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Hans Memlinc Collection

Hans Memling, a renowned painter of the 15th century, left an indelible mark on the art world with his exquisite works

Background imageHans Memlinc Collection: Young Woman with a Pink, ca. 1485-90. Creator: Hans Memling

Young Woman with a Pink, ca. 1485-90. Creator: Hans Memling
Young Woman with a Pink, ca. 1485-90. Once part of an allegorical diptych - the pink symbolizing betrothal or marriage

Background imageHans Memlinc Collection: Portrait of a Young Man praying (recto), 1485. Creator: Hans Memling

Portrait of a Young Man praying (recto), 1485. Creator: Hans Memling
Portrait of a Young Man praying (recto), 1485.

Background imageHans Memlinc Collection: Flowers in an Jug (verso), 1485. Creator: Hans Memling

Flowers in an Jug (verso), 1485. Creator: Hans Memling
Flowers in an Jug (verso), 1485. The jug of flowers on the reverse is one of the first independent still lifes known in art

Background imageHans Memlinc Collection: The Canon Gilles Joye, 1472. Creator: Hans Memling

The Canon Gilles Joye, 1472. Creator: Hans Memling
The Canon Gilles Joye, 1472. According to inscriptions on this painting's frame, Gilles Joye, a priest and composer, was 47 years old when Memling painted his portrait

Background imageHans Memlinc Collection: The Adoration of the Kings, 1448-1494. Creator: Hans Memling

The Adoration of the Kings, 1448-1494. Creator: Hans Memling
The Adoration of the Kings, 1448-1494

Background imageHans Memlinc Collection: Madonna and Child. Detail from the 'St John Altar'. Creator: Unknown. Madonna and Child

Madonna and Child. Detail from the "St John Altar". Creator: Unknown. Madonna and Child
Madonna and Child. Detail from the "St John Altar", Unknown date

Background imageHans Memlinc Collection: Virgin and Child with angel and donor, after Memling, between 1499 and 1509. Creator: Unknown

Virgin and Child with angel and donor, after Memling, between 1499 and 1509. Creator: Unknown
Virgin and Child with angel and donor, after Memling, between 1499 and 1509. Under a canopy, the Virgin holds the child Jesus on her lap. An angel offers him an apple

Background imageHans Memlinc Collection: The Annunciation, ca. 1465-70. Creator: Hans Memling

The Annunciation, ca. 1465-70. Creator: Hans Memling
The Annunciation, ca. 1465-70

Background imageHans Memlinc Collection: The painter Hans Memling (oil on canvas)

The painter Hans Memling (oil on canvas)
471510 The painter Hans Memling (oil on canvas) by Navez, Francois Joseph (1787-1869); 42x25 cm; Koninklijk Museum voor Schone Kunsten, Antwerp

Background imageHans Memlinc Collection: Maria Portinari (Maria Maddalena Baroncelli, born 1456), ca. 1470. Creator: Hans Memling

Maria Portinari (Maria Maddalena Baroncelli, born 1456), ca. 1470. Creator: Hans Memling
Maria Portinari (Maria Maddalena Baroncelli, born 1456), ca. 1470. Detail from a larger artwork

Background imageHans Memlinc Collection: Saint Anthony of Padua, 1485 / 90. Creator: Hans Memling

Saint Anthony of Padua, 1485 / 90. Creator: Hans Memling
Saint Anthony of Padua, 1485/90

Background imageHans Memlinc Collection: Virgin and Child, 1485 / 90. Creator: Hans Memling

Virgin and Child, 1485 / 90. Creator: Hans Memling
Virgin and Child, 1485/90

Background imageHans Memlinc Collection: The Virgin and Child enthroned with two Angels, (oil on marouflaged panel)

The Virgin and Child enthroned with two Angels, (oil on marouflaged panel)
990136 The Virgin and Child enthroned with two Angels, (oil on marouflaged panel) by Memling, Hans (c.1433-94); 68.5x52 cm; Private Collection; (add.info)

Background imageHans Memlinc Collection: Madonna and Child with Angels, after 1479. Creator: Hans Memling

Madonna and Child with Angels, after 1479. Creator: Hans Memling
Madonna and Child with Angels, after 1479

Background imageHans Memlinc Collection: Chalice of Saint John the Evangelist [reverse], c. 1470 / 1475. Creator: Hans Memling

Chalice of Saint John the Evangelist [reverse], c. 1470 / 1475. Creator: Hans Memling
Chalice of Saint John the Evangelist [reverse], c. 1470/1475

Background imageHans Memlinc Collection: Saint Veronica [obverse], c. 1470 / 1475. Creator: Hans Memling

Saint Veronica [obverse], c. 1470 / 1475. Creator: Hans Memling
Saint Veronica [obverse], c. 1470/1475

Background imageHans Memlinc Collection: Portrait of a Man with an Arrow, c. 1470 / 1475. Creator: Hans Memling

Portrait of a Man with an Arrow, c. 1470 / 1475. Creator: Hans Memling
Portrait of a Man with an Arrow, c. 1470/1475

Background imageHans Memlinc Collection: Portrait of an Old Man, ca. 1475. Creator: Hans Memling

Portrait of an Old Man, ca. 1475. Creator: Hans Memling
Portrait of an Old Man, ca. 1475

Background imageHans Memlinc Collection: The Annunciation, 1480-89. Creator: Hans Memling

The Annunciation, 1480-89. Creator: Hans Memling
The Annunciation, 1480-89

Background imageHans Memlinc Collection: Tommaso di Folco Portinari (1428-1501); Maria Portinari... ca. 1470. Creator: Hans Memling

Tommaso di Folco Portinari (1428-1501); Maria Portinari... ca. 1470. Creator: Hans Memling
Tommaso di Folco Portinari (1428-1501); Maria Portinari (Maria Maddalena Baroncelli, born 1456), ca. 1470

Background imageHans Memlinc Collection: Portrait of a Young Man, ca. 1472-75. Creator: Hans Memling

Portrait of a Young Man, ca. 1472-75. Creator: Hans Memling
Portrait of a Young Man, ca. 1472-75

Background imageHans Memlinc Collection: Virgin and Child, ca. 1490-94. Creator: Workshop of Hans Memling (Netherlandish, Seligenstadt)

Virgin and Child, ca. 1490-94. Creator: Workshop of Hans Memling (Netherlandish, Seligenstadt)
Virgin and Child, ca. 1490-94

Background imageHans Memlinc Collection: Virgin and Child. Creator: Unknown

Virgin and Child. Creator: Unknown
Virgin and Child. The apple handed to the Child alludes to Christ as the future Redeemer of mankind. (early 16th century)

Background imageHans Memlinc Collection: Virgin and Child with Saints Catherine of Alexandria and Barbara, early 1480s. Creator

Virgin and Child with Saints Catherine of Alexandria and Barbara, early 1480s. Creator
Virgin and Child with Saints Catherine of Alexandria and Barbara, early 1480s

Background imageHans Memlinc Collection: Portrait de Martin Van Nieuwenhowen, 1478. Creator: Hans Memling

Portrait de Martin Van Nieuwenhowen, 1478. Creator: Hans Memling
Portrait de Martin Van Nieuwenhowen, 1478. In the 1490s, Van Nieuwenhove was successively a city councilor, the captain of the civic guard, and in 1498 mayor of Bruges. Oil on panel

Background imageHans Memlinc Collection: Arrival in Cologne, 1489. Creator: Hans Memling

Arrival in Cologne, 1489. Creator: Hans Memling
Arrival in Cologne, 1489. Reliquary of Saint Ursula who disembarks in Cologne at the city gates assisted by her companions

Background imageHans Memlinc Collection: The Arrival in Rome, 1489. Creator: Hans Memling

The Arrival in Rome, 1489. Creator: Hans Memling
The Arrival in Rome, 1489. Reliquary of Saint Ursula met by Pope Cyriacus, Ursula takes communion, those who have not yet been baptised undergo the ceremony. Oil on panel

Background imageHans Memlinc Collection: Reliquary of Saint Ursula, c1489. Creator: Unknown

Reliquary of Saint Ursula, c1489. Creator: Unknown
Reliquary of Saint Ursula, c1489. A carved and gilded wooden reliquary in the shape of a Gothic chapel, containing oil on panel inserts of scenes of the life and martyrdom of St Ursula

Background imageHans Memlinc Collection: The Nativity, 1479. Creator: Hans Memling

The Nativity, 1479. Creator: Hans Memling
The Nativity, 1479. Left panel of three-panel Jan Floreins Altarpiece or Triptych of Jan Floreins. Oil on panel

Background imageHans Memlinc Collection: Portrait of Marie, daughter of Willem Moreel, 1480. Creator: Hans Memling

Portrait of Marie, daughter of Willem Moreel, 1480. Creator: Hans Memling
Portrait of Marie, daughter of Willem Moreel, 1480. Portrait known as Sibylla Sambetha. Attempts to associate Mary Moreel have been rejected as she would have been too young in 1480 to be the woman

Background imageHans Memlinc Collection: Saint Veronica, 1470-1475. Creator: Hans Memling

Saint Veronica, 1470-1475. Creator: Hans Memling
Saint Veronica, 1470-1475. Saint Veronica was moved with sympathy witnessing Jesus carrying the cross to Golgotha and gave him her veil to wipe his forehead. Oil on panel

Background imageHans Memlinc Collection: Central panel from triptych the Adoration of the Magi, 1479-1480. Creator: Hans Memling

Central panel from triptych the Adoration of the Magi, 1479-1480. Creator: Hans Memling
Central panel from triptych the Adoration of the Magi, 1479-1480. Subject of the Nativity in which the Magi present gifts to Jesus. Oil on panel



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Hans Memling, a renowned painter of the 15th century, left an indelible mark on the art world with his exquisite works. One such masterpiece is "The Annunciation, " created between 1465-70. In this painting, Memling captures the sacred moment when the angel Gabriel visits Mary to announce her divine pregnancy. Another notable piece by Memling is his oil-on-canvas portrait of Maria Portinari, also known as Maria Maddalena Baroncelli. Painted around 1470, this captivating artwork showcases Memling's ability to capture the essence and beauty of his subjects. In "Saint Anthony of Padua, " completed in 1485/90, Memling portrays the beloved saint with remarkable attention to detail and emotion. The viewer can almost feel Saint Anthony's devotion and spiritual presence emanating from the canvas. Memling's talent for depicting religious scenes shines through in "Virgin and Child" (1485/90). This enchanting portrayal of Mother Mary cradling baby Jesus exudes serenity and tenderness that resonates deeply with viewers. "The Virgin and Child enthroned with two Angels" is another noteworthy work by Hans Memling. Painted on marouflaged panel, this piece showcases his mastery in capturing ethereal beauty while infusing it with a sense of divinity. In "Madonna and Child with Angels, " painted after 1479, we witness yet another example of Memling's skillful rendering of religious themes. The delicate brushstrokes bring forth a sense of purity and grace that elevates this artwork to celestial heights. Moving away from religious subjects but still showcasing his expertise in portraiture, "Portrait of a Man with an Arrow" (c. 1470/75) captivates us with its enigmatic charm. The man gazes directly at us while holding an arrow—an intriguing symbol that invites speculation about its meaning. Similarly, "Portrait of an Old Man" (ca.