Heyden Collection (page 2)

Jeanne Deny after Jan van der Heyden, View of a Hilltown, French, born 1749, engraving

Fire in the admiralty line jobs, 1673, attributed to Romeyn de Hooghe, 1673

Pieter van der Heyden after Pieter Bruegel the Elder (Flemish, active c. 1551-1572), The Witch of Malleghem, published 1559, engraving

THE HAGUE: HUIS TEN BOSCH. Huis ten Bosch (House in the Woods) near The Hague, the Netherlands, built in the 1640s to design by Pieter Post and Jacob van Campen

BRUEGEL: EVERYMAN. Line engraving by Pieter van der Heyden (c1530-c1575) after a drawing, 1558, by Pieter Bruegel the Elder

THE FALL OF THE MAGICIAN. Cups and balls, decapitation, knife through arm and other conjuring feats are depicted in The Fall of the Magician, an engraving, 1565

VAN DER HEYDEN: KITCHEN. The Rich Kitchen. Engraving, 1563, by Jan van der Heyden after Peter Bruegel the Elder

BRUEGEL THE ELDER, 1557. Engraving, 1557, by Pieter van der Heyden after a pen drawing, 1556, by Peter Bruegel the Elder. The Latin caption translates: You may send a stupid ass to Paris

SEVEN DEADLY SINS: LUST. Engraving, 1558, by Pieter van der Heyden after a pen drawing, 1557, by Peter Bruegel the Elder. The Flemish verse below the engraving

VAN DER HEYDEN: KITCHEN. The Poor Kitchen. Engraving, 1563, by Jan van der Heyden after Peter Bruegel the Elder

LAND OF COCKAIGNE. Line engraving, 1567, by Pieter van der Heyden after the painting, 1567, by Peter Bruegel the Elder

SEVEN DEADLY SINS, 1558. The Latin motto below the picture reads: Envy is a horrid monster, a most ferocious plague. Copper engraving, 1558, by Pieter van der Heyden after a drawing, 1557

BRUEGEL: WITCH, 1559. The Witch of Malleghem. Copper engraving, 1559, by Pieter van der Heyden after Peter Brueghel the Elder

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"Exploring the Artistic World of Pieter van der Heyden: A Journey Through Time and Imagination" Step into the captivating world of Pieter van der Heyden, a renowned artist whose works spanned various themes and genres. With each stroke of his brush or etching on copper plates, he transported viewers to different realms filled with patience, pride, and enchantment. In "Patience (Patientia), " created in 1557, van der Heyden captures the essence of this virtue through intricate details and serene expressions. The viewer is reminded of the power that lies within waiting calmly for life's wonders to unfold. Moving onto "Pride (Superbia) from The Seven Deadly Sins, " dating back to 1558, we witness van der Heyden's ability to depict human flaws with striking precision. This thought-provoking piece serves as a reminder to remain humble amidst our accomplishments. One cannot overlook the masterpiece titled "St. James and the Magician Hermogenes" from 1565. Van der Heyden skillfully brings together elements of mysticism and faith in this captivating artwork that leaves us pondering over unseen forces at play. Shifting gears towards portraiture, we encounter an intriguing depiction titled "Portrait of Otto von Bismarck in Hunting Clothes with his Dog and a Dead Pheasant. " This work showcases not only van der Heyden's talent but also highlights historical figures who left their mark on society. "The Peasant Wedding Dance, " created after 1570, transports us into a lively celebration where joyous spirits intertwine with energetic movements. Van der Heyden masterfully captures every detail – from swirling skirts to exuberant faces – making us feel like partakers in this rustic revelry. As we delve deeper into nature's beauty depicted by van der Heyden, we encounter two pieces from his series called "The Seasons.