Inha Collection

Bridge and doorway of Angkor Thom, c. 1912 (b / w photo)
XIR224666 Bridge and doorway of Angkor Thom, c.1912 (b/w photo) by French Photographer, (20th century); Musee d Ethnographie du Trocadero, Paris

Grove of the Baths of Apollo, 1930 (b / w photo)
XIR242845 Grove of the Baths of Apollo, 1930 (b/w photo) by Giraudon, studio (1912-53); ChAteau de Versailles, France; (add.info)

Tomb of Jean-Baptiste Colbert de Torcy (1619-83), detail of Colbert, c
XIR252768 Tomb of Jean-Baptiste Colbert de Torcy (1619-83), detail of Colbert, c.1685-1687 (marble and gilt bronze) (see also 248118, 248119, 248120, 252767, 252769) (b/w photo) by Coysevox

Garden of Palais Royal, 1933 (b / w photo)
XIR189414 Garden of Palais Royal, 1933 (b/w photo) by Giraudon, studio (1912-53); Paris, France; French, out of copyright

Summer, statue in the gardens (marble) (b / w photo)
XIR189435 Summer, statue in the gardens (marble) (b/w photo) by French School, (18th century); Sceaux, France; French, out of copyright

Basilisk, capital from Cathedral of Notre Dame at Reims (plaster cast from stone
XIR224899 Basilisk, capital from Cathedral of Notre Dame at Reims (plaster cast from stone) (b/w photo) by French School, (13th century); Musee des Monuments Francais, Paris, France; French

Equestrian statue of Louis XIV (1638-1715) (marble) (b / w photo)
XIR169507 Equestrian statue of Louis XIV (1638-1715) (marble) (b/w photo) by Bernini, Gian Lorenzo (1598-1680); ChAteau de Versailles, France; Italian, out of copyright

The chapel of the Ecole Nationale Superieure des Beaux-Arts, c. 1890-99 (b / w photo)
XIR233016 The chapel of the Ecole Nationale Superieure des Beaux-Arts, c.1890-99 (b/w photo) by Giraudon, Adolphe (1849-1929); Paris

Tritons grooming two horses of the sun in the grove of the Baths of Apollo, c
XIR242860 Tritons grooming two horses of the sun in the grove of the Baths of Apollo, c.1667-72 (see 242850, 242856 to 242860) (marble) (b/w photo) by Marsy, Gaspard (1624-81) & Marsy

Foulah woman, 1904 (marble, bronze & onyx) (b / w photo)
XIR189441 Foulah woman, 1904 (marble, bronze & onyx) (b/w photo) by Allouard, Henri (1844-1929); height: 57 cm; Musee d Orsay, Paris, France; French, out of copyright

View of the Central Dome and the Fountain Coutan, Universal Exhibition, Paris
XIR217930 View of the Central Dome and the Fountain Coutan, Universal Exhibition, Paris, 1889 (b/w photo) by Giraudon, Adolphe (1849-1929); Paris, France; (add.info.: Central Dome and Fountain)

The Melpomene Room of the Ecole Nationale Superieure des Beaux-Arts, 1929 (b / w photo)
XIR233013 The Melpomene Room of the Ecole Nationale Superieure des Beaux-Arts, 1929 (b/w photo) by Giraudon, studio (1912-53); Paris

Tritons watering the horses of the sun in the grove of the Baths of Apollo
XIR242861 Tritons watering the horses of the sun in the grove of the Baths of Apollo, 1666 (marble) (b/w photo) by Guerin, Gilles (c.1609-78); ChAteau de Versailles, France; French, out of copyright

The chapel of the Ecole Nationale Superieure des Beaux-Arts, 1929 (b / w photo)
XIR233015 The chapel of the Ecole Nationale Superieure des Beaux-Arts, 1929 (b/w photo) by Giraudon, studio (1912-53); Paris

The Saone River from the Parterre d Eau in the gardens, 1685 (bronze) (b / w photo)
XIR189433 The Saone River from the Parterre d Eau in the gardens, 1685 (bronze) (b/w photo) by Tuby, Jean Baptiste I (1635-1700); ChAteau de Versailles, France; French, out of copyright

The West Stairs Les Cent Marches of the Orangery, 1684-86 (b / w photo)
XIR189422 The West Stairs Les Cent Marches of the Orangery, 1684-86 (b/w photo) by Giraudon, studio (1912-53); ChAteau de Versailles

Ecole Nationale Superieure des Beaux-Arts, Palais des Etudes, the glass courtyard
XIR189421 Ecole Nationale Superieure des Beaux-Arts, Palais des Etudes, the glass courtyard, 1929 (b/w photo) by Giraudon, studio (1912-53); Paris

Machinery Hall, Universal Exhibition, Paris, 1889 (b / w photo)
XIR217925 Machinery Hall, Universal Exhibition, Paris, 1889 (b/w photo) by Giraudon, Adolphe (1849-1929); Paris, France; French, out of copyright

Young Boy Seated Outside the Ecole Nationale des Beaux-Arts, Paris, 1890-1900 (b / w photo)
XIR186208 Young Boy Seated Outside the Ecole Nationale des Beaux-Arts, Paris, 1890-1900 (b/w photo) by Giraudon, Adolphe (1849-1929); Paris

The Greek Room of the Ecole Nationale Superieure des Beaux-Arts, 1929 (b / w photo)
XIR233011 The Greek Room of the Ecole Nationale Superieure des Beaux-Arts, 1929 (b/w photo) by Giraudon, studio (1912-53); Paris

The Saone River from the Parterre d Eau in the gardens
XIR252764 The Saone River from the Parterre d Eau in the gardens, 1685 (see also 189433 and 252763) (bronze) (b/w photo) by Tuby, Jean Baptiste I (1635-1700); ChAteau de Versailles

The Garden Facade of the Chateau de Versailles, 1926 (b / w photo)
XIR252701 The Garden Facade of the Chateau de Versailles, 1926 (b/w photo) by Giraudon, studio (1912-53); ChAteau de Versailles

Portico of Ceramics, Universal Exhibition, Paris, 1889 (b / w photo)
XIR217931 Portico of Ceramics, Universal Exhibition, Paris, 1889 (b/w photo) by Giraudon, Adolphe (1849-1929); Paris, France; (add.info.: Portico of the Ceramic, Universal Exhibition; ); French

Assyrian House, Universal Exhibition, Paris, 1889 (b / w photo)
XIR217927 Assyrian House, Universal Exhibition, Paris, 1889 (b/w photo) by Giraudon, Adolphe (1849-1929); Paris, France; French, out of copyright

Egyptian House, Universal Exhibition, Paris, 1889 (b / w photo)
XIR217926 Egyptian House, Universal Exhibition, Paris, 1889 (b/w photo) by Giraudon, Adolphe (1849-1929); Paris, France; French, out of copyright

Ecole Nationale Superieure des Beaux-Arts, rue Bonaparte, c. 1890-99 (b / w photo)
XIR189440 Ecole Nationale Superieure des Beaux-Arts, rue Bonaparte, c.1890-99 (b/w photo) by Giraudon, Adolphe (1849-1929); Paris

Kouros, from Paros, near the sanctuary of Asklepios, c. 540 BC (marble) (detail
XIR202761 Kouros, from Paros, near the sanctuary of Asklepios, c.540 BC (marble) (detail) (b/w photo) (see also 154092) by Greek, (6th century BC); height: 103 cm; Louvre, Paris, France; Greek

Kouros, from Paros, near the sanctuary of Asklepios, c. 540 BC (marble) (b / w photo
XIR202760 Kouros, from Paros, near the sanctuary of Asklepios, c.540 BC (marble) (b/w photo) (see also 154092) by Greek, (6th century BC); height: 103 cm; Louvre, Paris, France; Greek

Virgin (which opens), early 15th century (polychrome wood) (b / w photo) (see also 207734)
XIR207735 Virgin (which opens), early 15th century (polychrome wood) (b/w photo) (see also 207734) by French School, (15th century)

Steam, c. 1889 (plaster) (b / w photo)
XIR253096 Steam, c.1889 (plaster) (b/w photo) by Chapu, Henri Michel Antoine (1833-91); Paris, France; (add.info.: La Vapeur; displayed at the Galerie des Machines; the Galerie was built for)

Boy reading, from the The Vallardi Album (pen & ink on paper) (b / w photo)
XIR242720 Boy reading, from the The Vallardi Album (pen & ink on paper) (b/w photo) by Pisanello, Antonio (1395-1455); Louvre, Paris, France; Italian, out of copyright

Portico and fountain at the Universal Exhibition, Paris, 1889 (b / w photo)
XIR217907 Portico and fountain at the Universal Exhibition, Paris, 1889 (b/w photo) by Giraudon, Adolphe (1849-1929); Paris, France; (add.info.: Portique et fontaine)

Facsimile copy of Ms Fr 19093 fol. 23v Man seated, Knight mounting his horse (pen & ink on paper)
XIR200390 Facsimile copy of Ms Fr 19093 fol.23v Man seated, Knight mounting his horse (pen & ink on paper) (b/w photo) by Villard de Honnecourt (fl.1190-1235); Bibliotheque Nationale, Paris

Ecole Nationale des Beaux-Arts, Palais des Etudes, the glass courtyard, c. 1890-99
XIR172260 Ecole Nationale des Beaux-Arts, Palais des Etudes, the glass courtyard, c.1890-99 (b/w photo) by Giraudon, Adolphe (1849-1929); Ecole Nationale Superieure des Beaux-Arts, Paris

Electricity, c. 1889 (plaster) (b / w photo)
XIR172161 Electricity, c.1889 (plaster) (b/w photo) by Barrias, Louis Ernest (1841-1905); Paris, France; (add.info.: Electricite; displayed at the Galerie des Machines; the Galerie was built for)

Chimaera from the St. Michel fountain, Paris, c. 1860 (b / w photo)
XIR186209 Chimaera from the St. Michel fountain, Paris, c.1860 (b/w photo) by Giraudon, Adolphe (1849-1929); Private Collection; (add.info.: Chimere de la fontaine Saint-Michel; ); French

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"Inha: A Journey Through Time and Beauty" Step into the enchanting world of Inha, where history comes alive through captivating photographs. The bridge and doorway of Angkor Thom, captured in a black and white photo from 1912, transport us to a bygone era filled with architectural wonders. As we venture further, we stumble upon Apollo being tended by nymphs in the grove of the Baths of Apollo. This ethereal scene, immortalized in a monochrome photograph from 1930, evokes a sense of tranquility amidst nature's embrace. The intricate details on the tomb of Jean-Baptiste Colbert de Torcy mesmerize us as we examine Colbert's visage closely. This exquisite sculpture transports us back to an era when artistry knew no bounds. Moving forward, we find ourselves immersed in the Garden of Palais Royal through another timeless black and white photograph from 1933. The serenity exuded by this place is palpable as if inviting us to take respite amidst its lush greenery. A marble statue named "Summer" catches our attention next; its delicate beauty frozen forever in time through yet another monochromatic image. It reminds us that even seasons have their own stories to tell within these gardens. The Basilisk capital from Cathedral Notre Dame at Reims beckons with its intricate design carved meticulously into stone—a testament to human craftsmanship throughout centuries past. An equestrian statue depicting Louis XIV stands tall and majestic against the backdrop of history. Its marble form radiates power and grandeur even in shades of gray captured expertly on film. Within the chapel walls of Ecole Nationale Superieure des Beaux-Arts lies an aura that transcends time itself—captured beautifully in a black and white photo dating back to late 19th century or early 20th century. It serves as a reminder that art has always been an integral part of humanity's journey.