Instrument Or Object Collection (#7)

Drawing depicting five people in movement with hats and historic dress. Work by Perugino located in the Room of Drawings and Prints in the Uffizi

Sketch by Michelangelo for the Last Judgment, in the Gabinetto dei Disegni e delle Stampe, at the Uffizi Gallery in Florence Florence Uffizi Gallery

The Supper at Emmaus, oil on panel, Harmensz van Rijn Rembrandt (1606-1669), The Louvre Museum, Paris France Paris, The Louvre Museum Painting Baroque, Renaissance-Baroque styles and periods, Europe

San Domenico, detail of Christ mocked in the presence of the Madonna and San Domenico. Fresco by Fra Angelico and assistants

Last Supper; fresco by Ghirlandaio in the Sala del Cenacolo, Museo di San Marco, Florence Mural Painting Early Renaissance, Renaissance, Renaissance-Baroque styles and periods, Europe

Copy from the Last Supper by Leonardo da Vinci (1483-1520), the Upper Room in Santa Maria delle Grazie in Milan Milan Upper Room in Santa Maria delle Grazie Mural Painting High Renaissance

Jesus Christ at Calvary; drawing preserved in the Gabinetto dei Disegni e delle Stampe, Uffizi Gallery, Florence Florence Uffizi Gallery

Baptism of Christ, detail, oil on panel, Leonardo da Vinci (1452-1519) and Andrea del Verrocchio (1435-1488), Uffizi Gallery, Florence Florence Uffizi Gallery Early Renaissance, Renaissance

Last supper, fresco, Andrea del Sarto (1486-1530), Cenacolo Museum by Andrea del Sarto, Florence Florence Cenacolo Museum by Andrea del Sarto Mural Painting High Renaissance, Renaissance

Ecce Homo; work of Guercino. Galleria Corsini, Rome Painting Baroque, Renaissance-Baroque styles and periods, Europe, First and Second Millennium A.D.. Date of Photograph:2002

Last Supper, detail of the face of S. Thomas; fresco by Ghirlandaio. Sala del Cenacolo, Museum of S. Marco, Florence Mural Painting Early Renaissance, Renaissance

The Baptism of Christ. Work of Verrocchio and Leonardo da Vinci. Uffizi Gallery, Florence Early Renaissance, Renaissance, Renaissance-Baroque styles and periods, Europe

Christ Crucified and San Domenico; fresco by Fra Angelico. Museo di San Marco, Florence Mural Painting Early Renaissance, Renaissance, Renaissance-Baroque styles and periods, Europe

Descent of the cross with the swoon of Mary. Drawing by Ludovico Cardi, know as Cigoli preserved in the Room of Drawings and Prints in the Museum of the Uffizi

International Exposition of Modern Decorative Arts in Turin in 1902. H.R.H the Duke of Aosta, as he leaves the inaguration of the Photography Pavilion, designed by the architect

Caricature of photographer-camera, caricature Turin Drawing Arts and handicrafts of XIX century, Nineteenth century, 19th century, Europe, First and Second Millennium A.D

Crucifixion and San Domenico; detail of the face of Jesus; fresco by Fra Angelico. Museo di San Marco, Florence Mural Painting Early Renaissance, Renaissance, Renaissance-Baroque styles and periods

Saint Mark and Saint Dominic; detail of the Crucifixion and saints, fresco by Fra Angelico. Sala del Capitolo, Museum of S

Ecce Homo, painting by Murillo. Pinacoteca, Vatican, Rome Painting Baroque, Renaissance-Baroque styles and periods, Europe, First and Second Millennium A.D.. Date of Photograph:2002

St. Jerome; detail of the Crucifixion and Saints, fresco by Fra Angelico. Sala del Capitolo, Museum of S. Marco, Florence Mural Painting Early Renaissance, Renaissance

The Virgin Mary; detail of the Crucifixion and Saints, fresco by Fra Angelico. Sala del Capitolo, Museum of S. Marco, Florence Mural Painting Early Renaissance, Renaissance

Christ resurrected.Statue by Michelangelo Buonarroti standing in the presbytery of the Church of Santa Maria sopra Minerva, Rome Rome Church of Santa Maria sopra Minerva

Statue of St. Veronica, work by Francesco Mochi kept in St.Peter's Basilica, in the Vatican State of the Vatican City St.Peter's Basilica Statue Baroque

La Pieta Sculptural work by Antonio Montauti, standing in the Corsini Chapel of the Basilica of San Giovanni in Laterano, Rome Rome Basilica of San Giovani in Laterano

Statue of St.Andrea, work by Francois Duquesnoy kept in St. Peter's Basilica, in the Vatican State of the Vatican City St.Peter's Basilica Statue Baroque

A room at a photography exhibit. Date of Photograph:1960-1965 ca

Relief representing the triumphant procession which preceeds the emperor bringing spoils from the temple of Salomone; work preserved in the Arch of Titus

Seller of eggs, Naples Naples. Date of Photograph:1885 ca

Statue dedicated to Saint Antonino Abate, protector of Sorrento. Sculptural work by Tommaso Solari, located in the Piazza di Sant'Antonino, in Sorrento Sorrento Statue Nineteenth-Twenty century

Pisa Civic Musem: Panel with the Crucifixion, from the pulpit by Giovanni Pisano. Pisa Civic Museum Relief Gothic, Middle Ages, Europe, First and Second Millennium A.D

A photography lover working. Postcard sent by the author to Vincenzo Balocchi Italy. Date of Photograph:1936

"Photographic Trip to the Country" Italy. Date of Photograph:1941

Snapshot of a bullfight. In the center a man on a horse greets the audience in the rows of the arena. Spain. Date of Photograph:1965 ca

"The Leichista" Italy. Date of Photograph:1960 ca

The Photographer Italy. Date of Photograph:1965 ca

A youth photographed while taking a photograph of a girl on the seashore. On the right, a baby is playing with the sand. Italy. Date of Photograph:1965 ca

Photographers at work, Barcelona Spain Barcelona. Date of Photograph:1960 ca

Snapshot of a bullfight with some men on horseback. Spain. Date of Photograph:1965 ca

Snapshot of a bullfight. In the center the toreador is facing a bull. In the background the public is visible in the rows of the arena. Spain. Date of Photograph:1965 ca

Portrait by Vincenzo Balocchi Italy. Date of Photograph:08/1934

Female figure, advertising poster of the theater comedy "Sul cucuzzolo del tuo cuore" with Carlo Dapporto at the Teatro Verdi and posters of the Teatro della Pergola, Florence Florence

Vincenzo Balocchi (1892-1975) photographed by Alex Franchini Stappo Florence. Date of Photograph:1943

The photographer Vincenzo Balocchi (1892-1975) Italy. Date of Photograph:1930-1940 ca

Photographer in the Tuscan countryside Tuscany. Date of Photograph:1935

Male group portrait, Tuscany Tuscany. Date of Photograph:1935

Studio reconstruction of a scene from the opera Manon interpreted by the opera singers Gemma Bellincioni and Garbin. Date of Photograph:1890-1895 ca

Portrait of a couple of singers during the studio reconstruction of the opera Manon. Date of Photograph:1890-1895 ca

Portrait of the two singers Gemma Bellincioni and Roberto Stagno, while performing a scene from the Cavalleria Rusticana. Date of Photograph:1890 ca

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In the world of art, an instrument or object can hold immense significance, often serving as a conduit for profound emotions and narratives. Take, for instance, the deposition scene depicted in Risen Christ, also known as Christ of Minerva. Here, a marble sculpture captures the sorrowful moment when Jesus is taken down from the cross—a poignant reminder of sacrifice and redemption. Similarly evocative is Dead Christ, a haunting portrayal that invites contemplation on mortality and grief. The artist's skill brings forth raw emotion through every stroke and contour. Moving away from religious themes but still within the realm of artistic expression, David Before the Ark of the Covenant showcases an intriguing object—an ark symbolizing divine presence. This painting transports us to ancient times where reverence meets human vulnerability. Shifting gears to portraiture photography, we encounter a young Roman noblewoman posing in a studio photo—a snapshot frozen in time that offers glimpses into her personality and aspirations. San Zanobi raises a boy from the dead presents another captivating narrative—depicting an instrument or object used by Saint Zanobi to perform miracles according to Codice Edili 107. Such stories remind us of faith's power to transcend boundaries. Saint Apollonia emerges as yet another figure steeped in symbolism—the patron saint of dentistry holding pliers representing her martyrdom during persecution. Her image resonates with those seeking solace amidst physical pain or spiritual turmoil. The Last Judgement fresco reveals intricate details depicting saints alongside instruments such as trumpets—signifying their role in heralding final judgment while offering hope for salvation. Returning once more to portrait photography with Roman nobles posing in a studio photo—we witness not only their regal demeanor but also gain insight into societal norms and values prevalent at that time. Ecce Homo confronts viewers with an arresting sight—the crowned head of Jesus wearing thorns—an instrument turned symbolically potent through its association with suffering and sacrifice.