Holding Hands Collection (page 8)

Holding hands
Raissa Oltmanns

First Love
Ekaterina Ermilkina

Bringing You Home
Angeles M. Pomata

Young couples standing on beach, smiling
1977, Four People, Adults Only, Young Adult, Young Women, Young Men, Caucasian Appearance, Outdoors, Day, Horizontal, Colour, Photography, Waist Up, Three Quarter Length, Bikini, Swimming Shorts

Nurse's Song, plate 22 from Songs of Innocence, 1789 (relief etching with w/c)
XYC220880 Nurse's Song, plate 22 from Songs of Innocence, 1789 (relief etching with w/c) by Blake, William (1757-1827); 11.9x7.5 cm; Yale Center for British Art, Paul Mellon Collection, USA

The Lovers (after the Housebook Master), c. 1490 (engraving)
XOS5884396 The Lovers (after the Housebook Master), c. 1490 (engraving) by Olmutz, Wenzel or Wenceslaus von (fl.1481-97) (after); 16.9x11.3 cm; Cleveland Museum of Art, OH

Workers from the Tredegar Iron Works, Wales, 1865 (albumen print)
3899778 Workers from the Tredegar Iron Works, Wales, 1865 (albumen print) by Clayton, William (fl.1865); Manchester Art Gallery

Byron's Dream, 1874 (oil on canvas)
MAN62933 Byron's Dream, 1874 (oil on canvas) by Brown, Ford Madox (1821-93); 71.5x54.8 cm; Manchester Art Gallery, UK; (add.info)

An Italian Mother and Child, 1886 (oil on canvas)
3620060 An Italian Mother and Child, 1886 (oil on canvas) by Swynnerton, Annie Louisa (1844-1933); 126x74 cm; Manchester Art Gallery

R. Devereux Earl of Essex, 1588 (vellum)
7394918 R. Devereux Earl of Essex, 1588 (vellum) by Hilliard, Nicholas (1547-1619) (school of); 60 cm; Private Collection; (add.info)

Couple hold hands on Guiones Beach where people gather to surf and watch at sunset, Playa Guiones, Nosara, Guanacaste, Costa Rica, Central America

Yanomami children lining up creating a circle, and shadows, Yanomami tribe, southern Venezuela, South America

Aerial of a shabono (yanos), the traditional communal dwellings of the Yanomami tribes of Southern Venezuela, Venezuela, South America

Aerial view of Yanomami tribe, in a circle, and shadows, southern Venezuela, South America

Marketing the Tunny, Concarneau, (oil on canvas)
827252 Marketing the Tunny, Concarneau, (oil on canvas) by Hankey, William Lee (1869-1952); 64.2x76.4 cm; Private Collection; (add.info.: Marketing the Tunny, Concarneau)

Goodnight, 1911 (oil on canvas)
989637 Goodnight, 1911 (oil on canvas) by Elsley, Arthur John (1861-1952); 99.3x72.3 cm; Private Collection; (add.info.: Goodnight. Arthur John Elsley (1861-1952). Oil on canvas

Two Walloon Country Girls, 1888 (oil on canvas)
471170 Two Walloon Country Girls, 1888 (oil on canvas) by Frederic, Leon Henri Marie (1856-1940); 124x91 cm; Koninklijk Museum voor Schone Kunsten, Antwerp, Belgium; © Art in Flanders

Life's Sunset (oil on canvas)
490081 Life's Sunset (oil on canvas) by Hove, Edmond Theodor van (1853-1913); Groeningemuseum, Bruges, Belgium; © Art in Flanders

Adam and Eve, 1593-95 (oil on wood)
3714794 Adam and Eve, 1593-95 (oil on wood) by Spranger, Bartholomaeus (1546-1611); Latvian Museum of Foreign Art, Riga, Latvia

Sailor and girl at the Tomb of the Unknown Soldier, Washington, D. C. 1943. Creator: John Collier
Sailor and girl at the Tomb of the Unknown Soldier, Washington, D.C. Photo shows sailor with Margaraet Mary CcCloskey [sic. Margaret Mary McCloskey?]

An allegory of Peace; Peace personified as a woman standing in a landscape holding the... 1530-40
An allegory of Peace; Peace personified as a woman standing in a landscape holding the left hand of a winged genius, 1530-40

Les Danses au Clair de Lune, illustration from Les Chansons de Bilitis, by Pierre Louys, pub. 1922 (pochoir print)
3035630 Les Danses au Clair de Lune, illustration from Les Chansons de Bilitis, by Pierre Louys, pub. 1922 (pochoir print) by Barbier, Georges (1882-1932); Private Collection; The Stapleton Collection

Le Vieillard et les Nymphes, illustration from Les Chansons de Bilitis, by Pierre Louys, pub. 1922 (pochoir print)
3035598 Le Vieillard et les Nymphes, illustration from Les Chansons de Bilitis, by Pierre Louys, pub. 1922 (pochoir print) by Barbier, Georges (1882-1932); Private Collection; The Stapleton Collection

Chapters on marriage, 1676 (ink on paper)
354833 Chapters on marriage, 1676 (ink on paper) by Spanish School, (17th century); Museo Commarcal de Cervera, Lleida, Spain; Index Fototeca

Man and woman holding hands on a tropical beach admiring the crystal clear sea, aerial view, Antigua and Barbuda, West Indies, Caribbean, Central America

Man and woman walking hand in hand on a beach washed by the turquoise sea, Barbuda, Antigua and Barbuda, West Indies, Caribbean, Central America

Man and woman holding hands on the idyllic Fteri Beach, overhead view, Kefalonia, Ionian Islands, Greek Islands, Greece, Europe

Unwelcome Attentions, 1839 (oil on canvas)
BOU202941 Unwelcome Attentions, 1839 (oil on canvas) by Buss, Robert William (1804-75); Private Collection; Bourne Gallery, Reigate, Surrey

A scene at the swimming dock, Camp Nathan Hale, Southfields, New York, 1943 Creator: Gordon Parks
Southfields, New York. Interracial activities at Camp Nathan Hale, where children are aided by the Methodist Camp Service. A scene at the swimming dock

Ono no Komachi at Seki Temple (Seki), from the series The Seven Fashionable Aspects of... 1751 / 64
Ono no Komachi at Seki Temple (Seki), from the series The Seven Fashionable Aspects of Komachi (Furyu yatsushi nana Komachi), Edo period (1615-1868), 1751/64

The Marriage (woodcut)
397436 The Marriage (woodcut) by Gill, Eric (1882-1940); Private Collection

Children Skating (oil on board)
GG112194 Children Skating (oil on board) by Tarrant, Percy (1855-1934); 16.5x23.4 cm; Private Collection; Photo © Gavin Graham Gallery, London, UK; English, out of copyright

Fisherfolk in an Interior, (oil on canvas)
659087 Fisherfolk in an Interior, (oil on canvas) by Portielje, Edward (1861-1949); 66x52 cm; Private Collection; (add.info.: Fisherfolk in an Interior. Edward Antoon Portielje (1861-1949)

Meriel, Cynthia and George (Perkins), 1900-1 (oil on canvas)
651482 Meriel, Cynthia and George (Perkins), 1900-1 (oil on canvas) by Harcourt, George (1868/69-1947); 182.3x229.9 cm; Private Collection; (add.info.: Meriel, Cynthia and George (Perkins)

On a dark wing, 1899 (pen & wash)
6198000 On a dark wing, 1899 (pen & wash) by Davidson, George Dutch (1879-1901); 19.7x16.5 cm; The McManus, Dundee, UK; Dundee Art Galleries and Museums

Holding Hands (When Time Stands Still), c. 1908 (grisaille)
6199601 Holding Hands (When Time Stands Still), c.1908 (grisaille) by Cowper, Max (1860-1911); 34.3x25.1 cm; The McManus, Dundee, UK; Dundee Art Galleries and Museums

Costume design for the theatre production Korobotchka, (pencil, w / c, gouache)
1195755 Costume design for the theatre production Korobotchka, (pencil, w/c, gouache) by Sudeikin, Sergei Yurevich (1882-1946); 30.5x38.1 cm; Private Collection; Photo © Christies Images

Valaisannes, 1910 (w / c on paper)
1196127 Valaisannes, 1910 (w/c on paper) by Bieler, Ernest (1863-1948); 16x30 cm; Private Collection; Photo © Christies Images

Hope and Humanity, 1942 (oil on canvas)
658982 Hope and Humanity, 1942 (oil on canvas) by Harcourt, George (1868/69-1947); 71.1x91.5 cm; Private Collection; (add.info.: Hope and Humanity. George Harcourt (1868/69-1947). Oil on canvas

Aeneas Sylvius Piccolomini (1405-64) presents Eleonora of Aragon to Frederick III (1415-93), 1503-08 (fresco) (detail)
GRL153305 Aeneas Sylvius Piccolomini (1405-64) presents Eleonora of Aragon to Frederick III (1415-93), 1503-08 (fresco) (detail) by Pinturicchio

Sunshine of the Saint Eulalie Arrives, (pen and black ink and watercolour on vellum)
827299 Sunshine of the Saint Eulalie Arrives, (pen and black ink and watercolour on vellum) by King, Jessie Marion (1875-1949); 22x50.4 cm; Private Collection; (add.info)

Babes in the Wood (oil on canvas)
AFR97179 Babes in the Wood (oil on canvas) by Rothenstein, William (1872-1945); South African National Gallery, Cape Town, South Africa; © South African National Gallery

Indian Wedding; Casamiento Indio, (oil on canvas)
825042 Indian Wedding; Casamiento Indio, (oil on canvas) by Ramos Martinez, Alfredo (1871-1946); 76x88 cm; Private Collection; (add.info.: Indian Wedding; Casamiento Indio)

Portrait of Mrs Muriel Waddington and Daughter
MAL48997 Portrait of Mrs Muriel Waddington and Daughter by Buchel, Charles A. (1872-1950); Private Collection; © Mallett Gallery, London, UK

Crossing the Burn, 1890 (w / c)
6198093 Crossing the Burn, 1890 (w/c) by Brown, James Michael (1843-1947); 55.9x36.8 cm; The McManus, Dundee, UK; Dundee Art Galleries and Museums

San Vigilio, Italy (oil on oval canvas, framed)
1772140 San Vigilio, Italy (oil on oval canvas, framed) by Glehn, Wilfred Gabriel de (1870-1951); 99x132.1 cm; Private Collection; (add.info.: San Vigilio, Italy)

The Meeting of St. Dominic and St. Francis (fresco)
KAB243158 The Meeting of St. Dominic and St. Francis (fresco) by Italian School, (15th century); Santa Maria di Castello, Genoa, Italy; © Dario Grimaldi; Italian, out of copyright

The Blackberry Harvest, c. 1908 (oil on canvas)
826828 The Blackberry Harvest, c.1908 (oil on canvas) by Harvey, Harold (1874-1941); 40.6x35.5 cm; Private Collection; (add.info.: The Blackberry Harvest. Harold Harvey (1874-1941). Oil on canvas

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"Holding Hands: A Timeless Gesture of Connection and Unity" In the realm of art, holding hands transcends time and space, capturing the essence of human connection. From the enchanting Cinema Silhouette to St. Augustine and his mother St. Monica depicted in a heartfelt embrace in 1855, these masterpieces remind us of the power held within our grasp. Ford Madox Brown's "The Last of England" portrays a couple tightly clutching each other's hands as they face an uncertain future together. Similarly, "It's A Lonely Road" showcases three children finding solace in one another as they navigate life's challenges hand in hand down a village street. The Solidarity of Labour is beautifully symbolized by workers joining hands on May Day, their unity echoing through generations. The Miner statue stands tall in Tonypandy, Wales, representing resilience and strength found when communities hold hands during times of struggle. From exotic shores to tranquil gardens, love knows no bounds. In the Maldives' sandy beaches or Germany's Bayreuth where Rhine-daughters intertwine their fingers while dancing to Wagner's melodies; holding hands becomes a universal language that speaks volumes about affection and trust. Even historical figures like Princess Charlotte & Prince Leopold knew the significance behind this simple act - it represents support and companionship throughout life’s journey. And let us not forget those carefree days when 1960s surfers ran into crashing waves hand-in-hand with unspoken camaraderie. Yet amidst industrial landscapes like Lancashire Mill Town or cotton mill worker Alice Nelson setting out for work at Lilac Mill; holding hands takes on deeper meaning - it signifies solidarity among laborers fighting for better conditions and fair treatment. In every stroke of paint or click of a camera shutter lies an ode to humanity’s desire for connection – reminding us that regardless of time or place, holding hands remains an enduring symbol that binds hearts together.