Hendrik Collection (#6)

Hendrik Goltzius after Polidoro da Caravaggio (Dutch, 1558 - 1617), Bacchus, probably 1592, engraving

Hendrik Goltzius (Dutch, 1558 - 1617), Hans Bol, 1593, engraving

Attributed to Jacques de Gheyn II, after Hendrik Goltzius (Dutch, 1565 - 1629), Saint Peter, 1589, engraving on laid paper

Hendrik Hondius after Pieter Bruegel the Elder (after Hieronymus Bosch? (Dutch, 1573 - 1649 or after), The Big Fish Eat the Little Fish, c. 1619, engraving

Hendrik Goltzius after Maerten van Heemskerck (Dutch, 1558 - 1617), Johannes Zurenus (Jan van Suren), 1590, engraving

Hendrik Goltzius (Dutch, 1558 - 1617), Calliope, 1592, engraving

Hendrik Goltzius (Dutch, 1558 - 1617), Flagellation of Christ, 1597, engraving

Hendrik Frans de Cort (Flemish, 1742 - 1810), Ruined Church, probably 1794, graphite with gray and brown wash on laid paper

Hendrik de Meyer II (Netherlandish, 1744 - 1793), Rustic Watermill in a Gothic Ruin, 1778, pen and black ink with watercolor over black chalk on laid paper

Hendrik Goltzius after Cornelis Cornelisz van Haarlem, Ixion, Dutch, 1558 - 1617, 1588, engraving on laid paper

Hendrik Goltzius, William, Prince of Nassau-Orange, Dutch, 1558 - 1617, 1581, engraving

design by Charles de La Fosse; cartoon by Zeger Jacob van Helmont (figures) and Augustin Coppens (landscape); woven in Brussels in the workshop of Urbanus Leyniers, Dania'l Leyniers II

Hendrik Goltzius (Dutch, 1558 - 1617), The Fall of Man, 1616, oil on canvas

Adam and Eve, engraved by Hendrik Goltzius, 1585 (engraving)
XJF472199 Adam and Eve, engraved by Hendrik Goltzius, 1585 (engraving) by Spranger, Bartholomaeus (1546-1611) (after); Private Collection; (add.info.: Adam and Eve under the Tree of Knowledge)

Group Portrait of the four Brothers of William I, Prince of Orange: the Counts of Nassau Jan, Hendrik, Adolf, and Louis, workshop of Wybrand de Geest, c. 1630

Portrait of Hendrik, Count of Nassau, workshop of Wybrand de Geest, c. 1633 - c. 1635

Siege and conquest of Hulst by the military forces under Frederik Hendrik of 28 September and 5 November 1645, a central plan of Hulst and the surrounding land with the encirclement

Allegory of the birth of Princess Maria Amalia of Nassau-Dietz, daughter of Hendrik Casimir, January 29, 1689, around the crib with the child kneel Minerva, Juno and Cupid and Flora

Portrait of the painter and printmaker Hermanus Jan Hendrik Rijkelijkhuizen, standing in a landscape at Utrecht, The Netherlands, wearing a top hat and a shawl, under his arm he has a portfolio

Portrait of Jan Hendrik Scholten, Dirk Jurriaan Sluyter, Dirk Noothoven van Goor, 1850 - 1886

Drawing by Hendrik van der Noot and Petrus van Eupen, 1790, Anonymous, 1787-1790

Portrait of Henry Arentsen Vapoer, Simon van de Passe, 1622

Landscape with Ceres (Allegory of Earth); Jan Brueghel the Younger, Flemish, 1601 - 1678, Hendrik van Balen, Flemish, 1575 - 1632; 1630s; Oil on panel; Unframed

Chepstow Castle, Hendrik Frans de Cort, 1742-1810, German

Plymouth Signed and dated, lower center: H Danckerts 1673, Hendrik Danckerts
Plymouth Signed and dated, lower center: " H Danckerts 1673", Hendrik Danckerts, ca. 1625-1680, Dutch

Jacob Matham after Hendrik Goltzius (Dutch, 1571-1631), Eros and Anteros, probably 1588, engraving on laid paper

Christoffel van Sichem I after Hendrik Goltzius (Dutch, c. 1546-1624), William of Nassau, Prince of Orange, engraving

Hendrik Goltzius after Anthonie van Blocklandt (Dutch, 1558-1617), Lot and His Daughters Leaving Sodom, 1582, engraving

Hendrik Goltzius (Dutch, 1558-1617), William, Prince of Nassau-Orange, 1581, engraving

Workshop of Hendrik Goltzius after Karel van Mander I (Dutch, 17th century), Poverty is Easier to Bear Than Luxury, c. 1592, engraving on laid paper

Hendrik Goltzius (Dutch, 1558-1617), Pluto, 1588-1590, chiaroscuro woodcut in sepia-ochre, green and black

Hendrik Goltzius (Dutch, 1558-1617), Persephone, 1588-1590, chiaroscuro woodcut printed from 3 blocks: black line block and 2 tone blocks in sepia-ochre and olive

Jacques de Gheyn II after Hendrik Goltzius (Dutch, 1565-1629), Drummer, 1587, engraving on laid paper

Jan Pietersz Saenredam after Hendrik Goltzius (Dutch, 1565-1607), Hearing, engraving

Hendrik Goltzius (Dutch, 1558-1617), Bacchus, c. 1595, chiaroscuro woodcut in gold and two shades of brown on laid paper

Hendrik Goltzius (Dutch, 1558-1617), The Crucifixion, probably 1598, engraving

Hendrik Goltzius (Dutch, 1558-1617), Jan Nicquet, 1595, engraving

Hendrik Goltzius (Dutch, 1558-1617), Euterpe, probably 1592, engraving

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"Hendrik: A Master of Artistic Expression and Mythological Tales" Step into the world Goltzius, a renowned Dutch artist from the late 16th century. Known for his intricate engravings, he brought to life captivating stories and mythological figures that continue to mesmerize audiences today. In his masterpiece "Icarus, " Goltzius captures the tragic tale of a young man who dared to fly too close to the sun. The delicate lines and meticulous details evoke a sense of both awe and sorrow, reminding us of our own human limitations. Another notable work is "Marcus Curtius" from his series "The Roman Heroes. " This engraving depicts an act of self-sacrifice as Marcus Curtius bravely leaps into a chasm in order to save Rome. Goltzius' skillful rendering showcases not only heroism but also the power of unity and devotion. Goltzius's imagination takes flight once again in "The Dragon Devouring the Companions of Cadmus. " Here, he portrays the terrifying battle between man and beast with astonishing precision. The intensity captured within this artwork serves as a reminder that even in darkness, courage can prevail. One cannot overlook Phaeton from Goltzius's collection "The Four Disgracers. " This piece tells the cautionary tale of ambition gone awry as Phaeton attempts to drive Apollo's chariot across the sky. Through intricate etching techniques, Goltzius masterfully conveys both beauty and tragedy intertwined. Beyond mythology, Goltzius also delves into religious themes like in his depiction of St. Mary Magdalene Penitent. With remarkable attention to detail, he portrays her remorseful expression as she seeks redemption through penance—a poignant portrayal that resonates with believers around the world. However, Hendrik was not limited solely to mythologies or religious subjects.