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Hand Writing Collection (#9)

"Unveiling History Through Handwriting: A Glimpse into the Past" In a world where digital communication dominates

Background imageHand Writing Collection: ROBERT BURNS SONG. Heres a health to them thats awa. The holograph manuscript of the song written

ROBERT BURNS SONG. Heres a health to them thats awa. The holograph manuscript of the song written by Burns in support of the Whigs about the end of 1792

Background imageHand Writing Collection: WATSON: PASSPORT, c1782. Passport issued to Elkanah Watson by Benjamin Franklin, from Passy

WATSON: PASSPORT, c1782. Passport issued to Elkanah Watson by Benjamin Franklin, from Passy, France, c1782

Background imageHand Writing Collection: SCRIBE: ARAB, 14th CENTURY. An Arabic scribe at work, after an illustration from a 14th century

SCRIBE: ARAB, 14th CENTURY. An Arabic scribe at work, after an illustration from a 14th century manuscript of al-Hariris Maqamat

Background imageHand Writing Collection: HUGO: LES CONTEMPLATIONS. Manuscript page of the poem, Les Contemplations, by Victor Hugo, 1850s

HUGO: LES CONTEMPLATIONS. Manuscript page of the poem, Les Contemplations, by Victor Hugo, 1850s

Background imageHand Writing Collection: BAUDELAIRE: DEDICATION. Dedication by Charles Baudelaire to French writer

BAUDELAIRE: DEDICATION. Dedication by Charles Baudelaire to French writer, Theophile Gautier in Les Fleurs du Mal, published in 1857

Background imageHand Writing Collection: CONAN DOYLE: LETTER. Letter from Sir Arthur Conan Doyle to his editor H

CONAN DOYLE: LETTER. Letter from Sir Arthur Conan Doyle to his editor H. Greenhough Smith, early 20th century

Background imageHand Writing Collection: BAUDELAIRE: SPLEEN, 1857. Page from the poem, Spleen, with authors notes by Charles Baudelaire, 1857

BAUDELAIRE: SPLEEN, 1857. Page from the poem, Spleen, with authors notes by Charles Baudelaire, 1857

Background imageHand Writing Collection: MONK: SCRIBE, 1488-89. Monk seated writing. Woodcut, from the Mer des Hystoires, Paris, 1488-89

MONK: SCRIBE, 1488-89. Monk seated writing. Woodcut, from the Mer des Hystoires, Paris, 1488-89

Background imageHand Writing Collection: JOHN GREENLEAF WHITTIER (1807-1892). American poet. Etching, late 19th century

JOHN GREENLEAF WHITTIER (1807-1892). American poet. Etching, late 19th century

Background imageHand Writing Collection: EMILY BRONTË: POEM. The beginning of Emily Jane Brontës poem There shines the moon

EMILY BRONTË: POEM. The beginning of Emily Jane Brontës poem There shines the moon, at noon of night, composed in March 1837

Background imageHand Writing Collection: ROBERT LEE FROST (1874-1963). American poet. Manuscript page with the poem Once by the Pacific

ROBERT LEE FROST (1874-1963). American poet. Manuscript page with the poem Once by the Pacific

Background imageHand Writing Collection: OSWALD VON WOLKENSTEIN (c1377-1445). German lyric poet and adventurer

OSWALD VON WOLKENSTEIN (c1377-1445). German lyric poet and adventurer. Manuscript page from a 1425 collection of his songs

Background imageHand Writing Collection: VICTOR HUGO: MANUSCRIPT. Manuscript page from La Legende de Siecles, by French writer

VICTOR HUGO: MANUSCRIPT. Manuscript page from La Legende de Siecles, by French writer, Victor Hugo (1802-1885)

Background imageHand Writing Collection: GEOFFREY CHAUCER (1340-1400). English poet. Illumination from the early 15th century manuscript of

GEOFFREY CHAUCER (1340-1400). English poet. Illumination from the early 15th century manuscript of Thomas Hoccleves De Regimine Principum

Background imageHand Writing Collection: MISSISSIPPI: HURRICANE, 1969. A view of the remains of a grocery store in Gulfport, Mississippi

MISSISSIPPI: HURRICANE, 1969. A view of the remains of a grocery store in Gulfport, Mississippi, reopened for business in the aftermath of Hurricane Camille, 22 August 1969

Background imageHand Writing Collection: CHARLESTOWN: MAP, 1776. Engraved English map of Boston, Charlestown and environs

CHARLESTOWN: MAP, 1776. Engraved English map of Boston, Charlestown and environs, marking rebel works, 1776

Background imageHand Writing Collection: EBENEZER BUTTERICK (1826-1903). American tailor and fashion business executive

EBENEZER BUTTERICK (1826-1903). American tailor and fashion business executive. Inventor of tissue paper dress patterns. Half-tone photograph and line engraving, 19th century

Background imageHand Writing Collection: CIVIL WAR: LETTER, 1862. A letter from J. K. Newton, a Union Army soldier, to his parents

CIVIL WAR: LETTER, 1862. A letter from J. K. Newton, a Union Army soldier, to his parents, from Pittsburgh
CIVIL WAR: LETTER, 1862. A letter from J.K. Newton, a Union Army soldier, to his parents, from Pittsburgh, Pennsylvania, 2 June 1862

Background imageHand Writing Collection: COLONIAL COMMISSION, 1772. Commission of Joseph Moors as adjudant, signed by Thomas Hutchinson

COLONIAL COMMISSION, 1772. Commission of Joseph Moors as adjudant, signed by Thomas Hutchinson, the last Royal Governor of Massachusetts Colony, 1772

Background imageHand Writing Collection: BOSTON: HOTEL BILL, c1768. Bill from O. Cromwells Head Tavern, run by Joshua Brackett

BOSTON: HOTEL BILL, c1768. Bill from O. Cromwells Head Tavern, run by Joshua Brackett. Hotel bill engraved by Paul Revere, c1770

Background imageHand Writing Collection: MORSE: TELEGRAPH MESSAGE. Beginning of the first telegraph message, What Hath God Wrought

MORSE: TELEGRAPH MESSAGE. Beginning of the first telegraph message, What Hath God Wrought?, sent by Samuel F. B
MORSE: TELEGRAPH MESSAGE. Beginning of the first telegraph message, What Hath God Wrought?, sent by Samuel F.B. Morse from Washington to Baltimore, 22 May 1844

Background imageHand Writing Collection: TREATY WITH NATIVE AMERICANS, c1760. Treaty meeting between Mohawk Native Americans

TREATY WITH NATIVE AMERICANS, c1760. Treaty meeting between Mohawk Native Americans and Sir William Johnson, the British Superintendent of Indian Affairs. Detail of an engraving by Henry Dawkins, 1760

Background imageHand Writing Collection: BOSTON: FIREMEN, 1799. Meeting announcement for the United Fire Society of Boston, Massachusetts

BOSTON: FIREMEN, 1799. Meeting announcement for the United Fire Society of Boston, Massachusetts, 1799

Background imageHand Writing Collection: FOUNTAIN PEN AD, 1889. American newspaper advertisement, 1889, for ball-pointed pens

FOUNTAIN PEN AD, 1889. American newspaper advertisement, 1889, for ball-pointed pens

Background imageHand Writing Collection: CORRECT WRITING POSITION. A gentleman demonstrating the correct writing position

CORRECT WRITING POSITION. A gentleman demonstrating the correct writing position. Wood engraving, c1880

Background imageHand Writing Collection: SHORTHAND, 1779. Short Hand made easy. Handbill published by Robert Baldwin, London, 1779

SHORTHAND, 1779. Short Hand made easy. Handbill published by Robert Baldwin, London, 1779

Background imageHand Writing Collection: FOUNTAIN PEN AD, 1878. American newspaper advertisement, 1878, for Foley gold pens

FOUNTAIN PEN AD, 1878. American newspaper advertisement, 1878, for Foley gold pens

Background imageHand Writing Collection: CORRECT WRITING POSITION. A clerk illustrating the correct (left) and incorrect writing positions

CORRECT WRITING POSITION. A clerk illustrating the correct (left) and incorrect writing positions. Wood engraving, American, c1880

Background imageHand Writing Collection: PENMANSHIP, c1880. Wood engraving, American, c1880, illustrating the correct (right)

PENMANSHIP, c1880. Wood engraving, American, c1880, illustrating the correct (right) and incorrect positions for sitting while writing

Background imageHand Writing Collection: SaDI: BUSTAN MANUSCRIPT. Persian manuscript, early 16th century, of the Bustan (1257) by Saadi

SaDI: BUSTAN MANUSCRIPT. Persian manuscript, early 16th century, of the Bustan (1257) by Saadi

Background imageHand Writing Collection: SCHOOL: MERIT AWARD, 1809. An illumination presented by a teacher to one of his students as a

SCHOOL: MERIT AWARD, 1809. An illumination presented by a teacher to one of his students as a reward of merit, 1809. Line engraving, 19th century

Background imageHand Writing Collection: FOUNTAIN PEN, 1885. English newspaper advertisement for Parkins & Gottos Magic Pen, 1885

FOUNTAIN PEN, 1885. English newspaper advertisement for Parkins & Gottos Magic Pen, 1885

Background imageHand Writing Collection: ADVERTISEMENT: PENS, 1887. American newspaper advertisement for ball-pointed pens. Engraving, 1887

ADVERTISEMENT: PENS, 1887. American newspaper advertisement for ball-pointed pens. Engraving, 1887

Background imageHand Writing Collection: CHINESE IMMIGRANTS, 1879. A school for Chinese immigrants in New York City

CHINESE IMMIGRANTS, 1879. A school for Chinese immigrants in New York City: wood engraving from an American newspaper of 1879

Background imageHand Writing Collection: DURER: FASHION, 1500. Engraving and watercolor, 1500, by Albrecht Durer

DURER: FASHION, 1500. Engraving and watercolor, 1500, by Albrecht Durer

Background imageHand Writing Collection: ADVERTISEMENT: INKSTAND. Victorian inkstand made of silver. Engraving, English, late 19th century

ADVERTISEMENT: INKSTAND. Victorian inkstand made of silver. Engraving, English, late 19th century

Background imageHand Writing Collection: HANDWRITING INSTRUMENT. Line engraving, German, late 19th century, after a French painting

HANDWRITING INSTRUMENT. Line engraving, German, late 19th century, after a French painting

Background imageHand Writing Collection: HANDWRITING, 18th CENTURY. Copper engraving, French, 18th century

HANDWRITING, 18th CENTURY. Copper engraving, French, 18th century

Background imageHand Writing Collection: INKSTAND, 19th CENTURY. Victorian inkstand advertisement. Line engraving, English, late 19th century

INKSTAND, 19th CENTURY. Victorian inkstand advertisement. Line engraving, English, late 19th century

Background imageHand Writing Collection: ADAM JERZY CZARTORYSKI (1770-1861). Polish general and statesman. Wood engraving, English, 1846

ADAM JERZY CZARTORYSKI (1770-1861). Polish general and statesman. Wood engraving, English, 1846

Background imageHand Writing Collection: HANDWRITING: PENS, 1890. Advertisement for fountain and stylographic pens, American engraving, 1890

HANDWRITING: PENS, 1890. Advertisement for fountain and stylographic pens, American engraving, 1890

Background imageHand Writing Collection: HANDWRITING: FOUNTAIN PEN. U. S. patent fountain pen. Engraving, 1881

HANDWRITING: FOUNTAIN PEN. U. S. patent fountain pen. Engraving, 1881
HANDWRITING: FOUNTAIN PEN. U.S. patent fountain pen. Engraving, 1881

Background imageHand Writing Collection: STEEL PEN, 1830. Engraving, English, 1830

STEEL PEN, 1830. Engraving, English, 1830

Background imageHand Writing Collection: WILLIAM DAMPIER (1652-1715). English buccaneer and explorer. Facsimile of a page from the logbook

WILLIAM DAMPIER (1652-1715). English buccaneer and explorer. Facsimile of a page from the logbook of Captain William Dampier

Background imageHand Writing Collection: MERCHANT TRADE DOCUMENT. Copper engraving, English, c1740

MERCHANT TRADE DOCUMENT. Copper engraving, English, c1740

Background imageHand Writing Collection: JOHN DONNE (1573-1631). English poet. Reproduction of an engraving by W

JOHN DONNE (1573-1631). English poet. Reproduction of an engraving by W. Marshall after a painting of Donne at age 18 in 1591

Background imageHand Writing Collection: SYMBOL: FLAMING SWORD. Christian symbol of the expulsion of Adam and Eve from paradise

SYMBOL: FLAMING SWORD. Christian symbol of the expulsion of Adam and Eve from paradise

Background imageHand Writing Collection: FOUNTAIN PEN, 1888. An advertisement for Watermans Ideal fountain pen. Engraving, 1888

FOUNTAIN PEN, 1888. An advertisement for Watermans Ideal fountain pen. Engraving, 1888




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"Unveiling History Through Handwriting: A Glimpse into the Past" In a world where digital communication dominates, there is something undeniably captivating about handwritten artifacts that have stood the test of time. Each stroke of ink on paper tells a unique story, offering us a window into moments long gone. The Galapagos Admiralty map by Fitzroy Beagle reveals the meticulous craftsmanship of an explorer's hand, mapping out uncharted territories with precision and curiosity. Meanwhile, the court record from the Salem witch trials transports us to a dark chapter in history, where penmanship served as evidence against innocent lives. Nadia-Juliette Boulanger's elegant French cursive captures her passion for music teaching, preserving her legacy through delicate curves and flourishes. The Beethoven Manuscript takes us back to 1806 when genius flowed onto paper; its musical notes whispering melodies that still resonate today. Among these treasures lies an unexpected duo - a Titanic whistle and Turkish Bath ticket - remnants of dreams shattered by tragedy. In contrast, Princess Elizabeth and Prince Philip's marriage certificate symbolizes love eternal; their union forever etched in graceful calligraphy. The Reverend Stuart Holden's unused first-class ticket for the ill-fated Titanic serves as a haunting reminder of missed opportunities and unforeseen twists of fate. On another note, Tom Mudd's postcard echoes tales from aboard this majestic ship – words penned amidst hope or perhaps trepidation. Centuries ago, William Langland crafted his masterpiece Piers Plowman with quill and ink; his Middle English manuscript page now stands as testament to literary brilliance preserved through generations. Sigmund Freud's sepia-toned photograph bears both his signature and enigmatic gaze – capturing the essence of psychoanalysis within its frame. Lastly, Percy Bysshe Shelley’s handwriting dances across paper like poetry itself – each word carrying profound meaning imbued with romanticism and rebellion.