Heartbroken Collection (#7)

Man in a Sleigh, 1920 (oil on canvas)
1769278 Man in a Sleigh, 1920 (oil on canvas) by Gramatte, Walter (1897-1929); 115.7x110.5 cm; Private Collection; (add.info)

The Little Parisian, 1881 (bronze with dark brown patina)
1768927 The Little Parisian, 1881 (bronze with dark brown patina) by Gauguin, Paul (1848-1903) (after); 26.4 (height) cm; Private Collection; (add.info.: The Little Parisian; La Petite Parisienne)

St Columbas Farewell to the White Horse, 1865-1868 (oil on board)
1767287 St Columbas Farewell to the White Horse, 1865-1868 (oil on board) by Boyd, Alice (1825-1897); 35.3x49.5 cm; Private Collection; Photo eChristies Images; British, out of copyright

Young Woman Sitting; Jeune Fille Assise, 1921 (oil on board)
825350 Young Woman Sitting; Jeune Fille Assise, 1921 (oil on board) by Pascin, Jules (1885-1930); 65.4x54 cm; Private Collection; (add.info.: Young Woman Sitting; Jeune Fille Assise)

Pink-Orange; Rosa-Orange, 1929 (oil on paper laid down on by the artist on board)
825742 Pink-Orange; Rosa-Orange, 1929 (oil on paper laid down on by the artist on board) by Jawlensky, Alexej von (1864-1941); 30.7x23.8 cm; Private Collection; (add.info.: Pink-Orange; Rosa-Orange)

Misty Morning (oil on canvas, framed)
985530 Misty Morning (oil on canvas, framed) by Gillet, Numa Francois (1868-1940); 170x90 cm; Private Collection; (add.info.: Misty Morning; Matin Brumeux. Numa Francois Gillet (1868-1940)

Woman in a death-bed scene with John the Baptist, c. 1475-1500 (ink
986281 Woman in a death-bed scene with John the Baptist, c.1475-1500 (ink, paints and gold leaf on vellum) by French School

Seated Woman Holding a Book and Singing, mid to late 17th century. Creator: Abraham Bosse
Seated Woman Holding a Book and Singing, mid to late 17th century

News from Afar, 1860s (oil on canvas)
WLT380317 News from Afar, 1860s (oil on canvas) by Stevens, Alfred Emile (1823-1906); Walters Art Museum, Baltimore, USA; Belgian, out of copyright

Despairing man with his head in his hands
" The Mind and visage oft are things apart; a smiling face oft masks a breaking heart." - character study by Phil May of a man in the deepest throes of despair. Date: circa 1890s

And Ever With The Tears Falling Down From Her Eyes She Sighed And Sang. Illustration By Edmund Dulac For The Story Of The Magic Horse. From The Arabian Nights, Published 1938

Painting, title unknown, mid 19th century. Artist: Jean Pierre Alexandre Antigna
Painting, title unknown, mid 19th century

The Parting of Abelard and Heloise, before 1780. Artist: Angelika Kauffmann
The Parting of Abelard and Heloise, before 1780. Kauffmann, Angelika (1741-1807). Found in the collection of the State Hermitage, St. Petersburg

Disappointed love, 1821 (oil on panel)
BAL8310 Disappointed love, 1821 (oil on panel) by Danby, Francis (1793-1861); 62.8x81.2 cm; Victoria & Albert Museum, London, UK; English, out of copyright

Female personification of Asia represented as a woman with turban sitting on an elephant, Cornelis van Dalen (II), 1648-1664

A little girl loses her beau to a prettier model
The Jilt. A little girl loses her beau to a prettier model. She is dreadful upset and even her dolly is sharing her pain and loss! Even her puppy seems to be off! Date: circa 1890s

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"Heartbroken: Exploring the Depths of Human Emotion through Art" In this captivating collection, emotions run deep as each artwork unveils a tale of heartbreak and sorrow. A Mediterranean Beauty, captured in oil on canvas, portrays a forlorn figure with eyes filled with longing. The Broken Angel stands amidst shattered dreams, her wings tattered and spirit crushed. Mourning Dress 1888 tells a story of grief and loss; the somber hues reflecting the weight of an inconsolable heart. The Death of Albine, depicted in oil on canvas, reveals the anguish felt at the departure of a loved one. Nude Boy Standing; Stehender Knabenakt captures vulnerability as innocence is juxtaposed against pain. The Farewell from 1842 evokes bittersweet sentiments with its depiction of parting lovers on an emotional precipice. The mid-19th-century painting by Jean Pierre Alexandre Antigna remains untitled but speaks volumes about despair and desolation. On the Terrace transports us to a melancholic scene where solitude reigns supreme. The Pair rendered in pen, brush, and India ink showcases two figures locked in eternal separation—an image that resonates deeply within our souls. After the Battle depicts not only physical wounds but also wounded hearts yearning for peace amidst chaos. The Pieta immortalizes Mary's profound grief over her son's lifeless body—a universal symbol of maternal anguish transcending time itself. Early Sorrow from 1861 paints a poignant picture where tears flow freely amid shattered hopes and dreams. These artworks serve as windows into human experiences—reminders that heartbreak is woven into our collective narrative. They invite us to embrace our vulnerabilities while finding solace in shared emotions across centuries.