High Priest Collection (#6)

Presentation in the Temple, 1654 (mezzotint) (b / w photo)
XIR238396 Presentation in the Temple, 1654 (mezzotint) (b/w photo) by Rembrandt Harmensz. van Rijn (1606-69); Musee de la Ville de Paris, Musee du Petit-Palais

St. Zacharias, 1634 (oil on canvas)
XIR231510 St. Zacharias, 1634 (oil on canvas) by Ribera, Jusepe de (lo Spagnoletto) (c.1590-1652); 98x80 cm; Musee des Beaux-Arts, Rouen, France; (add.info.: father of St)

Meeting between Abraham and Melchizedek (oil on canvas)
XIR223254 Meeting between Abraham and Melchizedek (oil on canvas) by French School, (17th century); Musee des Beaux-Arts, Rennes

The Vision of Zechariah (oil on canvas)
XIR219620 The Vision of Zechariah (oil on canvas) by Crozat, Ambroise (18th century); 265x195 cm; Musee des Augustins, Toulouse, France; (add.info.: seven eyes of the Lord; ); French, out of copyright

Jesus before Caiphus, Scenes from the Life of Christ (mosaic)
XIR193460 Jesus before Caiphus, Scenes from the Life of Christ (mosaic) by Byzantine School, (6th century); Sant Apollinare Nuovo, Ravenna, Italy; out of copyright

Presentation in the Temple (etching) (b / w photo)
XIR238395 Presentation in the Temple (etching) (b/w photo) by Rembrandt Harmensz. van Rijn (1606-69); Musee de la Ville de Paris, Musee du Petit-Palais, France; Dutch, out of copyright

Christ before Caiaphas, print maker: Adriaen Collaert, Maerten de Vos, 1598 - 1618

Christ before Caiaphas, Johann Sadeler (I), 1560 - 1600

Circumcision of Christ, print maker: Egbert van Panderen, Ludovicus Finsonius, Pieter van der Keere, c. 1590 - 1637

Peter and John before the High Priest, Philips Galle, Hieronymus Cock, 1558

Peter and John are released, Philips Galle, Hieronymus Cock, 1558

The Presentation in the Temple, from the Dome Altar, 1499 (tempera on panel)
XKH145514 The Presentation in the Temple, from the Dome Altar, 1499 (tempera on panel) by Stumme, Absolon (15th century); 233x171 cm; Hamburger Kunsthalle, Hamburg

The Harvester Altar, c. 1410 (tempera on oak) (see also 145254 and 145255)
XKH145253 The Harvester Altar, c.1410 (tempera on oak) (see also 145254 and 145255) by Master Bertram of Minden (c.1345-c.1415); Hamburger Kunsthalle, Hamburg, Germany; (add.info.: left wing)

Presentation of Mary in the Temple, print maker: Hieronymus Wierix, 1563 - before 1619

Wall mentioning Old Testament, texts that refer to Christ, Jan Luyken, Wilhelmus Goeree (I), 1690

The Crucifixion, triptych with side panels depicting scenes from the Passion (tempera
BAL112373 The Crucifixion, triptych with side panels depicting scenes from the Passion (tempera on panel) by German School, (14th century); Felsenkirche, Idar-Oberstein, Germany; German

New Morality; Or The Promis d Installment Of The High-priest Of The Theophilanthropes, With The Homage Of Leviathan And His Suite, Gillray, James, 1756-1815, Engraving 1798

For sale as Licensed Images

Choose your image, Select your licence and Download the media

"The High Priest: A Symbol of Spiritual Authority and Divine Connection" Throughout history, the role of the high priest has held immense significance in various religious traditions. In ancient times, priests and Levites were entrusted with maintaining sacred rituals and acting as intermediaries between humanity and the divine. In Simeon and Hannah's encounter at the Temple depicted in c. 1627 painting, their reverence for God is palpable as they witness a significant event unfold. Similarly, "The Presentation in the Temple" from c. 1510 captures a moment of devotion where religious customs are observed with great solemnity. Religious costumes in ancient times were not merely garments but symbols of spiritual authority. The color lithograph showcasing these attire reminds us of their importance in conveying reverence and holiness to worshippers. Aaron, portrayed as the High Priest of Israelites holding a censer in an oil on canvas artwork, exemplifies his pivotal role within Jewish tradition. His actions symbolize purification rituals that connect mortals to higher realms. Jesus' encounters before Herod and Sanhedrin depicted by Henry Traut highlight moments when religious authorities questioned his teachings. These confrontations shed light on how even Jesus faced scrutiny from those who held positions of power within established religious structures. Beyond Judeo-Christian contexts, depictions such as "High Priest of Apollo" by Delpech reveal that similar roles existed across different belief systems worldwide throughout history. This emphasizes the universal need for individuals who can bridge earthly existence with celestial realms. The ephod and linen robes worn by high priests signify their elevated status while conducting sacred ceremonies or offering prayers to deities; this is evident through artistic representations like "High Priests showing ephod and linen robes. " While some may associate witches celebrating Halloween with supernatural powers or dark magic, it is essential to remember that historically witches also played roles akin to spiritual leaders or healers within certain communities.