Intimacy Collection (page 2)

Jupiter Beguiled by Juno, 18th / early 19th century. Artist: James Barry
Jupiter Beguiled by Juno, 18th/early 19th century. From the Sheffield Art Gallery, Sheffield

Venus and Cupid, mid 16th century. Artist: Agnolo Bronzino
Venus and Cupid, mid 16th century. Venus has taken Cupids bow. In the bottom right is a pair of doves, birds of love. From the Uffizi Gallery, Florence

Love's Whispers, 1896 (oil on canvas)
MAN370305 Love's Whispers, 1896 (oil on canvas) by Davies, Norman Prescott (1862-1915); 45.8x45.8 cm; Manchester Art Gallery, UK; © Manchester Art Gallery

Evening Conversation, 1910 (oil on canvas)
BAL153689 Evening Conversation, 1910 (oil on canvas) by Kalinitchenko, Jakoff Jakovlevitch (1869-1938); 68x51 cm; Art Museum of Ryasan

Couple, Dogon Culture, from Mali (wood)
HSC193959 Couple, Dogon Culture, from Mali (wood) by African School; height:15.5 cm; Private Collection; Photo © Heini Schneebeli

Woman at her Toilet, 1655-60 (oil on panel)
3545930 Woman at her Toilet, 1655-60 (oil on panel) by Steen, Jan Havicksz. (1625/26-79); 37x27.5 cm; Rijksmuseum, Amsterdam, The Netherlands

The Ill-matched Pair, 1566 (oil on wood)
3588384 The Ill-matched Pair, 1566 (oil on wood) by Massys or Metsys, Jan (1509-75); 97x134 cm; National Museum, Stockholm, Sweden

A Merry Company (oil on panel)
3930819 A Merry Company (oil on panel) by Massys or Metsys, Jan (1509-75); 91x128 cm; National Museum, Stockholm, Sweden

Dejeuner Intime, (oil on canvas)
991071 Dejeuner Intime, (oil on canvas) by Icart, Louis (1888-1950); 46x55.5c cm; Private Collection; (add.info.: Dejeuner Intime. Louis Icart (1888-1950). Oil on canvas. 46 x 55.5cm

Interior from Paris, 1882 (oil on canvas)
OVR394307 Interior from Paris, 1882 (oil on canvas) by Kolstoe, Fredrik (1860-1945); 94x72 cm; Nasjonalgalleriet, Oslo, Norway; Photo © O. Vaering

Parting of Lovers: Courtesan and Her Lover, ca. 1800. Creator: Kitagawa Utamaro
Parting of Lovers: Courtesan and Her Lover, ca. 1800

Intimite Rose et Or, Versailles, 1930 (oil on canvas)
656496 Intimite Rose et Or, Versailles, 1930 (oil on canvas) by Le Sidaner, Henri Eugene Augustin (1862-1939); 91.4x73.7 cm; Private Collection; (add.info.: Intimite Rose et Or, Versailles)

La Belle Epingle, 1897-98 (woodcut) (pair to 715067)
715068 La Belle Epingle, 1897-98 (woodcut) (pair to 715067) by Vallotton, Felix Edouard (1865-1925); 17.6x22.2 cm; Private Collection; (add.info)

Card Players, 1815 (oil on canvas)
3930907 Card Players, 1815 (oil on canvas) by Laureus, Alexander (1783-1823); 53.5x75 cm; National Museum, Stockholm, Sweden; Finnish, out of copyright

c. 1880s Japan - two geishas cheek to cheek

Two embracing figures (graphite on white wove paper)
1216904 Two embracing figures (graphite on white wove paper) by Rodin, Auguste (1840-1917); 32.3x23.9 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; French, out of copyright

Girl Reading (oil on canvas)
BRM288973 Girl Reading (oil on canvas) by Stevens, Alfred Emile (1823-1906); Private Collection; (add.info.: Jeune fille lisant; ); Belgian, out of copyright

L Intimite, 1906 (oil on panel)
476580 L Intimite, 1906 (oil on panel) by Guillaume, Albert (1873-1942); 34.9x26.7 cm; Private Collection; Photo eChristies Images; French, out of copyright

Friends, (oil on canvas)
984925 Friends, (oil on canvas) by Jones, Francis Coates (1857-1932); 91.5x76.5 cm; Private Collection; (add.info.: Friends. Francis Coates Jones (1857-1932). Oil on canvas

The Dance (oil on panel)
CH137820 The Dance (oil on panel) by Guillaume, Albert (1873-1942); 34.9x26.7 cm; Private Collection; Photo eChristies Images; French, out of copyright

After the Bath (oil on canvas)
3930856 After the Bath (oil on canvas) by Laureus, Alexander (1783-1823); 38.5x31 cm; National Museum, Stockholm, Sweden; Finnish, out of copyright

A Woman with A Lantern, 1818 (oil on canvas)
3930847 A Woman with A Lantern, 1818 (oil on canvas) by Laureus, Alexander (1783-1823); 33x25 cm; National Museum, Stockholm, Sweden; Finnish, out of copyright

A Woman with a Burning Candle, 1818 (oil on canvas)
3930846 A Woman with a Burning Candle, 1818 (oil on canvas) by Laureus, Alexander (1783-1823); 33x25 cm; National Museum, Stockholm, Sweden; Finnish, out of copyright

Woman Awakening, 1876 (oil on canvas)
NUL104367 Woman Awakening, 1876 (oil on canvas) by Gonzales, Eva (1849-83); 82.5x101.5 cm; Kunsthalle, Bremen, Germany; French, out of copyright

On New Years night this wonder came (engraving)
728832 On New Years night this wonder came (engraving) by English School, (19th century); Private Collection; (add.info.: On New Years night this wonder came - That life flashed out in splendent)

The Triumph, plate two from Intimacies, 1898 (woodcut)
3500290 The Triumph, plate two from Intimacies, 1898 (woodcut) by Vallotton, Felix Edouard (1865-1925); 25x32.5 cm; The Art Institute of Chicago, IL, USA; Gift of Print and Drawing Club; Swiss

The Lie, plate one from Intimacies, 1897 (woodcut)
3500287 The Lie, plate one from Intimacies, 1897 (woodcut) by Vallotton, Felix Edouard (1865-1925); 18x22.5 cm; The Art Institute of Chicago, IL, USA; Gift of Print and Drawing Club; Swiss

Money, plate five from Intimacies, 1898 (woodcut)
3500286 Money, plate five from Intimacies, 1898 (woodcut) by Vallotton, Felix Edouard (1865-1925); 18x22.5 cm; The Art Institute of Chicago, IL, USA; Gift of Print and Drawing Club; Swiss

A Woman Playing the Theorbo-Lute and a Cavalier, c. 1658 (oil on wood)
3493003 A Woman Playing the Theorbo-Lute and a Cavalier, c.1658 (oil on wood) by Borch or Terborch, Gerard ter (1617-81); 36.8x32.4 cm; Metropolitan Museum of Art, New York, USA; Dutch

1920s French Couple Embracing, 1922 (gelatin silver print)
2629998 1920s French Couple Embracing, 1922 (gelatin silver print) by French Photographer (20th century); Private Collection; Photo eGraphicaArtis; French, out of copyright

Extreme Measure, plate six from Intimacies, 1898 (woodcut)
3500291 Extreme Measure, plate six from Intimacies, 1898 (woodcut) by Vallotton, Felix Edouard (1865-1925); 25.4x32.5 cm; The Art Institute of Chicago, IL, USA; Gift of Print and Drawing Club; Swiss

The Irreparable, plate ten from Intimacies, 1898 (woodcut)
3500283 The Irreparable, plate ten from Intimacies, 1898 (woodcut) by Vallotton, Felix Edouard (1865-1925); 17.8x22.3 cm; The Art Institute of Chicago, IL

Romantic couple taking a break from their game of golf (litho)
6001468 Romantic couple taking a break from their game of golf (litho) by Fisher, Harrison (1875-1934); Private Collection; (add.info.: Romantic couple taking a break from their game of golf)

Lovers or Young Couple, 1910 (gouache, w / c & pencil)
1196002 Lovers or Young Couple, 1910 (gouache, w/c & pencil) by Kirchner, Ernst Ludwig (1880-1938); 34.3x44.1 cm; Private Collection; Photo eChristies Images; German, out of copyright

Chatterboxes, 1912 (oil on canvas)
AEG122855 Chatterboxes, 1912 (oil on canvas) by Kennington, Thomas Benjamin (1856-1916); 100x126 cm; Alfred East Gallery, Kettering Borough Council; eAlfred East Gallery, Kettering; English

Getting Ready for a Visit, plate eight from Intimacies, 1898 (woodcut)
3500289 Getting Ready for a Visit, plate eight from Intimacies, 1898 (woodcut) by Vallotton, Felix Edouard (1865-1925); 25.1x32.5 cm; The Art Institute of Chicago, IL

The Cogent Reason, plate four from Intimacies, 1898 (woodcut)
3500288 The Cogent Reason, plate four from Intimacies, 1898 (woodcut) by Vallotton, Felix Edouard (1865-1925); 17.8x22.3 cm; The Art Institute of Chicago, IL

The month of January, miniatures from Livro de Horas de Dom Manuel
XIR352374 The month of January, miniatures from Livro de Horas de Dom Manuel, 1517-38 (tempera on vellum) by Hollanda, Antonio de (c.1480 - c.1557) (attr.to); National Museum of Ancient Art, Lisbon

The Embrace (pastel & pencil & w / c on paper)
REV346656 The Embrace (pastel & pencil & w/c on paper) by Kirchner, Raphael (1876-1917); 30x23.5 cm; Private Collection; (add.info.: L Etreinte; etreinte; ); Austrian, out of copyright

An Intimate Conversation, (oil on canvas)
658442 An Intimate Conversation, (oil on canvas) by Pujol de Gustavino, Clemente (1850-1905); 41x61 cm; Private Collection; (add.info.: An Intimate Conversation)

Romantic couple taking a break during a horse ride (litho)
6001473 Romantic couple taking a break during a horse ride (litho) by Fisher, Harrison (1875-1934); Private Collection; (add.info.: Romantic couple taking a break during a horse ride)

Five O Clock, plate seven from Intimacies, 1898 (woodcut)
3500293 Five O Clock, plate seven from Intimacies, 1898 (woodcut) by Vallotton, Felix Edouard (1865-1925); 25.2x25.1 cm; The Art Institute of Chicago, IL, USA; Gift of Print and Drawing Club; Swiss

The Others Health, plate nine from Intimacies, 1898
3500292 The Others Health, plate nine from Intimacies, 1898 by Vallotton, Felix Edouard (1865-1925); The Art Institute of Chicago, IL, USA; Gift of Print and Drawing Club; Swiss, out of copyright

The Fine Pin, plate three from Intimacies, 1898 (woodcut)
3500285 The Fine Pin, plate three from Intimacies, 1898 (woodcut) by Vallotton, Felix Edouard (1865-1925); The Art Institute of Chicago, IL, USA; Gift of Print and Drawing Club; Swiss

Illustration for The Deserted Village
LLM456127 Illustration for The Deserted Village by Foster, Myles Birket (1825-99); Private Collection; (add.info.: Illustration for The Deserted Village)

Maquette for The Kiss, c. 1916 (painted plaster) (see also 440230)
LMG440229 Maquette for The Kiss, c.1916 (painted plaster) (see also 440230) by Thornycroft, William Hamo (1850-1925); 34.2x11x13 cm; Leeds Museums and Galleries (Leeds Art Gallery)

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"Exploring the Depths of Intimacy: A Journey through Art and Nature" Immerse yourself in a captivating landscape, where the enchanting allure of wood whispers untold secrets. In this mystical setting, Diana gracefully offers a hare to a nymph, symbolizing an intimate connection with nature's wonders. As we delve deeper into the canvas, Silenus and Ceres take center stage. Their presence reminds us that intimacy extends beyond human relationships; it encompasses our profound bond with the earth and its bountiful offerings. Shifting gears to another era, we encounter a 16th-century masterpiece depicting Virgin and Child. The tender embrace between mother and infant exudes an unparalleled sense of closeness, reminding us of the purest form found within familial love. In stark contrast, a young woman stands before her mirror in black-and-white elegance. Her vulnerability captured in this moment invites us to reflect on our own self-intimacy – embracing our flaws while celebrating our unique beauty. The Blind Girl transports us to 1856 when John Everett Millais immortalized innocence amidst darkness. Through delicate brushstrokes, he reveals how trust can foster deep connections even without sight – highlighting that true intimacy transcends physical boundaries. Journeying across continents brings us to Kingston, Jamaica – where a young couple stands united on a footbridge. Against the backdrop of Caribbean splendor, their intertwined hands speak volumes about shared dreams and unbreakable bonds forged by love's tender touch. A glimpse into Dante Gabriel Rossetti's creative process unfolds as we witness his Study for The Blessed Damozel. Graphite strokes delicately sketch out longing gazes and whispered promises - capturing fleeting moments of ethereal intimacy suspended in time. Nature unveils its own dance of affection as Black-necked stilts perform their post-copulatory display. Through elegant movements and synchronized gestures, they demonstrate how passion intertwines with tenderness, creating a symphony of intimacy.