Hendrik Goltzius Collection (#7)

Hendrik Goltzius after Polidoro da Caravaggio (Dutch, 1558 - 1617), Bacchus, probably 1592, engraving

Hendrik Goltzius (Dutch, 1558 - 1617), Hans Bol, 1593, engraving

Hendrik Goltzius after Maerten van Heemskerck (Dutch, 1558 - 1617), Johannes Zurenus (Jan van Suren), 1590, engraving

Hendrik Goltzius (Dutch, 1558 - 1617), Calliope, 1592, engraving

Hendrik Goltzius (Dutch, 1558 - 1617), Flagellation of Christ, 1597, engraving

Hendrik Goltzius after Cornelis Cornelisz van Haarlem, Ixion, Dutch, 1558 - 1617, 1588, engraving on laid paper

Hendrik Goltzius, William, Prince of Nassau-Orange, Dutch, 1558 - 1617, 1581, engraving

Hendrik Goltzius (Dutch, 1558 - 1617), The Fall of Man, 1616, oil on canvas

Jacob Matham after Hendrik Goltzius (Dutch, 1571-1631), Eros and Anteros, probably 1588, engraving on laid paper

Christoffel van Sichem I after Hendrik Goltzius (Dutch, c. 1546-1624), William of Nassau, Prince of Orange, engraving

Hendrik Goltzius after Anthonie van Blocklandt (Dutch, 1558-1617), Lot and His Daughters Leaving Sodom, 1582, engraving

Hendrik Goltzius (Dutch, 1558-1617), William, Prince of Nassau-Orange, 1581, engraving

Hendrik Goltzius (Dutch, 1558-1617), Pluto, 1588-1590, chiaroscuro woodcut in sepia-ochre, green and black

Hendrik Goltzius (Dutch, 1558-1617), Persephone, 1588-1590, chiaroscuro woodcut printed from 3 blocks: black line block and 2 tone blocks in sepia-ochre and olive

Jacques de Gheyn II after Hendrik Goltzius (Dutch, 1565-1629), Drummer, 1587, engraving on laid paper

Jan Pietersz Saenredam after Hendrik Goltzius (Dutch, 1565-1607), Hearing, engraving

Hendrik Goltzius (Dutch, 1558-1617), Bacchus, c. 1595, chiaroscuro woodcut in gold and two shades of brown on laid paper

Hendrik Goltzius (Dutch, 1558-1617), The Crucifixion, probably 1598, engraving

Hendrik Goltzius (Dutch, 1558-1617), Jan Nicquet, 1595, engraving

Hendrik Goltzius (Dutch, 1558-1617), Euterpe, probably 1592, engraving

Hendrik Goltzius (Dutch, 1558-1617), Quis Evadet, 1594, engraving on laid paper

Hendrik Goltzius (Dutch, 1558-1617), Urania, probably 1592, engraving

Hendrik Goltzius (Dutch, 1558-1617), Erato, probably 1592, engraving

Hendrik Goltzius (Dutch, 1558-1617), Saint Paul, probably 1589, engraving

Cornelis Jacobsz Drebbel after Hendrik Goltzius, Poetry, Dutch, 1572-1633, engraving

Workshop of Hendrik Goltzius after Hendrik Goltzius (Flemish, 1574-1575-after 1655), Prometheus Creating Man, engraving on laid paper

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Hendrik Goltzius, a renowned Dutch artist of the late 16th century, left an indelible mark on the art world with his captivating and intricate works. One such masterpiece is "Icarus, " part of his series called "The Four Disgracers" in 1588. In this piece, Goltzius skillfully portrays Icarus' ill-fated flight towards the sun, symbolizing man's hubris and its consequences. Another notable creation by Goltzius is "Marcus Curtius, " from his series "The Roman Heroes" in 1586. This artwork depicts the legendary Roman hero sacrificing himself by leaping into a chasm to save Rome from destruction. Through meticulous attention to detail and dramatic composition, Goltzius captures the bravery and selflessness of Marcus Curtius. Goltzius also delved into Greek mythology with "The Dragon Devouring the Companions of Cadmus" in 1588. This intense scene showcases Cadmus' companions being devoured by a fearsome dragon as punishment for killing sacred cows. The artist's ability to convey horror and despair through vivid imagery leaves viewers captivated. In another installment of "The Four Disgracers, " Goltzius presents us with "Phaeton" in 1588. Here we witness Phaeton's disastrous attempt to drive Apollo's chariot across the sky, resulting in chaos and destruction below. With masterful use of light and shadow, Goltzius brings forth both awe-inspiring beauty and tragic downfall. Moving away from mythological subjects, Goltzius demonstrates his versatility with religious themes like "St. Mary Magdalene Penitent" in 1585. This poignant portrayal shows Mary Magdalene deep in contemplation as she repents for her past sins—a testament to Goltzius' ability to evoke emotion through his art.