Impression Collection (#54)

Section, showing the impression of the features in a physiognotype

Scene from the opera Pagliacci by Ruggiero Leoncavallo (1857-1919) (oil
XJL209830 Scene from the opera Pagliacci by Ruggiero Leoncavallo (1857-1919) (oil on canvas) by French School, (19th century); Bibliotheque de l Opera Garnier, Paris, France; French, out of copyright

St. Veronica, from Liber Chronicarum by Hartmann Schedel (1440-1514) 1493
XJF139041 St. Veronica, from Liber Chronicarum by Hartmann Schedel (1440-1514) 1493 (woodcut) (b/w photo) by German School, (15th century); Private Collection; German, out of copyright

1797-1858 1857. 22. 2 33. 6 Ando Hiroshige Naito
Yotsuya naitō shinjuku, The new station at Naitō. Andō, Hiroshige, 1797-1858, artist, 1857. 1 print : woodcut, color ; 33.6 x 22.2 cm (second impression), View of shops seen beyond horses legs

Francisco de Goya after Diego Velazquez, Baltasar Carlos, Spanish, 1746-1828, 1778, etching and drypoint on heavy laid paper [first edition impression printed in the Calcografia in 1778-79]

Francisco de Goya, Dos grupos de picadores arrollados de seguida por un solo toro (Two Teams of Picadors Thrown One after the Other by a Single Bull), Spanish, 1746-1828, in or before 1816, etching

Francisco de Goya, Banderillas de fuego (Banderillas with Firecrackers), Spanish, 1746-1828, in or before 1816, etching, burnished aquatint, lavis, drypoint and burin [first edition impression]

Francisco de Goya, El mismo Ceballos montado sobre otro toro quiebra rejones en la plaza de Madrid (The Same Ceballos Mounted on Another Bull Breaks Short Spears in the Ring at Madrid), Spanish

Francisco de Goya, Echan perros al toro (They Loose Dogs on the Bull), Spanish, 1746-1828, in or before 1816, etching, burnished aquatint and drypoint [first edition impression]

Francisco de Goya, Valor varonil de la celebre Pajuelera en la de Zaragoza (Manly Courage of the Celebrated Pajuelera in the Ring at Saragossa), Spanish, 1746-1828, in or before 1816, etching

Francisco de Goya, Desjarrete de la canalla con lanzas, medias-lunas, banderillas y otras armas (The Rabble Hamstring the Bull with Lances, Sickles, Banderillas and Other Arms), Spanish, 1746-1828

Francisco de Goya after Diego Velazquez, Un enano (A Dwarf), Spanish, 1746-1828, 1778, etching on heavy laid paper [first edition impression printed in the Calcografia in 1778-79]

Hand and foot prints of Gene Autry, Manns (Graumans) Chinese Movie Theatre, Hollywood Boulevard, Los Angeles, California, United States of America, North America

Interior of an Arabian Bazaar - postcard sent fm Istanbul, but form of the Bazaar is clearly a very artistic impression! Date: circa 1910

Footprints in the sand on a Kauai beach, in Hawaii

Artists impression of the Bristol Aero Engine Department factory and offices. c.1940

An artists impression of Dyna Soar during launch on a Titan III-C

Artists impression of the Hawker Siddeley P1154 project

An artists impression of the BAC Three-Eleven

Messerschmitt Me265 fighter project (artists impression)

Claude Monet (14 November 1840 - 5 December 1926) French impressionist painter. The term Impressionism is derived from the title of his painting Impression, Sunrise (Impression, soleil levant)

Roger Bacon (c1214-92) English experimental scientist, philosopher and Franciscan (Grey Friar): called Doctor Mirabilis. Bacon in his observatory at the Franciscan monastery, Oxford, England

Battle of Trafalgar 21 October 1805 during Napoleon Wars. British fleet defeated Franco-Spanish fleet. Artists impression of Nelson on the deck of HMS Victory

Aerial Telegraph (Semaphore). Artists impression of Claude Chappe (1763-1895), French engineer and inventor, demonstrating his telegraph system

Falconry: artists impression of late 16th century party out hawking. Woman, with falcon is riding side-saddle. Mid-19th century chromolithograph

Artists impression of Claude Chappe (1763-1805) demonstrating his optical telegraph (semaphore) system in 1793. From Louis Figuier Les Merveilles de la Science, Paris c.1870. Engraving

Artists impression of boys in Tudor times playing football at Berkhamsted Grammar School, Hertfordshire

Aerial Telegraph (Semaphore). Artists impression of Claude Chappes (1763-1895), French engineer and inventor, telegraph system in use

Humphry Davy (1778-1829) English chemist. Artists impression of Davy testing his miners safety lamp. From Edwin Hodder Heroes of Britain, London c1880. Wood engraving

Raold Amundsen (1872-1928) Norwegian explorer. Artists impression of Amundsen s
Raold Amundsen (1872-1928) Norwegian explorer. Artists impression of Amundsens airship Norge during his successful flight over the North Pole, 11-14 May 1926

Fantascope: optical toy depending on persistence of vision for its effect. Disc with multiple images of cat chasing a bird

Joseph Black visiting James Watt in his Glasgow workshop, c1760. Artists impression of Joseph Black (1729-1799), Scottish chemist, visiting James Watt (1736-1819), Scottish inventor and engineer

Artists impression of deep sea scene with luminous fishes. Some of the creatures shown here were brought up in the dredges during the French oceanographical expeditions of the Travailleur c1880

Artists impression of lunar landscape at sunset. The Earth is at top right. Stars are visible in the lunar sky although it is not dark because the Moon has no atmosphere to scatter light

Cleopatras Needle: artists impression of obelisk sited outside Houses of Parliament. Eventually erected on Thames Embankment London

Shell Mound People or Kitchen-Middeners. Late Mesolithic-early Neolithic 4, 000-2, 000 BC. North and South Europe, Iberia, North Africa, North & South America similar patterns found

Artists impression of Urbain Jean Joseph Leverrier (1811-1877) French astronomer calculating the position of planet Neptune in 1846. Calculations confirmed were shortly after by JG Galle at Berlin

Impression made from the ring of Childeric I. Childeric I (c. 440- c. 481) was the Merovingian king of the Salian Franks from 457 until his death, and the father of Clovis

Artists impression of massive star cluster within our Milky Way Galaxy ablaze with glow of 14 rare red supergiant stars interspersed with young blue stars. The cluster contains perhaps 20, 000 stars

Artists impression of Tycho on his way home on the night of 11 November 1572 observing an unfamiliar bright star in the constellation Cassiopeia

Stephen Gray (1666-1736) English scientist born at Canterbury, Kent, credited with the discovery of the flow of electricity

Artists impression of the Benjamin Franklins (1706-1790) investigation of the electrical nature of lightning, made at Philadelphia, USA, in September 1752

Artists impression of the Benjamin Franklins (1706-1790) investigation of the electrical nature of lightning, made at Philadelphia, USA, in September 1752

Section, showing the impression of the features in a physiognotype

Equisetum horsetail fossil C018 / 9387
Equisetum horsetail fossil. Sandstone block split open to show a rare fossil and imprint of a terminal bud from an Equisetum horsetail plant. Fossil dimensions: 5 by 10 centimetres

Male conifer cone fossil C018 / 9385
Male conifer cone fossil. Sandstone block split open to show a fossilised specimen and imprint of a male cone from a conifer tree

Artists impression of Concorde

S F Edge at Brooklands during his 24 hours record
A night impression ofs F Edge at Brooklands during his 24 hours record

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"Capturing Moments: The Enduring Impression of Mallory and Irvine at the Second Step, Everest, 1924" In the annals of mountaineering history, Mallory and Irvine's fateful attempt to conquer Everest in 1924 left an indelible impression on explorers worldwide. As they ascended towards the treacherous Second Step, their determination was matched only by the awe-inspiring beauty that surrounded them. Similarly, Claude Monet's iconic painting "Impression, Sunrise" forever changed the art world with its revolutionary brushstrokes and vivid depiction of a Runcorn-Widnes Bridge emerging from a hazy morning mist. This masterpiece became synonymous with the Impressionist movement and left an everlasting impression on generations of artists. From bridges to barges, each stroke in Monet's "THAMES BARGE SARA" captured not just a scene but also conveyed emotions through light and color. His ability to evoke feelings through his artwork is exemplified further in "Sunset on the Seine at Lavacourt, Winter Effect, " where icy tones transport us into a serene winter landscape. The Savoy Hotel in London has long been associated with luxury and elegance. Its grandeur leaves an immediate impression as one steps foot inside its opulent halls—a testament to timeless sophistication that has endured for decades. Moving away from landscapes, George Pierre Seurat's "Bathers at Asnieres" presents us with a different kind of impression—one depicting leisurely moments along the riverbank. With meticulous pointillism techniques employed by Seurat himself, this painting captures both individuality and collective harmony within society. H. M Bateman's humorous illustration titled "A Little Impression" reminds us that they can be lighthearted too. Through clever wit and satire, Bateman playfully highlights how even small actions or gestures can leave lasting impressions on those around us.