Grosz Collection

Satirical cartoon on German army recruitment, WW1
A satirical cartoon by the German artist George Grosz on German army recruitment, showing a doctor examining a decaying skeleton to see if it is fit for military service

HEARTFIELD & GROSZ: DADA. Cover of catalogue for First International Dada Exhibition, by John Heartfield and George Grosz, 1920

Satirical cartoon on poverty, WW1
A satirical cartoon by the German artist George Grosz, showing three people living in a slum. An elderly woman sits on a chair, a young boy is slumped at the table

Bird on the Wing - Music Sheet Cover, music by Will Grosz and lyrics by Jimmy Kennedy. An illustration of a bird flies in front of a sunset about the sea. Date: circa 1936

GERMANY: CARTOON, 1921. Postwar Idyll. Satirical drawing, 1921, by George Grosz

GEORGE GROSZ (1893-1959). American (German born) painter. Photographed in 1921

GEORGE GROSZ (1893-1959). American (German born) painter. Photographed in 1932 in New York City

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George Grosz: A Satirical Lens on Germany's Past and Present Born in Germany but a citizen of the world, George Grosz (1893-1959) was a pioneering painter and satirist whose works captured the essence of the turbulent 20th century. From his biting commentary on German army recruitment during World War I, as seen in his satirical cartoon, to his coverage of the First International Dada Exhibition with his partner John Heartfield, Grosz's art was a reflection of the chaos and disillusionment of the time. His works continued to reflect the harsh realities of life, as seen in his satirical drawing "Postwar Idyll" from 1921, which poked fun at the false sense of peace and prosperity following the war. Grosz's art was not just limited to social and political commentary; he also ventured into music, designing the cover for the "Bird on the Wing" music sheet. Throughout his career, Grosz's art evolved, reflecting his experiences and the changing world around him. In the 1930s, he moved to the United States, where he continued to paint, producing works such as "Cain at Long Island, New York," in 1944. Grosz's satirical and provocative art continues to challenge and inspire viewers, offering a unique perspective on the past and the present.