Holst Collection

Gustav Holst (Lambert)
GUSTAV HOLST - English composer and music teacher

A Nightmare, (oil on canvas)
652162 A Nightmare, (oil on canvas) by Holst, Theodor M. von (1810-44); 151.7x91.5 cm; Private Collection; (add.info.: A Nightmare. Theodor M. von Holst (1810-1844). Oil on canvas

Poster advertising Goethes Faust, 1918 (colour litho)
1197714 Poster advertising Goethes Faust, 1918 (colour litho) by Holst Roland, Richard Nicolaus (1868-1938); 114x84 cm; Private Collection; (add.info.: Holst)

Frontispiece to Frankenstein by Mary Shelley, 1831. Private Collection

Cover design for the Exhibition of Vincent van Gogh in Amsterdam. Private Collection

Poster for the play Lucifer, 1910. Artist: Holst, Richard Roland (1868-1938)
Poster for the play Lucifer, 1910. Private Collection

Gibraltar, c1903-1904. Artist: Laurits Bernhard Holst
Gibraltar, c1903-1904. From The Studio Volume 30. [The Offices of the Studio Ltd. London, 1903-1904]

Imogen Holst with James Blades
Imogen Holst and James Blades in Orford Church, early July 1961, with the handbells used in Brittens Noyes Fludde Date: 1961

Imogen Holst Conducting
Imogen Holst conducting the Purcell Singers in Blythburgh Church for their Aldeburgh Festival Choral Concert on 1 July 1961 Date: 1961

Peter Pears and Imogen Holst Rehearsing
Peter Pears rehearsing at Blythburgh Church for the Choral Concert on 1 July 1961. Imogen Holst, who conducted, sits on the left. Date: 1961

Imogen Holst Conducting at Blythburgh
Imogen Holst conducting (probably) the Festival Instrumental Ensemble in Blythburgh Church for the Choral Concert on 1 July 1961. The bassoon-player is probably William Waterhouse. Date: 1961

Imogen Holst studying score
Imogen Holst sitting to consult a score, probably during a rehearsal interval at Blythburgh Church, about 1 July 1961 Date: 1961

James Blades and Imogen Holst during a break in rehearsals on Crag Path, behind Festival Cottage, which then housed the Office. Aldeburgh Festival 1961. Date: 1961

Aldeburgh Festival - Imogen Holst
An unidentified gentleman talking with Imogen Holst during an interval of Albert Herring during the 1962 Aldeburgh Festival. Date: 1962

GUSTAV HOLST (1874-1934). English composer. Photographed by Herbert Lambert, c1920

Theodore M. von Holst, British (1810-1844), Five Male Nudes Gesticulating as a Nude Woman Enters a Portal, pen and black and brown ink over graphite on wove paper

GUSTAV HOLST (1874-1934). English composer. Oil on canvas, 1910, by Millicent Woodforde

The Shooting : Russian Revolution of 1905. Imperial troops firing into the rioting crowd. Artist, Holst

Silhouette of Gustav Holst, composer
Silhouette of Gustav Holst (1874-1934), British composer, in evening dress. 1929

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Holst, a name that encompasses a diverse range of artistic talents and achievements. Gustav Holst (Lambert), known for his haunting painting "A Nightmare, " captures the essence of darkness with his masterful use of oil on canvas. His ability to evoke emotions through vivid imagery is truly remarkable. In another realm of creativity, we find Holst's talent in graphic design showcased in the poster advertising Goethes Faust, 1918. This colorful lithograph reflects his keen eye for composition and ability to capture attention. Moving back in time, we encounter Holst's contribution as an illustrator with the frontispiece he created for Mary Shelley's iconic novel Frankenstein in 1831. Through intricate details and symbolism, he brings this timeless tale to life. Stepping into the world of exhibitions, we witness Holst's captivating cover design for Vincent van Gogh's exhibition in Amsterdam. With bold strokes and vibrant colors, he pays homage to one of history's greatest artists. Shifting gears slightly, we delve into theatrical artistry where Richard Roland Holst (1868-1938) showcases his talent through a striking poster for the play Lucifer in 1910. The artist effortlessly combines elements of mystery and allure while enticing audiences to experience this gripping performance. Venturing further geographically, Laurits Bernhard Holst takes us on a visual journey with his depiction of Gibraltar around 1903-1904. Through meticulous brushwork and attention to detail, he transports us to this picturesque location filled with awe-inspiring landscapes. The legacy continues within the realm of music as Imogen Holst conducts orchestras with grace and precision. Her passion shines through as she leads musicians towards harmonious melodies at various venues such as Blythburgh or alongside renowned figures like James Blades or Peter Pears during rehearsals. Whether it be through paintbrushes or conducting batons.