Hitch Collection (page 6)

3673589

The Triumph of the Church, after 1628 (oil on wood)
XOS5886585 The Triumph of the Church, after 1628 (oil on wood) by Rubens, Peter Paul (1577-1640) (after); 129.5x96.5 cm; Cleveland Museum of Art, OH

Winter, The Plain of Chailly, c. 1862-66 (pastel on paper)
4054126 Winter, The Plain of Chailly, c.1862-66 (pastel on paper) by Millet, Jean-Francois (1814-75); 72.4x95.9 cm; Burrell Collection, Glasgow

La Porte de Bonne 1832 (Oil on canvas)
7393481 La Porte de Bonne 1832 (Oil on canvas) by Debelle, Alexandre (1805-97); 41 x 61, 5 cm; Fondation Glenat, Grenoble, France; © Fonds Glenat

Rochester, Kent, 1795 (w/c on paper)
495777 Rochester, Kent, 1795 (w/c on paper) by Turner, Joseph Mallord William (1775-1851); Manchester Art Gallery, UK; © Manchester Art Gallery

A Distant View, Rouen, c. 1834 (w/c on paper)
495759 A Distant View, Rouen, c.1834 (w/c on paper) by Turner, Joseph Mallord William (1775-1851); Manchester Art Gallery, UK; © Manchester Art Gallery

Golfers on the Ice near Haarlem, 1668 (oil on wood)
7394028 Golfers on the Ice near Haarlem, 1668 (oil on wood) by Velde, Adriaen van de (1636-72); Photo © Fine Art Images

Book of the Dead of Neb-Hepet, detail of the fields, 1075 BC (papyrus)
885863 Book of the Dead of Neb-Hepet, detail of the fields, 1075 BC (papyrus) by Egyptian 21st Dynasty (c.1069-945 BC); Egyptian Museum, Turin

Great Western Railway, Kelston Bridge near Bath, c. 1835-40 (litho on paper)
7394200 Great Western Railway, Kelston Bridge near Bath, c.1835-40 (litho on paper) by Young, William Weston (1776-1847); 19x28 cm; Ironbridge Gorge Museum Trust, Telford, Shropshire

Allegory of Mars, 1496-1500 (fresco)
885620 Allegory of Mars, 1496-1500 (fresco) by Perugino, Pietro (c.1445-1523); Collegio del Cambio, Palazzo dei Priori, Perugia, Umbria, Italy; (add.info.: Audience Hall)

Allegory of Mercury, 1496-1500 (fresco)
885618 Allegory of Mercury, 1496-1500 (fresco) by Perugino, Pietro (c.1445-1523); Collegio del Cambio, Palazzo dei Priori, Perugia, Umbria, Italy; (add.info.: Audience Hall)

Winter landscape, 1872 (oil on canvas)
885779 Winter landscape, 1872 (oil on canvas) by Zimmerman, Richard (1820-75); Museo Civico Revoltella, Trieste, Italy; (add.info.: by Richard Zimmermann (1820-1875))

Grenoble, the gateway to France (Oil on canvas)
7393492 Grenoble, the gateway to France (Oil on canvas) by Ravanat, Theodore (1812-1882); 27 x 35 cm; Fondation Glenat, Grenoble, France; © Fonds Glenat

The Engine Paisley and Train arriving at the Depot of the Paisley and Renfrew Railway, 1837 (coloured litho on paper)
7394186 The Engine Paisley and Train arriving at the Depot of the Paisley and Renfrew Railway, 1837 (coloured litho on paper) by Martin, George (fl.c.1837); 25x33 cm; Ironbridge Gorge Museum Trust

Penrhyn Castle, c. 1850 (coloured lithograph on paper)
7394179 Penrhyn Castle, c.1850 (coloured lithograph on paper) by Picken, Thomas Ashburton (c. 1818-91); 21x30 cm; Ironbridge Gorge Museum Trust, Telford, Shropshire

The Fountain of Life, detail of the journey to the fountain, 1418-30 (fresco)
885643 The Fountain of Life, detail of the journey to the fountain, 1418-30 (fresco) by Jaquerio, Giacomo (fl.1403-53); Castello della Manta, Saluzzo

Railway Bridge over the River Tamar, c. 1860 (engraving on paper)
7394182 Railway Bridge over the River Tamar, c.1860 (engraving on paper) by Phillips, P. (fl.c.1860); 20x40 cm; Ironbridge Gorge Museum Trust, Telford, Shropshire, UK; (add.info.: By P)

Great Wheel, Broseley Shropshire, c1803 (w/c on paper)
7394170 Great Wheel, Broseley Shropshire, c1803 (w/c on paper) by Munn, Paul Sandby (1773-1845); 22x33 cm; Ironbridge Gorge Museum Trust, Telford, Shropshire

Construction of the London and Birmingham Railway, c. 1835-38 (pencil with wash on paper; composite sketch)
7394163 Construction of the London and Birmingham Railway, c.1835-38 (pencil with wash on paper; composite sketch) by Bourne, John Cooke (1814-96); 14x22 cm; Ironbridge Gorge Museum Trust, Telford

The plague in Milan 1630-1631, 19th century (engraving)
1737128 The plague in Milan 1630-1631, 19th century (engraving) by Meaulle, Fortune Louis (1844-1901); Private Collection; (add.info.: The plague in Milan 1630-1631)

The meridian or The siesta (after Millet), 1889 (oil on canvas)
JLJ4653357 The meridian or The siesta (after Millet), 1889 (oil on canvas) by Gogh, Vincent van (1853-90); 73x91 cm; (add.info.: The meridian or The siesta. Peasants resting on haystacks)

Construction of the London and Birmingham Railway, c. 1835 (brown ink on paper; composite sketch)
7389712 Construction of the London and Birmingham Railway, c.1835 (brown ink on paper; composite sketch) by Bourne, John Cooke (1814-96); 22x28 cm; Ironbridge Gorge Museum Trust, Telford, Shropshire

Construction of the London and Birmingham Railway, c. 1835 (pencil with wash on paper; composite sketch)
7389721 Construction of the London and Birmingham Railway, c.1835 (pencil with wash on paper; composite sketch) by Bourne, John Cooke (1814-96); 13x22 cm; Ironbridge Gorge Museum Trust, Telford

Construction of the London and Birmingham Railway, c. 1835 (pencil with wash on paper)
7389716 Construction of the London and Birmingham Railway, c.1835 (pencil with wash on paper) by Bourne, John Cooke (1814-96); 14x21 cm; Ironbridge Gorge Museum Trust, Telford, Shropshire

Construction of the London and Birmingham Railway, c. 1835 (pencil and ink with wash on paper; composite sketch)
7389719 Construction of the London and Birmingham Railway, c.1835 (pencil and ink with wash on paper; composite sketch) by Bourne, John Cooke (1814-96); 27x33 cm; Ironbridge Gorge Museum Trust

Construction of the London and Birmingham Railway, c. 1835 (pencil with wash, and chalk highlights on paper)
7389711 Construction of the London and Birmingham Railway, c.1835 (pencil with wash, and chalk highlights on paper) by Bourne, John Cooke (1814-96); 18x26 cm; Ironbridge Gorge Museum Trust, Telford

Construction of the London and Birmingham Railway, c. 1835 (pencil and ink with wash on paper; composite sketch)
7389706 Construction of the London and Birmingham Railway, c.1835 (pencil and ink with wash on paper; composite sketch) by Bourne, John Cooke (1814-96); 27x33 cm; Ironbridge Gorge Museum Trust

A road in Naples, c. 1872 (oil on canvas)
7062587 A road in Naples, c. 1872 (oil on canvas) by Caillebotte, Gustave (1848-94); (add.info.: A road in Naples, 1872 circa, Gustave Caillebotte, oil on canvas); Photo © Stefano Baldini

Bacchanal with cherubs, 17th century (oil on canvas)
7129408 Bacchanal with cherubs, 17th century (oil on canvas) by Poussin, Nicolas (1594-1665); Galleria Nazionale d'Arte Antica, Rome, Italy; (add.info.: Bacchanal with cherubs, Nicolas Poussin)

Miners in a Potash Mine, Alsace, c. 1900 (b/w photo)
1731068 Miners in a Potash Mine, Alsace, c. 1900 (b/w photo) by French Photographer (20th century); (add.info.: Alsace, c. 1900 : miners in a potash mine)

Forest truck, 1887 (oil on canvas)
7381671 Forest truck, 1887 (oil on canvas) by Chelmonski, Joseph (1850-1914); 59 x 81 cm; National Museum, Krakow, Poland; (add.info.: by Jozef Chełmoński (1850-1914))

Cart with Hay, 1890 (oil on canvas)
7380029 Cart with Hay, 1890 (oil on canvas) by Pankiewicz, Jozef (1886-1940); 50.5 x 69.2 cm; National Museum, Krakow, Poland; (add.info.: by Jozef Pankiewicz (1866-1940))

Welcome, 1903-08 (oil on canvas)
7381649 Welcome, 1903-08 (oil on canvas) by Tetmajer, Wlodzimierz (1862-1923); 33 x 47 cm; National Museum, Krakow, Poland; (add.info.: by Włodzimierz Tetmajer (1862-1923))

Trakka, ( oil on canvas)
7129184 Trakka, ( oil on canvas) by Bilancioni, Guglielmo (1836-1907); Museo della Citta, Rimini, Italy; (add.info.: Trakka, Guglielmo Bilancioni, oil on canvas)

The ploughman with oxen, 3rd-4th century (mosaic)
7129583 The ploughman with oxen, 3rd-4th century (mosaic) by Roman, (3rd-4th century); Palazzo Corsini, Gallerie Nazionali Barberini Corsini, Rome, Italy; (add.info.: The ploughman with oxen)

7379743

The cart driver, 1890 circa, (oil on panel)
7130185 The cart driver, 1890 circa, (oil on panel) by Luna y Novicio, Juan (1857-1900); National Museum of the Philippines, Manila; (add.info.: The cart driver, 1890 circa, Juan Luna Y Novicio)

Landscape with windmills, 1607, (oil on panel)
7128875 Landscape with windmills, 1607, (oil on panel) by Brueghel, Jan the Elder (1568-1625); Galleria Spada, Rome, Lazio, Italy; (add.info.: Landscape with windmills, signed and dated 1607)

Illustration for My Farm (colour litho)
3634405 Illustration for My Farm (colour litho) by Mills, Reginald (1896-1952); Private Collection; (add.info.: Guided by the skilful hand of the ploughman, and drawn by the two strong shire horses)

Village in Lazio (oil on canvas)
7292681 Village in Lazio (oil on canvas) by Corot, Jean Baptiste Camille (1796-1875) (attr.to); Museo Civico Palazzo Chiericati, Vicenza

Illustration from "Des Alten and Neuen Roms Grosser Schau-Platz" by Joachim von Sandrart, 1685 (etching)
1071586 Illustration from "Des Alten and Neuen Roms Grosser Schau-Platz" by Joachim von Sandrart, 1685 (etching) by Sandrart

Ploughing, 1902-03 (oil on canvas)
BOO183612 Ploughing, 1902-03 (oil on canvas) by Seyssaud, Rene Auguste (1867-1952); State Hermitage Museum, St. Petersburg, Russia

Watching the Wagon Train (oil on canvas)
PHD29085 Watching the Wagon Train (oil on canvas) by Berninghaus, Oscar Edward (1874-1952); Kennedy Galleries, New York, USA; (add.info.: by Oscar Edward Berninghaus)

Duke William's envoys come to Count Guy de Ponthieu, Bayeux Tapestry (wool embroidery on linen)
XIR183108 Duke William's envoys come to Count Guy de Ponthieu, Bayeux Tapestry (wool embroidery on linen) by English School, (11th century); Musee de la Tapisserie, Bayeux

Envoys from Duke William are Sent to Count Guy of Ponthieu, Bayeux Tapestry (wool embroidery on linen)
XIR162169 Envoys from Duke William are Sent to Count Guy of Ponthieu, Bayeux Tapestry (wool embroidery on linen) by English School, (11th century); Musee de la Tapisserie, Bayeux

St John's Kirk from Kirkgate, c. 1908 (oil on canvas)
7333486 St John's Kirk from Kirkgate, c.1908 (oil on canvas) by Milne, Joseph (1857-1911); 57.1x40.6 cm; Perth Museum & Art Gallery, Scotland; (add.info.: Artist: Milne, Joseph (b.1859)

Beet Harvest, 1890 (painting)
7333028 Beet Harvest, 1890 (painting) by Claus, Emile (1849-1924); Museum van Deinze en de Leiestreek, Deinze, Belgium; (add.info.: Emile Claus (1849-1924)

Embarkation of the pilgrims on the "Guadeloupe", in Marseilles, Quai des Anglais
7338369 Embarkation of the pilgrims on the "Guadeloupe", in Marseilles, Quai des Anglais. Anonyme, Le Pelerin, 13/5/1882 (print) by French School

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"Hitch: A Journey Through Time and Landscapes" In this captivating collection of artworks, the concept of "hitch" takes on various forms, transporting us across different eras and landscapes. From Saint Isidore, the patron saint of plowers, receiving celestial assistance in tilling a field to farmers diligently plowing their land in Lealholm Hall Farm during the late 19th century - these images depict the timeless connection between humans and nature. The watercolor masterpiece "Wiltshire Landscape, 1937" invites us to immerse ourselves in an idyllic countryside scene. The vibrant hues bring life to rolling hills and lush fields as if we were standing right there amidst the tranquility. Similarly, "Farmers Ploughing a Field on Lealholm Hall Farm" captures a moment frozen in time; it transports us back to witness the dedication of hardworking individuals shaping their livelihoods from earth's bounty. "The Entry of Louis XIV and Maria Theresa into Arras" offers a glimpse into grandeur beyond rural landscapes. This oil-on-canvas masterpiece showcases opulence through its intricate details - regal figures adorned with elaborate garments make their way through bustling streets. Meanwhile, "July (Summer Luxuriance)" presents an explosion of colors that epitomize nature's abundance during warmer months; it reminds us to appreciate life's vibrancy. As we journey further through time, we encounter scenes like "Crossing the Divide or Thirsty Trappers Making a Rush for the River. " This watercolor painting evokes both adventure and struggle as trappers strive for survival amid harsh conditions. Conversely, "An Encounter on the Road" depicts a serene moment where travelers meet along dusty paths - reminding us that unexpected connections can be found even amidst our journeys. Beyond artistry lies passion for sports; thus enters Queens Park Rangers FC football team - united by their love for soccer while representing community spirit.