Ichikawa Monnosuke Collection
Ichikawa Monnosuke II, a renowned actor of the late 18th century, captivated audiences with his versatile performances and striking stage presence
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Ichikawa Monnosuke II, a renowned actor of the late 18th century, captivated audiences with his versatile performances and striking stage presence. In one captivating portrayal, captured by Ippitsusai Buncho around 1770, he defied traditional gender roles as Ichikawa Monnosuke II transformed into a woman on stage. Collaborating with other talented actors like Segawa Kikunojo III, their chemistry was palpable in various productions. Torii Kiyonaga skillfully depicted them together in multiple prints from the 1780s and 1788. Whether playing Miyukinosuke or Hatsune-hime, their performances were filled with emotion and intensity. In another masterpiece by Torii Kiyonaga circa 1782, Ichikawa Monnosuke II embodied Soga no Goro while Segawa Kikunojo III portrayed Tsukisayo. The tension between these characters was beautifully conveyed through their expressions and gestures. The duo's collaboration extended beyond tragedy to comedy as well. In an amusing print from 1778 by Torii Kiyonaga, Bando Mitsugoro II joined forces with Ichikawa Monnosuke III to portray Tennen no Mansaku-kitsune and Nikaido respectively. Their comedic timing brought laughter to countless spectators. Not limited to specific roles or genres, Ichikawa Monnosuke II embraced diverse characters throughout his career. Kitao Masanobu's depiction of him as Haya no Kanpei showcases his ability to embody different personas convincingly. Katsukawa Shun'ei also captured memorable moments featuring Ichikawa Monnosuke II in plays such as "Waka Murasaki" (c. 1792), "Mukashi Mukashi" (c1792), and "The Banquet" (c. 1791). These prints highlight his range as an actor and his ability to bring depth and authenticity to each character he portrayed.