Hieronymus Cock Collection (page 3)

Drawings Prints, Print, Triumph Envy, Cycle, Vicissitudes, Human, Affairs, plate 4
Drawings and Prints, Print, The Triumph of Envy, from The Cycle of the Vicissitudes of Human Affairs, plate 4, The Cycle of the Vicissitudes of Human Affairs, Artist, Publisher, After, Cornelis Cort

Drawings Prints, Print, Triumph Peace, Cycle, Vicissitudes, Human, Affairs, plate 8
Drawings and Prints, Print, The Triumph of Peace, from The Cycle of the Vicissitudes of Human Affairs, plate 8, The Cycle of the Vicissitudes of Human Affairs, Artist, Publisher, After

Drawings Prints, Print, Triumph Humility, Cycle, Vicissitudes, Human, Affairs, plate 7
Drawings and Prints, Print, The Triumph of Humility, from The Cycle of the Vicissitudes of Human Affairs, plate 7, The Cycle of the Vicissitudes of Human Affairs, Artist, Publisher, After

Sylvanus Rural Gods 1565 Engraving sheet 11 5 / 8 x 8 3 / 4
Artokoloro

View ruins Palatine Hill trabeated facade left
Artokoloro

Landscape Temptation Christ ca 1554 Etching sheet
Artokoloro

Abraham Isaac way Sacrifice 1558 Etching Sheet
Artokoloro

Tobit Landscapes Biblical Mythological Scenes
Artokoloro

Mercury Lulling Argus Sleep Landscapes Biblical
Artokoloro

Second View Baths Diocletian set Roman Ruins
Artokoloro

Hieronymus Cock after Pieter Bruegel the Elder (Flemish, c. 1510 - 1570), Landscape with the Temptation of Christ, etching

Sixth sight of the Colosseum in Rome, Italy, Hieronymus Cock, 1551

Fifth sight of the Colosseum in Rome, Italy, Hieronymus Cock, 1550

Title print for a series of Roman ruins, Italy, Hieronymus Cock, 1551

Portrait of King Gustav I of Sweden, Frans Huys, Hieronymus Cock, 1559

Portrait of Pope Pius IV, Frans Huys, Hieronymus Cock, 1559 - 1562

Portrait of Ferdinand I of Habsburg, German Emperor, Frans Huys, Hieronymus Cock, 1559

Portrait of regent Mary of Hungary, Frans Huys, Hieronymus Cock, 1546 - 1562

Portrait of Princess Maria of Portugal, Hans Collaert (I), Hieronymus Cock, 1554 - 1556

Portrait of Catherine of Habsburg, Frans Huys, Hieronymus Cock, 1546 - 1562

Portrait of Eleanor of Habsburg, Frans Huys, Hieronymus Cock, 1546 - 1562

Portraits of William II, Duke of Guelders, and Maria of Austria, Duchess of Guelders, Pieter van der Heyden, Hieronymus Cock, c. 1560 - before 1570

Portrait of Emperor Maximilian II, print maker: Frans Huys, Hieronymus Cock, 1546 - 1562

Portrait of Albrecht Friedrich, margrave of Brandenburg, Pieter van der Heyden, Hieronymus Cock, 1556

Portrait of Ferdinand II of Tyrol, Pieter van der Heyden, Hieronymus Cock, c. 1540 - 1564

First sight of the Colosseum in Rome, Italy, print maker: Hieronymus Cock, 1551

Second view at the Forum Nerva, print maker: Hieronymus Cock, 1550 and / or 1551
Second view at the Forum Nerva, print maker: Hieronymus Cock, 1550 and/or 1551

View of ruins in Rome, Italy, Hieronymus Cock, 1551

View of the bridge of Fabricius in Rome, Italy, Hieronymus Cock, 1550

First glance at the Baths of Caracalla, Hieronymus Cock, 1551

View of the ruins of the Roman Forum seen from the Capitol, Among the ruins are eating and resting people, out a series of 25 prints of Roman ruins, print maker: Hieronymus Cock, Dating 1551

Second view at the Baths of Diocletian, Hieronymus Cock, 1550

View of the Temple of Romulus and the Basilica of Constantine, Hieronymus Cock, 1551

View of the Baths of Diocletian, Hieronymus Cock, 1550

View of the ruins of the Basilica of Constantine, Hieronymus Cock, 1551

Palatine at the Baths of Caracalla, print maker: Hieronymus Cock, 1551

View of the Palatine with sunrise, Hieronymus Cock, 1550

Eighth sight of the Colosseum in Rome, Italy, Hieronymus Cock, 1551

View of the Colosseum and the Palatine, print maker: Hieronymus Cock, 1551

View of the Palatine with the Septizodium, print maker: Hieronymus Cock, 1550 and / or 1551
View of the Palatine with the Septizodium, print maker: Hieronymus Cock, 1550 and/or 1551

Seventh sight of the Colosseum in Rome, Italy, Hieronymus Cock, 1551

Triumph of Tobias, Dirck Volckertsz Coornhert, Maarten van Heemskerck, Hieronymus Cock, 1559

Battle in the Strait of Messina, Frans Huys, Hieronymus Cock, unknown, 1561

Miraculous fishing and miraculous feeding, Pieter van der Heyden, Hieronymus Cock, 1556

Big fish eat small fish, Pieter van der Heyden, Pieter Brueghel (I), Hieronymus Cock, 1557

Everyman, Pieter van der Heyden, Pieter Brueghel (I), Hieronymus Cock, 1556 - 1560

Temptation of H Anthony, Pieter van der Heyden, Pieter Brueghel (I), Hieronymus Cock, 1556

Daphne transformed into a laurel tree, Hieronymus Cock, Matthys Cock, c. 1551 - before 1558

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"Hieronymus Cock: A Journey Through Art and Emotion" Step into the world of Hieronymus Cock, a renowned print publisher in the 16th century, as we explore his captivating collection. From the intricate engravings to the vivid depictions of human emotions, each artwork tells a story that transcends time. Patience (Patientia), created by Pieter van der Heyden in 1557, invites us to reflect on the virtue of patience. With delicate strokes and serene expressions, this piece reminds us of the power found within stillness and endurance. In contrast, Pride (Superbia) from The Seven Deadly Sins series by Pieter van der Heyden in 1558 reveals an entirely different aspect of human nature. Bold and commanding, it serves as a cautionary tale against excessive self-importance. Everyman, crafted around 1558 by Pieter Bruegel the Elder and Pieter van der Heyden together, delves deep into existential questions about life's purpose. Its thought-provoking imagery forces us to confront our mortality and consider what truly matters. Philip Galle's Anger (Ira) from The Seven Deadly Sins series captures raw emotion with fiery intensity. It serves as a reminder that unchecked anger can consume both body and soul if left uncontrolled. Lust (Luxuria), also part of The Seven Deadly Sins series by Philip Galle in 1558, explores desire's seductive grip on humanity. Sensual yet hauntingly beautiful figures remind us of the dangers inherent in succumbing to our basest instincts. Sloth (Desidia), another creation from Philip Galle's The Seven Deadly Sins series in 1558 depicts lethargy personified through languid figures lounging amidst their own apathy. This work urges viewers not to fall victim to complacency but instead embrace productivity and ambition.