Impressionssm Collection

La Grenouillere, 1869 (oil on canvas)
PHD926 La Grenouillere, 1869 (oil on canvas) by Renoir, Pierre Auguste (1841-1919); 65x92 cm; Oskar Reinhart Collection ʻAm Romerholz, Winterthur, Switzerland; (add.info.: by Pierre Auguste Renoir)

Portrait of a young woman in an interior (Portrait de Mme H), c.1877 (oil on canvas)
8933771 Portrait of a young woman in an interior (Portrait de Mme H), c.1877 (oil on canvas) by Caillebotte, Gustave (1848-94); 81 x 65 cm; Private Collection; (add.info)

Landscape, 1907 (drawing on paper)
8724153 Landscape, 1907 (drawing on paper) by Malharro, Martin (1865-1911); Museo Nacional de Bellas Artes, Buenos Aires, Argentina; (add.info.: By Martin Malharro)

Study for House Painters: Man on a Ladder, Three-Quarter Back View, 1877 (pencil on paper)
8901176 Study for House Painters: Man on a Ladder, Three-Quarter Back View, 1877 (pencil on paper) by Caillebotte, Gustave (1848-94); 47.5 x 30 cm; Private Collection; (add.info)

Flower meadow at Giverny, 1890 (oil on canvas)
8859834 Flower meadow at Giverny, 1890 (oil on canvas) by Monet, Claude (1840-1926); 65 x 92 cm; Private Collection; (add.info)

Japanese Dolls with Apples, 1915 (oil on canvas)
8833164 Japanese Dolls with Apples, 1915 (oil on canvas) by Bandell, Eugenie (1858-1918); 80x84.2 cm; Stadel Museum, Frankfurt am Main, Germany; (add.info.: Painting by Eugenie Bandell)

Houses of Parliament in the Fog 1903 (Oil on canvas)
8766694 Houses of Parliament in the Fog 1903 (Oil on canvas) by Monet, Claude (1840-1926); 81.3--92.4 cm; High Museum of Art, Atlanta, Georgia, USA; © High Museum of Art

Compotier de fruits, c.1890 (oil on canvas)
8714684 Compotier de fruits, c.1890 (oil on canvas) by Renoir, Pierre Auguste (1841-1919); 32.4x36.8 cm; Private Collection; (add.info.: By Pierre Auguste Renoir); Photo © Christie's Images

Valley of the Sedelle at Pont Charraud: White Frost, c.1903-11 (oil on fabric)
XOS5876928 Valley of the Sedelle at Pont Charraud: White Frost, c.1903-11 (oil on fabric) by Guillaumin, Jean Baptiste Armand (1841-1927); 94x128 cm; Cleveland Museum of Art, OH

Notre Dame Seen from the Quai de la Tournelle, c. 1897-1902 (oil on fabric)
XOS5873613 Notre Dame Seen from the Quai de la Tournelle, c. 1897-1902 (oil on fabric) by Rafaelli, Jean-Francois (1850-1924); 85.5x101.5 cm; Cleveland Museum of Art, OH

Peasant Mother and Child, c.1895 (drypoint on ivory laid paper)
5859902 Peasant Mother and Child, c.1895 (drypoint on ivory laid paper) by Cassatt, Mary Stevenson (1844-1926); The Art Institute of Chicago, IL, USA; (add.info.: By Mary Cassatt)

Peasant Mother and Child, c.1895 (etching & aquatint)
5859901 Peasant Mother and Child, c.1895 (etching & aquatint) by Cassatt, Mary Stevenson (1844-1926); The Art Institute of Chicago, IL, USA; (add.info.: By Mary Cassatt)

Two Women Bathing, c.1895 (etching on tan wove paper)
5859736 Two Women Bathing, c.1895 (etching on tan wove paper) by Renoir, Pierre Auguste (1841-1919); The Art Institute of Chicago, IL, USA; (add.info.: by Pierre-Auguste Renoir)

The Coast at Trouville, c.1865-1900 (oil on fabric)
XOS5877402 The Coast at Trouville, c.1865-1900 (oil on fabric) by Boudin, Eugene Louis (1824-98); 46.2x61.1 cm; Cleveland Museum of Art, OH, USA; (add.info.: Painting by Eugene Boudin)

Edouard Manet (woodburytype)
8698270 Edouard Manet (woodburytype) by Unknown photographer, (19th century); Sterling and Francine Clark Art Institute, Williamstown, Massachusetts, USA; (add.info.: Unknown photographer)

A Road in the South, c.1878-84 (oil on canvas)
8698265 A Road in the South, c.1878-84 (oil on canvas) by Sargent, John Singer (1856-1925); Sterling and Francine Clark Art Institute, Williamstown, Massachusetts

Blonde Model, c.1877 (oil on canvas)
8698263 Blonde Model, c.1877 (oil on canvas) by Sargent, John Singer (1856-1925); Sterling and Francine Clark Art Institute, Williamstown, Massachusetts, USA; (add.info.: By John Singer Sargent)

Church and Farm at Eragny, 1895 (colour etching and aquatint on ivory laid paper)
5860891 Church and Farm at Eragny, 1895 (colour etching and aquatint on ivory laid paper) by Pissarro, Camille (1830-1903); The Art Institute of Chicago, IL, USA; (add.info.: By Camille Pissarro)

Dance in the Country, c.1890 (etching in brown-gray on ivory laid paper)
5859377 Dance in the Country, c.1890 (etching in brown-gray on ivory laid paper) by Renoir, Pierre Auguste (1841-1919); The Art Institute of Chicago, IL, USA; (add.info.: by Pierre-Auguste Renoir)

On the Cliff, 1879 (oil on canvas)
8859835 On the Cliff, 1879 (oil on canvas) by Renoir, Pierre Auguste (1841-1919); 54.1 x 65.1 cm; Private Collection; (add.info)

The Lane 1893 (Oil on canvas)
8766677 The Lane 1893 (Oil on canvas) by Robinson, Theodore (1852-96); 67.3x54.6 cm; High Museum of Art, Atlanta, Georgia, USA; © High Museum of Art

The Return of the Fishing Party 1906 (Oil on canvas)
8766585 The Return of the Fishing Party 1906 (Oil on canvas) by Weir, Julian Alden (1852-1919); 58.1x71 cm; High Museum of Art, Atlanta, Georgia, USA; © High Museum of Art

The Dancer (Mariano Caprubi), 1862 (etching on paper)
8698267 The Dancer (Mariano Caprubi), 1862 (etching on paper) by Manet, Edouard (1832-83); Sterling and Francine Clark Art Institute, Williamstown, Massachusetts, USA; (add.info.: By Edouard Manet)

Workers Daughters on the Outer Boulevard (Illustration for Emile Zola's "L'Assommoir")
5861472 Workers Daughters on the Outer Boulevard (Illustration for Emile Zola's "L'Assommoir", 1877-78 (pen and brown ink) by Renoir

The Cliffs at Beg-ar-Fry, Saint-Jean-du-Doigt, 1895 (oil on fabric)
XOS5877498 The Cliffs at Beg-ar-Fry, Saint-Jean-du-Doigt, 1895 (oil on fabric) by Maufra, Maxime Emile Louis (1861-1918); 66.5x80 cm; Cleveland Museum of Art, OH

Beggar Women, c.1894 (colour etching, drypoint, and aquatint on ivory laid paper)
5861804 Beggar Women, c.1894 (colour etching, drypoint, and aquatint on ivory laid paper) by Pissarro, Camille (1830-1903); The Art Institute of Chicago, IL, USA; (add.info.: by Camille Pissarro, c)

Resting, c.1875 (oil on canvas)
8698264 Resting, c.1875 (oil on canvas) by Sargent, John Singer (1856-1925); Sterling and Francine Clark Art Institute, Williamstown, Massachusetts, USA; (add.info.: By John Singer Sargent)

Autumn on the Seine, Argenteuil 1873 (Oil on canvas)
8766743 Autumn on the Seine, Argenteuil 1873 (Oil on canvas) by Monet, Claude (1840-1926); 54.3x73.3 cm; High Museum of Art, Atlanta, Georgia, USA; © High Museum of Art

Woman Arranging Her Hat 1890 (Oil on canvas)
8766721 Woman Arranging Her Hat 1890 (Oil on canvas) by Renoir, Pierre Auguste (1841-1919); 27--22.9 cm; High Museum of Art, Atlanta, Georgia, USA; © High Museum of Art

Young naked woman combing her hair, c.1889-90 (pastel on paper)
8859839 Young naked woman combing her hair, c.1889-90 (pastel on paper) by Degas, Edgar (1834-1917); 43 x 28.5 cm; Private Collection; (add.info)

Banks of the Seine near Vetheuil, 1881 (oil on canvas)
8859837 Banks of the Seine near Vetheuil, 1881 (oil on canvas) by Monet, Claude (1840-1926); 58.4 x 78.7 cm; Private Collection; (add.info)

The construction site of a boat, on the beach of Cancale (France), with a young woman
MMM5466481 The construction site of a boat, on the beach of Cancale (France), with a young woman, dressed in a traditional costume, a blue serge skirt and a gray and white striped shirt

Mary Holland Bacher, 1891 (oil on canvas)
XOS5877503 Mary Holland Bacher, 1891 (oil on canvas) by Bacher, Otto Henry (1856-1909); 90.6x57.4 cm; Cleveland Museum of Art, OH, USA; (add.info.: Painting by Otto H)

Esterel Village, c.1890 (monotype)
XOS5877381 Esterel Village, c.1890 (monotype) by Degas, Edgar (1834-1917); 29.9x39.9 cm; Cleveland Museum of Art, OH, USA; (add.info)

Amelie Laurent Dieterle, c.1899 (lithograph on off-white wove paper)
5858989 Amelie Laurent Dieterle, c.1899 (lithograph on off-white wove paper) by Renoir, Pierre Auguste (1841-1919); The Art Institute of Chicago, IL, USA; (add.info.: by Pierre-Auguste Renoir)

Grove of Trees, 1888-90 (w/c on cream wove paper)
5861150 Grove of Trees, 1888-90 (w/c on cream wove paper) by Renoir, Pierre Auguste (1841-1919); The Art Institute of Chicago, IL, USA; (add.info.: by Pierre-Auguste Renoir)

The Artist's Father Reading, c.1883 (graphite, on ivory wove paper)
5860752 The Artist's Father Reading, c.1883 (graphite, on ivory wove paper) by Cassatt, Mary Stevenson (1844-1926); The Art Institute of Chicago, IL, USA; (add.info.: by Mary Cassatt)

Seascape--Isles of Shoals 1902 (Oil on canvas)
8766656 Seascape--Isles of Shoals 1902 (Oil on canvas) by Hassam, Childe Frederick (1859-1935); 74--95.3 cm; High Museum of Art, Atlanta, Georgia, USA; © High Museum of Art

Under the Lamp, 1875 (litho)
8698269 Under the Lamp, 1875 (litho) by Manet, Edouard (1832-83); Sterling and Francine Clark Art Institute, Williamstown, Massachusetts, USA; (add.info.: By Edouard Manet)

Woman with Furs, c.1880-85 (oil on canvas)
8698266 Woman with Furs, c.1880-85 (oil on canvas) by Sargent, John Singer (1856-1925); Sterling and Francine Clark Art Institute, Williamstown, Massachusetts, USA; (add.info.: By John Singer Sargent)

Woman with a Muff, c.1884 (black crayon on paper laid on board)
5859376 Woman with a Muff, c.1884 (black crayon on paper laid on board) by Seurat, Georges Pierre (1859-91); The Art Institute of Chicago, IL, USA; (add.info.: By Georges Seurat)

The Banks of the Marne at Charenton, c.1895 (oil on fabric)
XOS5876705 The Banks of the Marne at Charenton, c.1895 (oil on fabric) by Guillaumin, Jean Baptiste Armand (1841-1927); 32.3x40.1 cm; Cleveland Museum of Art, OH

July, 1893 (oil on canvas)
XOS5877501 July, 1893 (oil on canvas) by Bacher, Otto Henry (1856-1909); 90x57.5 cm; Cleveland Museum of Art, OH, USA; (add.info.: Painting by Otto H. Bacher)

Dead Child, 1874 (litho in black on wove paper)
5862101 Dead Child, 1874 (litho in black on wove paper) by Pissarro, Camille (1830-1903); The Art Institute of Chicago, IL, USA; (add.info.: by Camille Pissarro)

Self-Portrait with a Hat, c.1879 (graphite on textured laid paper)
5861714 Self-Portrait with a Hat, c.1879 (graphite on textured laid paper) by Caillebotte, Gustave (1848-94); The Art Institute of Chicago, IL, USA; (add.info.: by Gustave Caillebotte)

Study of a Male Nude Reclining (w/c & pencil)
8735818 Study of a Male Nude Reclining (w/c & pencil) by Sargent, John Singer (1856-1925); 37.8 x 55.4 cm; UCL Art Museum, University College London

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Impressionism, a revolutionary art movement that emerged in the late 19th century, captivated artists and viewers alike with its unique approach to capturing light and atmosphere. The works of renowned artists such as Claude Monet, Pierre-Auguste Renoir, and Edgar Degas showcased their mastery of this style through various subjects and mediums. In "Village Street, Moret-sur-Loing, " painted in 1894 by an unknown artist, we are transported to a quaint village street bathed in soft sunlight. The loose brushstrokes and vibrant colors create a sense of movement and life within the scene. "Boatyard at Saint-Mammes, " an oil on canvas from 1886, depicts the bustling activity of a boatyard along the riverbank. The artist's use of bold brushwork captures the energy of workers going about their daily tasks while reflecting shimmering reflections on the water's surface. One cannot discuss Impressionism without mentioning one of its most iconic paintings - "La Grenouillere. " Created by Claude Monet in 1869, this masterpiece showcases leisurely scenes at a popular riverside resort. Through his skillful use of dappled brushstrokes and vivid colors, Monet transports us into a world filled with joyous laughter and carefree moments. Moving away from traditional painting techniques, Edgar Degas explored different mediums like graphite on tan wove paper in "Madame Lisle and Madame Loubens" (1869-72). This delicate sketch captures two women engaged in conversation with remarkable detail despite its simplicity. Degas also ventured into lithography with "After the Bath III" (1891-1892), where he masterfully portrays female figures drying themselves after bathing. The black lines against cream wove paper evoke sensuality while showcasing Degas' ability to capture fleeting moments effortlessly. Another striking piece is "After the Bath (Woman Drying Her Feet)" from around 1900.