Gulielmus Collection

Plate 35: Philip of Spain as Neptune, riding in a chariot drawn by two sea horses; from Guillielmus Becanuss Serenissimi Principis Ferdinandi, Hispaniarum Infantis... 1636

Tower of London and surrounding area 1597
True and exact draught of the Tower Liberties, surveyed in 1597, by Gulielmus Haiward and J. Gascoyne. 1597

St. Thomas and St. Gulielmus, 1848 (stained glass)
3475299 St. Thomas and St. Gulielmus, 1848 (stained glass) by Pugin, Augustus Welby Northmore (1812-52); Convent of Our Lady of Mercy, Nottingham

Plate 1: Ferdinand as Mars, standing on a pedestal; from Guillielmus Becanus s
Plate 1: Ferdinand as Mars, standing on a pedestal; from Guillielmus Becanuss Serenissimi Principis Ferdinandi, Hispaniarum Infantis... 1636

Plate 6: Ferdinand receiving the keys to the city of Ghent; from Guillielmus Becanuss Serenissimi Principis Ferdinandi, Hispaniarum Infantis... 1636

Plate 8: Ferdinand on horseback crossing the Alps; from Guillielmus Becanus s
Plate 8: Ferdinand on horseback crossing the Alps; from Guillielmus Becanuss Serenissimi Principis Ferdinandi, Hispaniarum Infantis... 1636

Plate 10: The King of Hungary and Ferdinand on horseback; from Guillielmus Becanuss Serenissimi Principis Ferdinandi, Hispaniarum Infantis... 1636

Plate 24: Charles V crowned Emperor by the Pope; from Guillielmus Becanuss Serenissimi Principis Ferdinandi, Hispaniarum Infantis... 1636

Plate 20: Charles V and Ferdinand on Horseback; from Guillielmus Becanuss Serenissimi Principis Ferdinandi, Hispaniarum Infantis... 1636

Plate 17: Aeneas welcomed by King Euandrus in Italy; from Guillielmus Becanus s
Plate 17: Aeneas welcomed by King Euandrus in Italy; from Guillielmus Becanuss Serenissimi Principis Ferdinandi, Hispaniarum Infantis... 1636

Tower of London and surrounding area 1597
From a print published by the Royal Antiquarian Society and engraved from the survey made in 1597. Date: 1597

The Tower of London, 1597, (1845). Artists: Gulielmus Haiward, John Gascoyne
The Tower of London, 1597, (1845). Historic castle located on the north bank of the River Thames in central London. From Old England: A Pictorial Museum of Regal, Ecclesiastical, Baronial, Municipal

Birds eye view of the Tower and Liberties as they appeared in 1597, London, 20th century. A print from Tower of London, printed and published by Gale and Polden Ltd, London

Text page with illuminated initial letters, 14th century. From Racionale divinorum officiorum, produced in Italy. Illustration from Illuminated Manuscripts in the British Museum, Miniatures, Borders

The Divine Comedy. Dante and Virgil in Hell. Folio 25 r. 148
The Divine Comedy. Poem by Dante Alighieri (1265-1321). Miniature depicting Dante and Virgil in Hell. The meeting of Dante with Farinata degli Uberti and Cavalcante de Cavalcanti. Folio 25 r

The Divine Comedy. Dante and Virgil in Purgatory. Folio 177
The Divine Comedy. Poem by Dante Alighieri (1265-1321). Miniature depicting Dante and Virgil in Purgatory. Folio 177 r. 1480-1482. Painted by Guglielmo Giraldi (active 1445-1490)

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"Gulielmus: A Journey Through Time and Art" Step back in time to the year 1597, where the Tower of London and its surrounding area come alive with history. Explore the rich tapestry of this iconic landmark as you immerse yourself in its captivating stories. Turn to Folio 25 r. 148, and witness Dante and Virgil's descent into Hell within "The Divine Comedy. " Let their journey through the depths of despair transport you to a realm beyond imagination. In Plate 35, behold Philip of Spain transformed into Neptune, riding triumphantly in a chariot drawn by two majestic sea horses. Marvel at his regal presence as he commands the vastness of the ocean. Continue your exploration through "The Divine Comedy" in Folio 177, where Dante and Virgil find themselves amidst Purgatory. Feel their struggle for redemption as they ascend towards salvation. Stained glass art comes alive in St. Thomas and St. Gulielmus from 1848. Admire the intricate details that depict these revered saints, capturing their divine grace for all eternity. Plate 1 introduces Ferdinand as Mars, standing tall upon a pedestal - an embodiment of strength and power according to Guillielmus Becanus' work. Let this image ignite your imagination about ancient mythologies intertwined with historical figures. Witness Ferdinand receiving keys to Ghent's city in Plate 6 - a momentous occasion symbolizing trust bestowed upon him by its people. Experience his pride while embracing this significant honor. Plate 8 takes us on an epic journey across treacherous Alps with Ferdinand on horseback - a testament to resilience against nature's challenges captured brilliantly by Guillielmus Becanus' vision. Discover Plate 10's depiction of King Ferdinand alongside Hungary's ruler on horseback; witness unity forged between nations during times when alliances were crucial for survival. Plate 24 showcases Charles V being crowned Emperor by the Pope, a pivotal moment in history immortalized by Guillielmus Becanus.