Buonarroti, Michelangelo (1475-1564); British Museum, London, UK; (add.info.: Inv.1860/6/16/3 Recto (W.32); ); Italian, out of copyright

Background imageGrief Collection: Deposition with Virgin Mary and Saints, 1523-24 (oil on panel)

Deposition with Virgin Mary and Saints, 1523-24 (oil on panel)
XAL379730 Deposition with Virgin Mary and Saints, 1523-24 (oil on panel) by Sarto, Andrea del (1486-1530); 239 x 199 cm; Palazzo Pitti, Florence, Italy; (add.info.: St)

Background imageGrief Collection: The Widow or The Fishermans Family (oil on canvas)

The Widow or The Fishermans Family (oil on canvas)
XIR34824 The Widow or The Fishermans Family (oil on canvas) by Luminais, Evariste Vital (1822-96); 91x104.5 cm; Musee d Orsay, Paris, France; (add.info.: La Veuve ou Famille de Pecheur; ); French

Background imageGrief Collection: Royal couple mourning for their dead daughter, 1830 (oil on canvas)

Royal couple mourning for their dead daughter, 1830 (oil on canvas)
BAL347495 Royal couple mourning for their dead daughter, 1830 (oil on canvas) by Lessing, Carl Friedrich (1808-80); Private Collection; German, out of copyright

Background imageGrief Collection: The Indian Widow, 1789 (mezzotint)

The Indian Widow, 1789 (mezzotint)
XYC284841 The Indian Widow, 1789 (mezzotint) by Wright of Derby, Joseph (1734-97) (after); 45.1x55.2 cm; Yale Center for British Art, Paul Mellon Collection, USA; English, out of copyright

Background imageGrief Collection: The Descent of Man into the Vale of Death, pl. 8, illustration from The Grave

The Descent of Man into the Vale of Death, pl. 8, illustration from The Grave
XYC290778 The Descent of Man into the Vale of Death, pl.8, illustration from The Grave, A Poem by William Blake (1757-1827) engraved by Luigi Schiavonetti (1765-1810), 1808 (etching) by Blake

Background imageGrief Collection: Scenes from Tebaldeos Eclogues, c. 1505 (oil on wood)

Scenes from Tebaldeos Eclogues, c. 1505 (oil on wood)
XCF285196 Scenes from Tebaldeos Eclogues, c.1505 (oil on wood) by Previtali, Andrea (c.1470-1528); 45.2x19.9 cm; National Gallery, London

Background imageGrief Collection: Extreme Unction, c. 1637-40 (oil on canvas)

Extreme Unction, c. 1637-40 (oil on canvas)
XCF282068 Extreme Unction, c.1637-40 (oil on canvas) by Poussin, Nicolas (1594-1665); 95.5x121 cm; National Gallery, London, UK; French, out of copyright

Background imageGrief Collection: Death comes for the Child, from Der Todten Tanz, published Basel, 1843 (litho)

Death comes for the Child, from Der Todten Tanz, published Basel, 1843 (litho)
KW278047 Death comes for the Child, from Der Todten Tanz, published Basel, 1843 (litho) by Holbein the Younger, Hans (1497/8-1543) (after); Private Collection; (add.info)

Background imageGrief Collection: Sketch for The Reading of a Will, c. 1820 (oil on board)

Sketch for The Reading of a Will, c. 1820 (oil on board)
XYC265058 Sketch for The Reading of a Will, c.1820 (oil on board) by Wilkie, David (1785-1841); 19.1x25.4 cm; Yale Center for British Art, Paul Mellon Collection, USA; Scottish, out of copyright

Background imageGrief Collection: The entombment of Christ, from The Great Passion series, 1497-1500 (woodcut)

The entombment of Christ, from The Great Passion series, 1497-1500 (woodcut)
XIR266936 The entombment of Christ, from The Great Passion series, 1497-1500 (woodcut) (b/w photo) by DAOErer or Duerer, Albrecht (1471-1528); 38.4x27.8 cm; Bibliotheque Nationale, Paris

Background imageGrief Collection: Christ mourned by the Virgin and the female Saints, from The Great Passion series

Christ mourned by the Virgin and the female Saints, from The Great Passion series
XIR266935 Christ mourned by the Virgin and the female Saints, from The Great Passion series, 1497-1500 (woodcut) (b/w photo) by DAOErer or Duerer

Background imageGrief Collection: The Burial of Sarah, illustration from Dores The Holy Bible, engraved by Pisan

The Burial of Sarah, illustration from Dores The Holy Bible, engraved by Pisan
KW259195 The Burial of Sarah, illustration from Dores The Holy Bible, engraved by Pisan, 1866 (engraving) by Dore, Gustave (1832-83) (after); Private Collection; (add.info.: Genesis 23)

Background imageGrief Collection: The Children Destroyed by Bears, illustration from Dores The Holy Bible

The Children Destroyed by Bears, illustration from Dores The Holy Bible
KW259189 The Children Destroyed by Bears, illustration from Dores The Holy Bible, 1866 (engraving) by Dore, Gustave (1832-83) (after); Private Collection; (add.info.: 2 Kings 2)

Background imageGrief Collection: The Agony of Jacob, c. 1648-52 (oil on canvas)

The Agony of Jacob, c. 1648-52 (oil on canvas)
XAL253910 The Agony of Jacob, c.1648-52 (oil on canvas) by Besenzi, Paolo Emilio (1608-56); 103x118 cm; Pinacoteca Nazionale, Bologna

Background imageGrief Collection: Appeal of the Condemned, 1794, from Histoire de la Revolution Francaise by Louis Blanc

Appeal of the Condemned, 1794, from Histoire de la Revolution Francaise by Louis Blanc
KW245904 Appeal of the Condemned, 1794, from Histoire de la Revolution Francaise by Louis Blanc (1811-82), engraved by Paul Jonnard (d.1902) 1847-62 (litho) by Charlerie, H

Background imageGrief Collection: The Death of the Virgin, 1450 (oil on panel)

The Death of the Virgin, 1450 (oil on panel)
XIR245108 The Death of the Virgin, 1450 (oil on panel) by German School, (15th century); Neue Residenz, Bamberg, Germany; German, out of copyright

Background imageGrief Collection: The Avignon Pieta, 1450-60 (oil on panel)

The Avignon Pieta, 1450-60 (oil on panel)
XIR244976 The Avignon Pieta, 1450-60 (oil on panel) by Quarton, Enguerrand (c.1410-66); 163 x 218.5 cm; Louvre, Paris, France; (add.info)

Background imageGrief Collection: The Widow Embracing her Husbands Grave (pen & brush and black ink and w / c on paper)

The Widow Embracing her Husbands Grave (pen & brush and black ink and w / c on paper)
XYC238466 The Widow Embracing her Husbands Grave (pen & brush and black ink and w/c on paper) by Blake, William (1757-1827); 15.4x20.8 cm; Yale Center for British Art, Paul Mellon Collection

Background imageGrief Collection: Calvary with a Carthusian Monk, 1389-95 (oil on panel)

Calvary with a Carthusian Monk, 1389-95 (oil on panel)
XIR232868 Calvary with a Carthusian Monk, 1389-95 (oil on panel) by Beaumetz, Jean de (c.1335-96); 60x48.5 cm; Louvre, Paris, France; (add.info.: Calvaire avec un Moine Chartreux; ); French

Background imageGrief Collection: Descent from the Cross, c. 1651 (oil on canvas)

Descent from the Cross, c. 1651 (oil on canvas)
XIR232697 Descent from the Cross, c.1651 (oil on canvas) by Le Sueur, Eustache (1617-55); diam: 134 cm; Louvre, Paris, France; French, out of copyright

Background imageGrief Collection: Mater Dolorosa, 1869-70 (terracotta)

Mater Dolorosa, 1869-70 (terracotta)
XIR231763 Mater Dolorosa, 1869-70 (terracotta) by Carpeaux, Jean-Baptiste (1827-75); 71.1x52.7x34.8 cm; Musee des Beaux-Arts, Valenciennes

Background imageGrief Collection: Calvary (oil on panel)

Calvary (oil on panel)
XIR228524 Calvary (oil on panel) by Cranach, Lucas, the Elder (1472-1553) (attr. to); 65.5x41.5 cm; Museo Lazaro Galdiano, Madrid, Spain; German, out of copyright

Background imageGrief Collection: The Death of Ophelia, 1838 (oil on canvas)

The Death of Ophelia, 1838 (oil on canvas)
XIR228511 The Death of Ophelia, 1838 (oil on canvas) by Delacroix, Ferdinand Victor Eugene (1798-1863); 37.9x45.9 cm; Neue Pinakothek, Munich, Germany; (add.info.: Hamlet Act IV scene 7; ); French

Background imageGrief Collection: The Entombment (oil on panel)

The Entombment (oil on panel)
XIR227217 The Entombment (oil on panel) by Vouet, Simon (1590-1649); 55x40 cm; Louvre, Paris, France; French, out of copyright

Background imageGrief Collection: The Descent from the Cross, 1521 (oil on panel) (for detail see 85136)

The Descent from the Cross, 1521 (oil on panel) (for detail see 85136)
XAL227153 The Descent from the Cross, 1521 (oil on panel) (for detail see 85136) by Rosso Fiorentino, Giovanni Battista (1494-1540); 335.3x198 cm; Pinacoteca, Volterra, Italy; Italian

Background imageGrief Collection: The Death of St. Francis, from the Bardi Chapel (fresco)

The Death of St. Francis, from the Bardi Chapel (fresco)
XAL227152 The Death of St. Francis, from the Bardi Chapel (fresco) by Giotto di Bondone (c.1266-1337); Santa Croce, Florence, Italy; (add.info.: Mort de Saint Francois d Assise; ); Italian

Background imageGrief Collection: The Virgin of Calvary, 1861 (oil on canvas)

The Virgin of Calvary, 1861 (oil on canvas)
XIR223284 The Virgin of Calvary, 1861 (oil on canvas) by Lenepveu, Jules Eugene (1819-98); 410x230 cm; Musee des Beaux-Arts, Nantes, France; French, out of copyright

Background imageGrief Collection: A Desperate Woman, 1638 (oil on canvas)

A Desperate Woman, 1638 (oil on canvas)
XIR222203 A Desperate Woman, 1638 (oil on canvas) by Ribera, Jusepe de (lo Spagnoletto) (c.1590-1652); 103x84 cm; Musee Bonnat, Bayonne, France; Italian, out of copyright




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"Grief: A Universal Language of Loss and Sorrow" In the depths of sorrow, we bid farewell to the old man, a soldier and his loyal horse, forever etched in the annals of WWI. Their sacrifice echoes through time, just as the Irish Brigade memorial stands tall on Little Round Top at Gettysburg battlefield. Across oceans and continents, grief knows no boundaries. In Metairie Cemetery, New Orleans, USA, an angel weeps for those lost souls at the Chapman-Hyams memorial. The weight of sadness transcends cultures and languages. From Hiawatha's heartbreak to Minnehaha's demise, love mourns its own demise. Tilda Swinton's haunting portrayal in Derek Jarman's Caravaggio (1986) captures the essence of melancholy that engulfs us all at times. Depression casts its shadow upon a woman slouched in her chair; her head rests heavily on her arm as she battles with inner demons. The double bass propped against a wall in Cienfuegos speaks volumes about unspoken sorrows lingering within Cuba's vibrant streets. Art has long been a vessel for expressing grief - Saint Mary Magdalene penitent silently confesses her pain through brushstrokes on canvas from 1625-27. While Henry Traut's wailing women unleash their anguish onto paper in 1922. Michelangelo Caravaggio immortalizes "The Laying in the Tomb" with masterful strokes from 1602-1604 - capturing both despair and hope intertwined within our mortal coil. Even ancient Greece recognized grief as an intrinsic part of human existence - bronze masks depicting tragedy remind us that sorrow is woven into our collective narrative since time immemorial. Grief unites us all; it is an emotion that traverses borders and eras alike. Whether bidding adieu to fallen soldiers or mourning lost loved ones, we find solace in the shared experience of sorrow.