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Hooch Romeyn De Collection

"Hooch Romeyn de: A Master of Dutch Artistry and Political Satire" Step into the world of 17th-century Holland with the captivating works of Hooch Romeyn de

Background imageHooch Romeyn De Collection: Troops in front of city gate. Creator: Romeyn de Hooghe

Troops in front of city gate. Creator: Romeyn de Hooghe
Troops in front of city gate

Background imageHooch Romeyn De Collection: Troops march into a town. Creator: Romeyn de Hooghe

Troops march into a town. Creator: Romeyn de Hooghe
Troops march into a town

Background imageHooch Romeyn De Collection: Battle scene. Creator: Romeyn de Hooghe

Battle scene. Creator: Romeyn de Hooghe
Battle scene

Background imageHooch Romeyn De Collection: Battle scene. Creator: Romeyn de Hooghe

Battle scene. Creator: Romeyn de Hooghe
Battle scene

Background imageHooch Romeyn De Collection: A Party Embark on a Ship. Creator: Romeyn de Hooghe

A Party Embark on a Ship. Creator: Romeyn de Hooghe
A Party Embark on a Ship

Background imageHooch Romeyn De Collection: Portrait of Romeyn de Hooghe, 1730-1750. Creator: Anon

Portrait of Romeyn de Hooghe, 1730-1750. Creator: Anon
Portrait of Romeyn de Hooghe, 1730-1750

Background imageHooch Romeyn De Collection: Portrait of Romeyn de Hooghe, 1712-1795. Creator: Tako Hajo Jelgersma

Portrait of Romeyn de Hooghe, 1712-1795. Creator: Tako Hajo Jelgersma
Portrait of Romeyn de Hooghe, 1712-1795. Dutch artist, painter, sculptor and printmaker

Background imageHooch Romeyn De Collection: Scene from Dutch History: Supplicants before Ruler, n.d. Creator: Romeyn de Hooghe

Scene from Dutch History: Supplicants before Ruler, n.d. Creator: Romeyn de Hooghe
Scene from Dutch History: Supplicants before Ruler, n.d

Background imageHooch Romeyn De Collection: Hollands Hollende Koe (Hollands Running Cow), 1690. Creator: Gaspar Bouttats

Hollands Hollende Koe (Hollands Running Cow), 1690. Creator: Gaspar Bouttats
Hollands Hollende Koe (Hollands Running Cow), 1690. [The return of Hans Willem Bentinck, Earl of Portland, to the Netherlands]

Background imageHooch Romeyn De Collection: Paye qui Tombe: Die eerst valt betaelt de Speelman, die laest

Paye qui Tombe: Die eerst valt betaelt de Speelman, die laest, de Kosten (The Fall of the Country: The First That Falls Pays the Player, the Last the Costs).n.d

Background imageHooch Romeyn De Collection: Le Feste des Trois Rois. n. d. Creator: Romeyn de Hooghe

Le Feste des Trois Rois. n. d. Creator: Romeyn de Hooghe
Le Feste des Trois Rois.n.d. Satire of James II, Prince James, and Louis XIV in Paris

Background imageHooch Romeyn De Collection: L Europe Allarmee. n. d. Creator: Romeyn de Hooghe

L Europe Allarmee. n. d. Creator: Romeyn de Hooghe
L Europe Allarmee.n.d. Satire of Louis XIV, and James II

Background imageHooch Romeyn De Collection: Panurge seconde. n. d. Creator: Romeyn de Hooghe

Panurge seconde. n. d. Creator: Romeyn de Hooghe
Panurge seconde.n.d. Queen Mary parting from James II, with Louis XIV

Background imageHooch Romeyn De Collection: Qualis vir Talis Oratio. n. d. Creator: Romeyn de Hooghe

Qualis vir Talis Oratio. n. d. Creator: Romeyn de Hooghe
Qualis vir Talis Oratio.n.d. King James lies in bed vomiting reptiles with crowns, the Lord Mayor of London holds his nose with Aldermen and Bishops

Background imageHooch Romeyn De Collection: Anticurius van Loevesteyn. n. d. Creator: Romeyn de Hooghe

Anticurius van Loevesteyn. n. d. Creator: Romeyn de Hooghe
Anticurius van Loevesteyn.n.d. John de Witt sits on a chair as Freedom descends on a cloud bearing the arms of William III

Background imageHooch Romeyn De Collection: William III as Prince of Orange, with the four preceding Stadthouders, William I, Maurice

William III as Prince of Orange, with the four preceding Stadthouders, William I, Maurice, Frederick Hendrick, William II, .n.d

Background imageHooch Romeyn De Collection: The Epiphany of the New Antichrist (L Epiphane du Nouveau Antichrist), 1689

The Epiphany of the New Antichrist (L Epiphane du Nouveau Antichrist), 1689

Background imageHooch Romeyn De Collection: Detail of the Park at Enghien (right half), 1685. Creator: Romeyn de Hooghe

Detail of the Park at Enghien (right half), 1685. Creator: Romeyn de Hooghe
Detail of the Park at Enghien (right half), 1685

Background imageHooch Romeyn De Collection: Portrait of Mary Stuart, . n. d. n. d Creator: Romeyn de Hooghe

Portrait of Mary Stuart, . n. d. n. d Creator: Romeyn de Hooghe
Portrait of Mary Stuart, .n.d

Background imageHooch Romeyn De Collection: Entrance of William III into The Hague (Inhaling van S. K. Maj

Entrance of William III into The Hague (Inhaling van S. K. Maj
Entrance of William III into The Hague (Inhaling van S.K. Maj. aende Westeynder brug door de E.A. Magistraet vans Gravenhage / Reception de sa Majeste au pont du Westende) from Bidloo

Background imageHooch Romeyn De Collection: Green fountain and coliseum... Chateau D Enghien, Belgium, late 17th-early 18th century

Green fountain and coliseum... Chateau D Enghien, Belgium, late 17th-early 18th century
Green fountain and coliseum at the Chateau D Enghien, Belgium, late 17th-early 18th century, (1903). Fontaine Et Colisee De Verdure, Chateau D Enghien (Belgique)

Background imageHooch Romeyn De Collection: Peace Conference at Breda, . n. d. n. d Creator: Romeyn de Hooghe

Peace Conference at Breda, . n. d. n. d Creator: Romeyn de Hooghe
Peace Conference at Breda, .n.d



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"Hooch Romeyn de: A Master of Dutch Artistry and Political Satire" Step into the world of 17th-century Holland with the captivating works of Hooch Romeyn de. Known for his intricate engravings, this talented artist left an indelible mark on both art and politics during his time. One of de's notable creations is "Hollands Hollende Koe (Hollands Running Cow)" from 1690. This lively depiction showcases his ability to capture movement and energy in a single frame, and is a testament to the artist's keen observation skills and attention to detail. Another intriguing piece by de is "Paye qui Tombe: Die eerst valt betaelt de Speelman, die laest" which translates to "The first one who falls pays the musician, the last. " This artwork reflects de's satirical side as he humorously comments on human nature and societal dynamics. In "Le Feste des Trois Rois, " we witness de's mastery in capturing grand celebrations. Created without a specific date mentioned, this work transports us back in time to experience the lavish festivities that once took place. De also delved into political commentary through pieces like "L Europe Allarmee" and "Panurge seconde. " These engravings shed light on contemporary European affairs while showcasing his talent for storytelling through imagery. With works such as "Qualis vir Talis Oratio, " De demonstrates his ability to combine portraiture with allegory. His meticulous attention to facial expressions reveals deeper insights into each subject's character or role within society. Amongst De's extensive portfolio are portraits like that of William III as Prince of Orange alongside previous Stadthouders William I and Maurice. These regal depictions highlight De’s skill in capturing not only physical likeness but also conveying power and authority through artistic representation. De was not limited to political satire alone; he also excelled in landscapes and genre scenes.