Hartman Collection (#2)

ENOCH. Enoch, the father of Methusaleh. Woodcut from the Nuremberg Chronicle, 1493

BUILDING OF NOAHs ARK. Woodcut from the Nuremberg Chronicle, 1493

JUDGMENT OF SOLOMON. Woodcut from the Nuremberg Chronicle, 1493

ENOCH AND METHUSALEH. Enoch and his son Methusaleh. Woodcut from the Nuremberg Chronicle, 1493

CARPENTER, 1493. Woodcut, 1493, from the Nuremberg Chronicle

SUPERSTITION, 1493. Spontaneous Generation. A monster born from the Biblical Deluge. Woodcut from the Nuremberg Chronicle

PTOLEMAIC WORLD MAP, 1493. Ptolemaic world map, including depictions of Noahs sons, Japhet, Shem and Ham, progenitors of the human race in Judeo-Christian tradition

Emiel Hartman crashes in his man-powered ornithopter at Cranfield, Bedfordshire. 4 November 1959

Emiel Hartman flying his man-powered ornithopter at Cranfield, Bedfordshire. 30 October 1959

Emiel Hartman in the cockpit of his man-powered ornithopter at Cranfield, Bedfordshire. c.October 1959

The fourth day. A pre-Copernican universe with the earth at the center. Woodcut from Hartmann Schedels Weltchronik
GOD CREATING WORLD, 1493. The fourth day. A pre-Copernican universe with the earth at the center. Woodcut from Hartmann Schedels Weltchronik, Nuremberg, Germany, 1493

A view of Padua. Woodcut from the Nuremberg Chronicle, 1493
ITALY: PADUA, 1493. A view of Padua. Woodcut from the Nuremberg Chronicle, 1493

The Third Day. Woodcut from Hartmann Schedels Weltchronik, Nuremberg, Germany, 1493
GOD CREATING WORLD, 1493. The Third Day. Woodcut from Hartmann Schedels Weltchronik, Nuremberg, Germany, 1493

The fourth day. A pre-Copernican universe with the earth at the center. Woodcut from Hartmann Schedels Weltchronik
GOD CREATING WORLD, 1493. The fourth day. A pre-Copernican universe with the earth at the center. Woodcut from Hartmann Schedels Weltchronik, Nuremberg, Germany, 1493

The First Day. Woodcut from Hartmann Schedels Weltchronik, Nuremberg, Germany, 1493
GOD CREATING WORLD, 1493. The First Day. Woodcut from Hartmann Schedels Weltchronik, Nuremberg, Germany, 1493

Christian theory of the universe embraced by the realm of God and his angelic court
PTOLEMAIC UNIVERSE, 1493. Christian theory of the universe embraced by the realm of God and his angelic court. Ptolemaic universe with earth at the center

View of fortified city with a Cog, a type sailing vessel, in foreground. Watergate bottom right. From Hartman Schedel Liber chronicarum mundi (Nuremberg Chronicle), Nuremberg, 1493, Woodcut

The Hartman Sanitarium, Columbus, Ohio. Line engraving, 1901
OHIO: SANITARIUM, 1901. The Hartman Sanitarium, Columbus, Ohio. Line engraving, 1901

The ills of life, and how to cure them. Cover of an American home medicine booklet, c1904, by S. B. Hartman, M. D
HOME REMEDY MANUAL, c1904. The ills of life, and how to cure them. Cover of an American home medicine booklet, c1904, by S.B. Hartman, M.D

Lincoln Conspirator
LINCOLN CONSPIRATOR. Unidentified man, arrested on suspicion of being a conspirator in President Lincolns assassination. Has been erroneously taken for Dr. Samuel A

Hartman Richter, half-length portrait, seated, facing slightly left. Date photographed 1865, printed later

Ferris Hartman in The purser by John T. Day. Date c1898

PTOLEMAIC WORLD MAP, 1493. Ptolemaic world map, including depictions of Noahs sons, Japhet, Shem and Ham, progenitors of the human race in Judeo-Christian tradition

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Hartman, a name that echoes through history and artistry, carries with it a legacy of creativity and craftsmanship. From biblical tales to intricate ornaments, the Hartman name has left an indelible mark on various mediums. In the ancient story of Moses and Joshua descending from Mount Sinai with the sacred tablets, one cannot help but wonder if L. B. Hartman's creations were inspired by this divine moment. The Stern Ornament from 1940 showcases his attention to detail and mastery of form, capturing the essence of beauty in its purest form. Moving forward in time, we encounter the Church Bell created by Hartman in 1935/1942. Its resonant sound reverberates through generations, calling worshippers to gather and find solace within its walls. Similarly, the Street Car Bell transports us back to a bygone era when trams traversed bustling city streets - a testament to Hartman's ability to capture nostalgia within his work. Venturing into maritime territory, we discover the Ships Stern Ornament from around 1940. As waves crash against its sturdy frame, it stands as a symbol of strength amidst turbulent seas. This piece exemplifies Hartman's ability to infuse life into metalwork. Beyond these tangible creations lies Wendy Hartman - perhaps an artist herself or someone who cherishes their artistic heritage deeply. Her connection to this illustrious lineage is shrouded in mystery yet adds another layer of intrigue surrounding the name "Hartman. " Delving further into history brings us face-to-face with Hartman von Kroneberg's engraving dating back to 1372. A relic from centuries past that serves as a reminder of how far-reaching this family's influence truly is. The mention of FALL / LABRADOR / 1937 piques curiosity about what significance these words hold for the Hartmans; are they locations visited or events experienced? Only those privy to their personal history can unravel this enigma.