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Indigenous Peoples Of The Americas Collection (#9)

"Exploring the Rich Cultural Heritage of Indigenous Peoples of the Americas" Step back in time

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Background imageIndigenous Peoples Of The Americas Collection: In The Morning Room, 1906-10 (oil on canvas)

In The Morning Room, 1906-10 (oil on canvas)
7214717 In The Morning Room, 1906-10 (oil on canvas) by Rothenstein, William (1872-1945); 107.5x76.2 cm; Manchester Art Gallery, UK; © Manchester Art Gallery

Background imageIndigenous Peoples Of The Americas Collection: Pretty Paint by Edward S. Curtis, 1904 (sepia print)

Pretty Paint by Edward S. Curtis, 1904 (sepia print)
2630173 Pretty Paint by Edward S. Curtis, 1904 (sepia print) by Curtis, Edward Sheriff (1868-1952) ; Private Collection; (add.info.: Pretty Paint by Edward S)

Background imageIndigenous Peoples Of The Americas Collection: A group of six Eskimo children sitting on a hill dressed in traditional fur clothing, Nunivak

A group of six Eskimo children sitting on a hill dressed in traditional fur clothing, Nunivak, Alaska, c
7316023 A group of six Eskimo children sitting on a hill dressed in traditional fur clothing, Nunivak, Alaska, c.1929 (b/w photo) by Curtis

Background imageIndigenous Peoples Of The Americas Collection: Eskimo man identified as Charlie Wood, Kobuk, Alaska, c. 1929 (b/w photo)

Eskimo man identified as Charlie Wood, Kobuk, Alaska, c. 1929 (b/w photo)
7315979 Eskimo man identified as Charlie Wood, Kobuk, Alaska, c.1929 (b/w photo) by Curtis, Edward Sheriff (1868-1952) ; Private Collection; (add.info.: by Edward Sheriff Curtis (1868-1952))

Background imageIndigenous Peoples Of The Americas Collection: Eskimo woman from Selawik, Alaska, c. 1929 (b/w photo)

Eskimo woman from Selawik, Alaska, c. 1929 (b/w photo)
7315396 Eskimo woman from Selawik, Alaska, c.1929 (b/w photo) by Curtis, Edward Sheriff (1868-1952) ; Private Collection; (add.info.: by Edward Sheriff Curtis (1868-1952))

Background imageIndigenous Peoples Of The Americas Collection: Ndee Sangochonh, Apache Indian, c. 1906 (b/w photo)

Ndee Sangochonh, Apache Indian, c. 1906 (b/w photo)
7315221 Ndee Sangochonh, Apache Indian, c.1906 (b/w photo) by Curtis, Edward Sheriff (1868-1952) ; Private Collection; (add.info.: by Edward Sheriff Curtis (1868-1952))

Background imageIndigenous Peoples Of The Americas Collection: The Poker Game, 1894 (oil on panel)

The Poker Game, 1894 (oil on panel)
7355581 The Poker Game, 1894 (oil on panel) by Russell, Charles Marion (1865-1926); 45.7 -- 61 cm; Yale University Art Gallery, New Haven, CT

Background imageIndigenous Peoples Of The Americas Collection: Carved Posts at Alert Bay, British Columbia, 1914, photogravure by John Andrew & Son (photogravure)

Carved Posts at Alert Bay, British Columbia, 1914, photogravure by John Andrew & Son (photogravure)
STC225366 Carved Posts at Alert Bay, British Columbia, 1914, photogravure by John Andrew & Son (photogravure) by Curtis, Edward Sheriff (1868-1952) (after)

Background imageIndigenous Peoples Of The Americas Collection: An Apache Babe, 1903, photogravure by John Andrew & Son (photogravure)

An Apache Babe, 1903, photogravure by John Andrew & Son (photogravure)
STC225357 An Apache Babe, 1903, photogravure by John Andrew & Son (photogravure) by Curtis, Edward Sheriff (1868-1952) (after); Private Collection; The Stapleton Collection

Background imageIndigenous Peoples Of The Americas Collection: Raven Blanket (b/w photo)

Raven Blanket (b/w photo)
PNP245398 Raven Blanket (b/w photo) by Curtis, Edward Sheriff (1868-1952) ; Private Collection; Peter Newark American Pictures

Background imageIndigenous Peoples Of The Americas Collection: The Blizzard, c. 1910 (b/w photo)

The Blizzard, c. 1910 (b/w photo)
7348759 The Blizzard, c.1910 (b/w photo) by Reed, Roland W. (1864-1934); 19.4 x 24.2 cm; Private Collection; (add.info.: gelatin silver print by Roland W)

Background imageIndigenous Peoples Of The Americas Collection: An Eskimo man standing under a structure with whale meat hanging to dry, c. 1929 (b/w photo)

An Eskimo man standing under a structure with whale meat hanging to dry, c. 1929 (b/w photo)
7315998 An Eskimo man standing under a structure with whale meat hanging to dry, c.1929 (b/w photo) by Curtis, Edward Sheriff (1868-1952) ; Private Collection; (add.info)

Background imageIndigenous Peoples Of The Americas Collection: Circa 1900 - Six tribal leaders (l to r) Little Plume (Piegan), Buckskin Charley (Ute)

Circa 1900 - Six tribal leaders (l to r) Little Plume (Piegan), Buckskin Charley (Ute), Geronimo (Chiricahua Apache)
7134232 Circa 1900 - Six tribal leaders (l to r) Little Plume (Piegan), Buckskin Charley (Ute), Geronimo (Chiricahua Apache), Quanah Parker (Comanche), Hollow Horn Bear (Brule Sioux)

Background imageIndigenous Peoples Of The Americas Collection: Native Americans launching a whale boat at Cape Prince of Wales, Alaska, c. 1929 (b/w photo)

Native Americans launching a whale boat at Cape Prince of Wales, Alaska, c. 1929 (b/w photo)
7315343 Native Americans launching a whale boat at Cape Prince of Wales, Alaska, c.1929 (b/w photo) by Curtis, Edward Sheriff (1868-1952) ; Private Collection; (add.info)

Background imageIndigenous Peoples Of The Americas Collection: A Bridal Group, 1914, photogravure by John Andrew & Son (photogravure)

A Bridal Group, 1914, photogravure by John Andrew & Son (photogravure)
STC225367 A Bridal Group, 1914, photogravure by John Andrew & Son (photogravure) by Curtis, Edward Sheriff (1868-1952) (after); Private Collection; The Stapleton Collection

Background imageIndigenous Peoples Of The Americas Collection: The Outlook by Edward S. Curtis, c. 1904 (toned silver print)

The Outlook by Edward S. Curtis, c. 1904 (toned silver print)
2622386 The Outlook by Edward S. Curtis, c.1904 (toned silver print) by Curtis, Edward Sheriff (1868-1952) ; Private Collection; (add.info.: The Outlook by Edward S)

Background imageIndigenous Peoples Of The Americas Collection: Navajo Riders by Edward S. Curtis, c. 1904 (toned silver print)

Navajo Riders by Edward S. Curtis, c. 1904 (toned silver print)
2622385 Navajo Riders by Edward S. Curtis, c.1904 (toned silver print) by Curtis, Edward Sheriff (1868-1952) ; Private Collection; (add.info.: Navajo Riders in Canyon de Chelly by Edward S)

Background imageIndigenous Peoples Of The Americas Collection: Canyon de Chelly - Navajo by Edward S. Curtis, 1904 (orotone)

Canyon de Chelly - Navajo by Edward S. Curtis, 1904 (orotone)
2630149 Canyon de Chelly - Navajo by Edward S. Curtis, 1904 (orotone) by Curtis, Edward Sheriff (1868-1952) ; Private Collection; (add.info.: Canyon de Chelly - Navajo by Edward S)




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"Exploring the Rich Cultural Heritage of Indigenous Peoples of the Americas" Step back in time and immerse yourself in the vibrant world of the indigenous peoples of the Americas. From the frozen marshes of Kotzebue, Alaska to the lush landscapes of Mesoamerica, their diverse cultures and traditions have shaped this continent for centuries. In a captivating black and white photograph from 1929, we witness an Eskimo muskrat hunter gracefully paddling through a marsh, showcasing their deep connection with nature. This image reminds us of their harmonious relationship with the environment that sustains them. Traveling further south, we encounter a scene from 1837 depicted on paper using watercolors. It portrays thirsty trappers making a rush for the river as they cross challenging terrain. Their resilience and resourcefulness reflect their ability to adapt to any situation. The artwork collection by Waldeck offers glimpses into Mesoamerican civilizations dating back to 1831. Box after box reveals intricate prints capturing moments such as Black Hawk and Na-Be-Ghi-Zeik's portrait or depictions of divinities, priests, heroes, and Mexican Indians adorned in holiday dress. These artworks provide valuable insights into ancient rituals and beliefs that continue to shape indigenous communities today. Shifting our focus closer to home is a chromolitho print from 1911 depicting young Native Americans leaving home for Carlisle Indian School—an institution aimed at assimilating them into Western culture. This poignant image raises questions about cultural preservation versus forced assimilation—a struggle faced by many indigenous communities throughout history. Delving deeper into Mesoamerican mythology brings us face-to-face with goddess Teoyaomqui alongside a porphyry sacrificial stone—a testament to religious practices deeply ingrained within these societies. The vibrant watercolor captures both beauty and mystery surrounding ancient rituals. Lastly, we are transported back in time witnessing a duel on Champion Stone—another mesmerizing watercolor from the mid-19th century.