Homer Winslow Collection

Flirting on the Sea-Shore and on the Meadow (Harpers Weekly, Vol. XVIII), September 19, 1874

Dressing for the Carnival, 1877. Creator: Winslow Homer
Dressing for the Carnival, 1877

Hauling in the Nets, 1887. Creator: Winslow Homer
Hauling in the Nets, 1887

The Studio, 1867. Creator: Winslow Homer
The Studio, 1867

Portrait of Helena de Kay, 1872. Creator: Winslow Homer
Portrait of Helena de Kay, 1872.

Deer in the Adirondacks, 1889. Creator: Winslow Homer
Deer in the Adirondacks, 1889.

Waverly Oaks, 1864. Creator: Winslow Homer
Waverly Oaks, 1864.

Playing A Fish, 1875, Reworked in 1890s. Creator: Winslow Homer
Playing A Fish, 1875, Reworked in 1890s.

West Point, Prout's Neck, 1900. Creator: Winslow Homer
West Point, Prout's Neck, 1900. Seawater surges around massive rocks as bands of brilliant colour stretch across the horizon, casting a rosy glow over the ocean

Eastern Point, 1900. Creator: Winslow Homer
Eastern Point, 1900. Homer completed Eastern Point in just one month, confidently recording the turbulent weather conditions near his studio in Maine

Undertow, 1886. Creator: Winslow Homer
Undertow, 1886. Rescuers try to haul ashore two women, weighed down by their waterlogged bathing dresses, in danger of being pulled beneath the waves by an undertow

Summer Squall, 1877. Creator: Winslow Homer
Summer Squall, 1877. Summer Squall was inspired by a sudden storm Homer observed from his studio at Prouts Neck, Maine. Thick strokes of white paint suggest the foaming water violently surging over

Saco Bay, 1896. Creator: Winslow Homer
Saco Bay, 1896. Sunset - two women, carrying fishing nets and lobster traps, seem as solid and enduring as the rocks beneath their feet.

Daughter of the Coast Guard, 1881. Creator: Winslow Homer
Daughter of the Coast Guard, 1881. Homer travelled to England in 1881 and settled in the village of Cullercoats near Tynemouth on the craggy North Sea coast

Signal of Distress, 1890. Creator: Winslow Homer
Signal of Distress, 1890. In the foreground a group of sailors watch as fellow crew members prepare to board a lifeboat and reach safety

Sleigh Ride, c1890-95. Creator: Winslow Homer
Sleigh Ride, c1890-95. Tracks in the snow, painted with subtle touches of blue and pink, lead our eyes to a sleigh about to disappear over the ridge of a hill

Farmyard Scene, c1872-74. Creator: Winslow Homer
Farmyard Scene, c1872-74.

Charles Prentice Howland, 1878. Creator: Winslow Homer
Charles Prentice Howland, 1878. 9-year-old Charles Howland dressed for school, standing stiffly and perhaps impatiently as he poses for the artist

The Bridle Path, White Mountains, 1868. Creator: Winslow Homer
The Bridle Path, White Mountains, 1868. A young woman rides sidesaddle along a rocky path in the White Mountains of New Hampshire

Two Guides, 1877. Creator: Winslow Homer
Two Guides, 1877. The men in this painting were well-known wilderness guides in the Adirondack Mountains of New York. Their axes

Sunshine and Shadow, Prout's Neck, c.1894 (w/c on ivory wove paper)
5859667 Sunshine and Shadow, Prout's Neck, c.1894 (w/c on ivory wove paper) by Homer, Winslow (1836-1910); The Art Institute of Chicago, IL, USA; (add.info.: by Winslow Homer)

Fishing off Scarborough, 1882 (graphite & w/c on paper)
5859659 Fishing off Scarborough, 1882 (graphite & w/c on paper) by Homer, Winslow (1836-1910); The Art Institute of Chicago, IL, USA; (add.info.: by Winslow Homer)

The End of the Day, Adirondacks, 1890 (w/c on ivory wove paper)
5859657 The End of the Day, Adirondacks, 1890 (w/c on ivory wove paper) by Homer, Winslow (1836-1910); The Art Institute of Chicago, IL, USA; (add.info.: by Winslow Homer)

White Mare, c.1868 (oil on panel)
XOS5874505 White Mare, c.1868 (oil on panel) by Homer, Winslow (1836-1910); 32.5x45 cm; Cleveland Museum of Art, OH, USA; (add.info)

The Outlook, Maine Coast, 1894 (w/c on ivory wove paper)
5859662 The Outlook, Maine Coast, 1894 (w/c on ivory wove paper) by Homer, Winslow (1836-1910); The Art Institute of Chicago, IL, USA; (add.info.: by Winslow Homer)

Two Boys Watching Schooners, 1880 (w/c on ivory wove paper)
5859658 Two Boys Watching Schooners, 1880 (w/c on ivory wove paper) by Homer, Winslow (1836-1910); The Art Institute of Chicago, IL, USA; (add.info.: by Winslow Homer)

Any Thing for me, if you Please? - Post Office of the Brooklyn Fair in Aid of the Sanitary... 1864 Creator: Unknown
Any Thing for me, if you Please? - Post Office of the Brooklyn Fair in Aid of the Sanitary Commission, 1864. Periodical: Harper's Weekly, 5 March 1864

Spring Farm Work - Grafting, 1870. Creator: Unknown
Spring Farm Work - Grafting, 1870. Periodical: Harper's Weekly, 30 April 1870

The Inauguration of Abraham Lincoln as President of the United States, at the Capitol, March 4, 1861 Creator: Unknown
The Inauguration of Abraham Lincoln as President of the United States, at the Capitol, Washington, March 4, 1861. Periodical: Harper's Weekly, 16 March 1861

Skating at Boston, 1859. Creator: Unknown
Skating at Boston, 1859. Periodical: Harper's Weekly, 12 March 1859

Saved, 1889. Creator: Winslow Homer
Saved, 1889

Seaside Sketches - A Clam-bake, 1873. Creator: Unknown
Seaside Sketches - A Clam-bake, 1873. From periodical: Harper's Weekly, 23 August 1873

New England Factory Life - Bell-Time, 1868. Creator: Unknown
New England Factory Life - Bell-Time, 1868. From periodical: Harper's Weekly, 25 July 1868

Christmas Boxes in Camp - Christmas, 1861, 1862. Creator: Unknown
Christmas Boxes in Camp - Christmas, 1861, 1862. From periodical: Harper's Weekly, 4 January 1862

A Shell in the Rebel Trenches, 1863. Creator: Unknown
A Shell in the Rebel Trenches, 1863. From periodical: Harper's Weekly, 17 January 1863

Station-House Lodgers, 1874. Creator: Unknown
Station-House Lodgers, 1874. From periodical: Harper's Weekly, 7 February 1874

Winter Quarters in Camp - The Inside of a Hut, 1863. Creator: Unknown
Winter Quarters in Camp - The Inside of a Hut, 1863. From periodical: Harper's Weekly, 24 January 1863

The Inaugural Procession at Washington, Passing the Gate of the Capitol Grounds, 1861. Creator: Unknown
The Inaugural Procession at Washington, Passing the Gate of the Capitol Grounds, 1861. From periodical: Harper's Weekly, 16 March 1861

The War for the Union - A Bayonet Charge, 1862. Creator: Unknown
The War for the Union - A Bayonet Charge, 1862. From periodical: Harper's Weekly, 12 July 1862

The Songs of the War, 1861. Creator: Unknown
The Songs of the War, 1861. From periodical: Harper's Weekly, 23 November 1861

Watch-Tower, Corner of Spring and Varick Streets, New York, 1874. Creator: Unknown
Watch-Tower, Corner of Spring and Varick Streets, New York, 1874. From periodical: Harper's Weekly, 28 February 1874

The Nooning, 1873. Creator: Unknown
The Nooning, 1873. From periodical: Harper's Weekly, 16 August 1873

Winter, the Fox Hunt. Creator: Henry Wolf
Winter, the Fox Hunt

Art-Students and Copyists in the Louvre Gallery, Paris (Harpers Weekly, Vol. XII), January 11, 1868

The Veteran in a New Field, 1865. Creator: Winslow Homer
The Veteran in a New Field, 1865

Shooting the Rapids, Saguenay River, 1905-10. Creator: Winslow Homer
Shooting the Rapids, Saguenay River, 1905-10

The Rapids, Hudson River, Adirondacks, 1894 (w / c on paper)
5859664 The Rapids, Hudson River, Adirondacks, 1894 (w/c on paper) by Homer, Winslow (1836-1910); 38.4x54.6 cm; The Art Institute of Chicago, IL, USA; (add.info.: by Winslow Homer (1836-1910))

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"Homer Winslow: A Master of Capturing Life's Beauty" Flirting on the Sea-Shore and on the Meadow, Dressing for the Carnival, Hauling in the Nets - these are just a few glimpses into the world created by one of America's greatest artists, Winslow Homer. With his brushstrokes, he transported us to enchanting scenes that captured both nature's tranquility and human emotions. In The Studio, we witness Homer's creative sanctuary where he brought his visions to life. This painting reflects his dedication and passion for artistry. Meanwhile, The Veteran in a New Field pays homage to those who fought bravely during tumultuous times. Shooting the Rapids takes us on an exhilarating journey down Saguenay River with its rushing waters and untamed beauty. Similarly, Saguenay River Lower Rapids immerses us in a watercolor masterpiece that showcases Homer's mastery over this medium. The Rapids, Hudson River transports us to Adirondacks' wilderness as we navigate through turbulent currents. Breaking Storm captures Maine's rugged coastline amidst crashing waves and dark clouds; it is a testament to Homer's ability to capture fleeting moments of nature’s power. North Woods Club reveals an interrupted tete-a-tete amidst breathtaking Adirondack scenery – a moment frozen in time by Homer’s skilled hand. And let us not forget The Herring Net or Peach Blossoms; they showcase his versatility as an artist capable of capturing both maritime scenes filled with hard work and delicate blossoms blooming under gentle sunlight, more than just an artist; he was a storyteller who painted with colors instead of words. Through his works, he invites viewers into worlds filled with emotion, adventure, and natural wonders – each stroke revealing another layer of beauty waiting to be discovered.