Illuminated Collection (page 100)

King David at prayer within a very large initial B
986155 King David at prayer within a very large initial B, the surround with ten large roundels each containing the portrait of a saint, c.1500 (illuminated miniature on vellum) by Fora

David in Prayer, c. 1460 (paint on vellum)
986050 David in Prayer, c.1460 (paint on vellum) by Besancon School (15th century); 22x16. cm; Private Collection; (add.info.: David in Prayer (f.84)

David at Prayer, with the Prophet Nathan, 15th century (paint on vellum)
986048 David at Prayer, with the Prophet Nathan, 15th century (paint on vellum) by French School, (15th century); 16.7x11 cm; Private Collection; (add.info.: David at Prayer, with the Prophet Nathan)

A large historiated initial P, depicting a Nativity scene, c
985974 A large historiated initial P, depicting a Nativity scene, c.1490 (tempera & gold on vellum) by Crema, Giovanni Pietro Medici Da (fl.c.1490); 18.5x18.2 cm; Private Collection; (add.info)

Two pages from a thirteenth century Missale in Latin, from the Middle Rhine region, c
985946 Two pages from a thirteenth century Missale in Latin, from the Middle Rhine region, c.1250-1300 (illuminated manuscript on vellum) by German School

Folios from the Rothschild Book of Hours, Ghent or Bruges, c
494979 Folios from the Rothschild Book of Hours, Ghent or Bruges, c.1505 (tempera on vellum) (see also 494950-62, 494969-83 and 490416) by Flemish School

Folios from the Rothschild Book of Hours, Ghent or Bruges, c
494955 Folios from the Rothschild Book of Hours, Ghent or Bruges, c.1505 (tempera on vellum) (see also 494950-62, 494969-83 and 490416) by Flemish School

Folio from a miniature Book of Hours, use of Rome, Bruges
492864 Folio from a miniature Book of Hours, use of Rome, Bruges, 1530-35 (tempera on vellum) (see also 492863-81) by Bening

Winter in Switzerland, 1860 (oil on canvas)
650605 Winter in Switzerland, 1860 (oil on canvas) by Cropsey, Jasper Francis (1823-1900); 39.2x61.4 cm; Private Collection; (add.info.: Winter in Switzerland. Jasper Francis Cropsey (1823-1900)

Page from La Belle Dame Sans Merci by Alain Chartier, Paris
3082246 Page from La Belle Dame Sans Merci by Alain Chartier, Paris, early 15th century (pen & ink and tempera on vellum) by Dunois Master (fl.c.1430-65)

Vesuvius Erupting, with Sightseers in the Foreground, (oil on canvas)
990187 Vesuvius Erupting, with Sightseers in the Foreground, (oil on canvas) by Volaire, Pierre Jacques (1729-c.1802); 114.3x185.5 cm; Private Collection; (add.info.: Vesuvius Erupting)

An Autumn Evening in Paris, (gouache over traces of pencil on cream paper)
989948 An Autumn Evening in Paris, (gouache over traces of pencil on cream paper) by Galien-Laloue, Eugene (Jacques Lievin) (1854-1941); 19.1x31.7 cm; Private Collection; (add.info)

Salome, (oil on canvas)
989911 Salome, (oil on canvas) by Rochegrosse, Georges Marie (1859-1938); 64.5x53 cm; Private Collection; (add.info.: Salome. Georges Antoine Rochegrosse (1859-1938). Oil on canvas

Last Judgement, 1520s (illuminated manuscript on vellum)
985752 Last Judgement, 1520s (illuminated manuscript on vellum) by Bening, Simon (c.1483-1561); 11.3-11.8x7.7-7.9 cm; Private Collection; (add.info.: Last Judgement)

Adoration of the Magi, 1520s (illuminated manuscript on vellum)
985749 Adoration of the Magi, 1520s (illuminated manuscript on vellum) by Bening, Simon (c.1483-1561); 11.3-11.8x7.7-7.9 cm; Private Collection; (add.info.: Adoration of the Magi)

Binding for the book The Raven by Edgar Allan Poe
985747 Binding for the book The Raven by Edgar Allan Poe (chestnut levant morocco leather, green, red and black morocco leather, gilt, mother of pearl)

Indians Experiencing a Lunar Eclipse, c. 1848-50 (oil on canvas)
985469 Indians Experiencing a Lunar Eclipse, c.1848-50 (oil on canvas) by Rimmer, William (1816-79); 66.7x91.4 cm; Private Collection; (add.info.: Indians Experiencing a Lunar Eclipse)

The Flat Iron Building, New York, (gouache, charcoal and oil on paper)
985436 The Flat Iron Building, New York, (gouache, charcoal and oil on paper) by Cooper, Colin Campbell (1856-1937); 32.1x20.6 cm; Private Collection; (add.info.: The Flat Iron Building, New York)

Storm Among the Alps, c. 1856 (oil on canvas)
985358 Storm Among the Alps, c.1856 (oil on canvas) by Bierstadt, Albert (1830-1902); 73x50.8 cm; Private Collection; (add.info.: Storm Among the Alps. Albert Bierstadt (1830-1902). Oil on canvas

Portolan chart of the Mediterranean and Northern Europe, c
991250 Portolan chart of the Mediterranean and Northern Europe, c.1575-1600 (Illuminated manuscript on vellum) by Italian School

A Poppy table lamp with a conical shade, 20th century (gilt-bronze
991110 A Poppy table lamp with a conical shade, 20th century (gilt-bronze, leaded glass) by American School, (20th century); 58.3x40.8 cm; Private Collection; (add.info)

A Tiffany Studios dragon-fly table lamp, (bronze, mosaic and leaded glass)
990968 A Tiffany Studios dragon-fly table lamp, (bronze, mosaic and leaded glass) by Tiffany & Company; 41 and 39 cm; Private Collection; (add.info.: A Tiffany Studios dragon-fly table lamp)

London Twilight from the Adelphi, (oil on canvas)
657317 London Twilight from the Adelphi, (oil on canvas) by Nevinson, Christopher Richard Wynne (1889-1946); 44.5x59 cm; Private Collection; (add.info.: London Twilight from the Adelphi)

The Autumns Golden Glory, (oil on canvas)
658400 The Autumns Golden Glory, (oil on canvas) by Grimshaw, John Atkinson (1836-93); 28.5x44.5 cm; Private Collection; (add.info.: The Autumns Golden Glory. John Atkinson Grimshaw (1836-1893)

Attending a Venetian Shrine, (oil on canvas)
658389 Attending a Venetian Shrine, (oil on canvas) by Gabrini, Pietro (1856-1926); 137x100.5 cm; Private Collection; (add.info.: Attending a Venetian Shrine. Pietro Gabrini (1856-1926)

A Street Scene at Night, (oil on panel)
658907 A Street Scene at Night, (oil on panel) by Bianchi, Mose (1836-93); 33x41 cm; Private Collection; (add.info.: A Street Scene at Night. Mose Bianchi (1840-1904). Oil on panel

La Madeleine, Paris, (bodycolour)
658708 La Madeleine, Paris, (bodycolour) by Lieven, Jacques (b.1850); 17.8x30.5 cm; Private Collection; (add.info.: La Madeleine, Paris. Jacques Lieven (b.1850). Bodycolour. 17.8 x 30.5cm

Page from The Legend of Barlaam and Ioasaph, attributed to St
702611 Page from The Legend of Barlaam and Ioasaph, attributed to St. John of Damascus, Aleppo, 1639 (pen & in and w/c on vellum) by Syrian School

Folios from the Rothschild Book of Hours, Ghent or Bruges, c
494958 Folios from the Rothschild Book of Hours, Ghent or Bruges, c.1505 (tempera on vellum) (see also 494950-62, 494969-83 and 490416) by Flemish School

Folio from a miniature Book of Hours, use of Rome, Bruges
492879 Folio from a miniature Book of Hours, use of Rome, Bruges, 1530-35 (tempera on vellum) (see also 492863-81) by Bening

The Imhof Prayerbook, 1511 (tempera on vellum) (see also 488339 and 433458)
488328 The Imhof Prayerbook, 1511 (tempera on vellum) (see also 488339 and 433458) by Bening, Simon (c.1483-1561); 9x6.2 cm; Private Collection; (add.info.: The converted St)

Pages from the Album Amicorum of Philipp Hainhofer, 1596-1633
479164 Pages from the Album Amicorum of Philipp Hainhofer, 1596-1633 (pen & ink and watercolour on paper) by European School; 20.8x16 cm; Private Collection; (add.info)

Sunset Glow, (oil on canvas)
822963 Sunset Glow, (oil on canvas) by Johnson, Frank Tenney (1874-1939); 50.8x40.7 cm; Private Collection; (add.info.: Sunset Glow. Frank Tenney Johnson (1874-1939). Oil on canvas

A House by the Water at Dusk; La Maison au Bord de l Eau au Crepuscule
652868 A House by the Water at Dusk; La Maison au Bord de l Eau au Crepuscule, 1909 (oil over charcoal on paper) by Le Sidaner

Melrose Abbey: An Illustration to Sir Walter Scotts
651946 Melrose Abbey: An Illustration to Sir Walter Scotts The Lay of the Last Minstrel, (pencil and watercolour) by Turner

Liverpool Docks, (oil on canvas)
828458 Liverpool Docks, (oil on canvas) by Grimshaw, John Atkinson (1836-93); 30.5x45.7 cm; Private Collection; (add.info.: Liverpool Docks. John Atkinson Grimshaw (1836-1893). Oil on canvas

A Church at Night with a Priest celebrating Mass in a side Chapel, (oil on panel)
827871 A Church at Night with a Priest celebrating Mass in a side Chapel, (oil on panel) by Neeffs, Pieter (1578-1656) & Francken

The Saffron Cake, 1920 (oil on canvas)
827254 The Saffron Cake, 1920 (oil on canvas) by Forbes, Stanhope Alexander (1857-1947); 76.2x101.6 cm; Private Collection; (add.info.: The Saffron Cake. Stanhope Alexander Forbes (1857-1947)

Evening on a Parisian Boulevard, (gouache over black chalk)
827228 Evening on a Parisian Boulevard, (gouache over black chalk) by Stein, Georges (1818-90); 38.4x49.9 cm; Private Collection; (add.info.: Evening on a Parisian Boulevard)

The Ducal Palace; Le Palais Ducal, 1915 (oil, pen and india ink on canvas)
825715 The Ducal Palace; Le Palais Ducal, 1915 (oil, pen and india ink on canvas) by Le Sidaner, Henri Eugene Augustin (1862-1939); 54.6x66 cm; Private Collection; (add.info)

Houses on the Canal, Nemours; Maisons sur le Canal, Nemours, (oil on canvas)
825363 Houses on the Canal, Nemours; Maisons sur le Canal, Nemours, (oil on canvas) by Le Sidaner, Henri Eugene Augustin (1862-1939); 71x91.5 cm; Private Collection; (add.info.: Houses on the Canal)

The House by the River, Chartres; Les Masons sur la Riviere, Chartres
826481 The House by the River, Chartres; Les Masons sur la Riviere, Chartres, 1929 (oil on canvas) by Le Sidaner, Henri Eugene Augustin (1862-1939); 92x73 cm; Private Collection; (add.info)

Mount Katahdin, c. 1856 (oil on canvas)
3949617 Mount Katahdin, c.1856 (oil on canvas) by Church, Frederic Edwin (1826-1900); 20.6x29.9 cm; Addison Gallery of American Art, Phillips Academy, Andover, MA

Monadnock Angel, 1920-21 (oil on canvas)
3949582 Monadnock Angel, 1920-21 (oil on canvas) by Thayer, Abbott Handerson (1849-1921); 231.5x152.4 cm; Addison Gallery of American Art, Phillips Academy, Andover, MA

Advent (colour litho)
3626736 Advent (colour litho) by English School, (19th century); Private Collection; (add.info.: Advent. Illustration from A Sequence of Symbols for the Chief Festivals and Seasons of the Church)

The Dove Returning to Noahs Ark, 1469 (tempera, wash and ink on paper)
3545848 The Dove Returning to Noahs Ark, 1469 (tempera, wash and ink on paper) by Schilling, Hans (fl.1459-67) (follower of); 28.6x20.3 cm; J

Saint Anthony Abbot Blessing the Animals, the Poor, and the Sick, c
3545795 Saint Anthony Abbot Blessing the Animals, the Poor, and the Sick, c.1400-10 (tempera and gold leaf on parchment) by Master of St. Veronica (fl.1395-1415); 23.7x12.4 cm; J

The sinking of the Leipzig (colour litho)
3622162 The sinking of the Leipzig (colour litho) by Lacy, Charles John de (c.1860-1936) (after); Private Collection; (add.info.: The sinking of the Leipzig. The Battle of the Falkland Islands, 1914)

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"Illuminated: A Captivating Journey through Light and Art" The iconic Earthrise photograph captured the world's attention, illuminating our planet against the vast darkness of space. Christmas decorations at The Ritz Hotel in London transform the city into a magical wonderland, with every corner illuminated in festive splendor. The Perth City Night Skyline reflects upon the tranquil waters of Swan River, creating a breathtaking scene that is beautifully illuminated. Singapore's city skyline comes alive as night falls, with the Marina Bay Sands Hotel and Gardens shining brightly like beacons of modernity. Granada Cinema in Tooting stands proudly amidst its neighborhood, its marquee letters glowing with an inviting warmth on an illuminated evening. In memory of 9/11, floodlights pierce through the sky to create a solemn yet powerful tribute to those lost while illuminating New York City's resilient skyscrapers. The Catalan Atlas from the 14th century showcases ancient cartography techniques where maps were meticulously hand-drawn and adorned with delicate illuminations. Witnessing the United Kingdom at night from space reveals a mesmerizing tapestry of lights that illuminate cities and towns across this diverse nation. Sydney Opera House becomes an enchanting canvas for vibrant projections during Vivid Sydney festival, transforming it into a captivating work of art when illuminated by creativity. Strolling along St Peter Port Harbour at night in Guernsey feels like stepping into a dream as charming boats bob gently under softly illuminated street lamps. Late evening casts its ethereal glow upon Newcastle upon Tyne's bridges over River Tyne; their arches are gracefully reflected in shimmering waters below. Christmas Eve c1915 brings nostalgic charm as Stanhope A Forbes' artwork captures warm candlelight flickering through windows onto snow-covered landscapes. From ancient manuscripts to modern skylines aglow, the world is filled with captivating scenes that come alive when illuminated.