Iphigenia Collection (#3)

Austria, Vienna, Cimon and Iphigenia
Peter Paul Rubens (1577-1640), Cimon and Iphigenia

Cymon and Iphigenia. Found in the Collection of Art History Museum, Vienne

Iphigenia (Head study). Artist: Feuerbach, Anselm (1829-1880)
Iphigenia (Head study). Found in the collection of Museum Oskar Reinhart, Winterthur

Cymon and Iphigenia, c. 1780. Artist: Kauffmann, Angelika (1741-1807)
Cymon and Iphigenia, c. 1780. From a private collection

Iphigenia in Tauris, 1889-1890. Artist: Vasnetsov, Appolinari Mikhaylovich (1856-1933)
Iphigenia in Tauris, 1889-1890. Found in the collection of the V. Vasnetsov Memorial Museum, Moscow

The Sacrifice of Iphigenia, 18th century. Artist: Fontebasso, Francesco (1709-1769)
The Sacrifice of Iphigenia, 18th century. From a private collection

On the Seashore (Modern Iphigenia), 1875. Artist: Feuerbach, Anselm (1829-1880)
On the Seashore (Modern Iphigenia), 1875. Found in the collection of the Museum Kunstpalast, Dusseldorf

Iphigenia, 1862. Artist: Feuerbach, Anselm (1829-1880)
Iphigenia, 1862. Found in the collection of the Hessisches Landesmuseum Darmstadt

The Sacrifice of Iphigenia, 1680. Artist: La Fosse, Charles, de (1636-1716)
The Sacrifice of Iphigenia, 1680. Found in the collection of the Musee National du Chateau de Versailles et du Trianon

Sacrifice of Iphigenia, 1735. Artist: Giovanni Battista Tiepolo
Sacrifice of Iphigenia, 1735. Artemis, the Greek goddess of hunting, watches the preparations for the sacrifice of Iphigenia, daughter of Agamemnon, that she has demanded

Orestes at Delphi with Iphigenia, Attic Red Figure Krater, c5th century BC
Orestes at Delphi with Iphigenia, Attic Red Figure Krater, c6th century BC

Cymon and Iphigenia, 1630-1640. Artist: Poelenburgh, Cornelis, van (1594 / 95-1667)
Cymon and Iphigenia, 1630-1640. Found in the collection of the Centraal Museum, Utrecht

Iphigenia, daughter of Agamemnon, king of Mycenae, c1900. In Ancient Greek legend Iphigenia was to be sacrificed by her father at Aulis to secure favourable winds for the fleet to sail against Troy

Roman sarcophagus. About 140 AD. Orestes and Iphigenia among
Roman sarcophagus. About 140 AD. Mythological scene. Orestes and Iphigenia among the Taurians. Glyptothek. Munich. Germany

Gluck / Iphigenie En T
Rose Caron as Iphigenia in a Paris production, at the Theatre National de l Opera- Comique, 1900 Date: first performed 1779

Orestes, Iphigenia, Pylades, King Thoas and chorus.. Perhaps this is the moment Iphigenia recognizes Orestes in Euripides -Iphigenia in Aulis-- The painting shows a pensive Orestes

Monument commemorating Zeebrugge raid, Belgiuim
Monument commemorating the three British ships and men lost in the Zeebrugge raid of 23 April 1918: HMS Vindictive, Iphigenia and Thetis

Medici vase large right decorated representation
Artokoloro

Sacrifice Iphigenia ca 1640-42 Etching drypoint
Artokoloro

Drawings Prints, Print, Iphigenia, Artist, Karl August Krautle, Anselm Feuerbach
Drawings and Prints, Print, Iphigenia, Artist, After, Karl August Krautle, Anselm Feuerbach, German, Schramberg 1833-1912 Stuttgart, German, Speyer 1829-1880 Venice, Krautle, Karl August, Feuerbach

Outline Drawing Stage Set Design Performance
Artokoloro

Sacrifice Iphigenia 1810 Brush brown ink wash
Artokoloro

Sacrifice Iphigenia ca 1755 Pen brown ink brush
Artokoloro

Cymon Iphigenia 2 1796 Hand-colored etching sheet
Artokoloro

Pylades & Orestes escaping from Tauris with Iphigenia Euripi
Pylades & Orestes escaping from Tauris with Iphigenia (Euripides Iphigenia in Tauris ). Fuseli, John Henry (Johann Heinrich Fssli) 1741 - 1825

Source Size = 2564 x 2074
Scene from " cymon and Iphigenia, " at the Lyceum Theatre

Elizabeth Chudleigh, Countess of Bristol, dressed as Iphigenia, c. 1749 (engraving)
XJF696693 Elizabeth Chudleigh, Countess of Bristol, dressed as Iphigenia, c.1749 (engraving) by English School, (18th century) (after); Private Collection; (add.info)

Sacrifice of Iphigenia, Arnold Houbraken, 1690 - 1700

Cymon and Iphigenia, Benjamin West, 1738-1820, American

Iphigenia, daughter of Agamemnon, king of Mycenae. Sacrifice of Iphigenia by her father at Aulis to secure favourable winds for the fleet to sail against Troy

Fresco depicting sacrifice of Iphigenia from House of Tragic Poet at Pompeii, Italy
Roman civilization, 1st century A.D. Fresco depicting the sacrifice of Iphigenia. From the House of the Tragic Poet at Pompei, Italy

Italy, Campania, Pompei, House of Golden Cupids, Orestes and Pylades before Iphigenia, fresco
Roman civilization. Orestes and Pylades before Iphigenia. Fresco from Pompei, House of the Golden Cupids

Fresco depicting Iphigenia in Tauris, Detail of maids, from House of L. Caecilius Giocondus at Pompei, Italy
Roman civilization. Fresco depicting Iphigenia in Tauris. From the House of L. Caecilius Giocondus at Pompei, Italy. Detail: maids

Relief from urn depicting Iphigenia and Orestes at altar with sleeping Eryne, Pylades set free by warrior
Etruscan civilization. Relief from an urn depicting Iphigenia and Orestes at an altar with a sleeping Eryne; Pylades set free by a warrior

Italy, Campania, Pompeii, The sacrifice of Iphigenia from the House of the Tragic Poet, fresco 1st Century A.D. Italy, Naples, Museo Archeologico Nazionale (Archaeological Museum), Roman art

CARTOON: JAUNDICE, 1823. French cartoon by Charles Aubry depicting Achilles afflicted with jaundice in a scene from Racines Iphigenia. Cartoon from a series of medical cartoons, 1823

PYLADES AND ORESTES. Pylades and Orestes brought before Iphigenia. Steel engraving, English, c1835, after the painting, 1766, by Benjamin West

SACRIFICE OF IPHIGENIA. Line engraving, late 19th century, after a Pompeiian wall painting

Aerial view of Bruges Canal, Zeebrugge, Belgium, WW1
Aerial view of the Bruges Canal at the sea port of Zeebrugge, Belgium, during the First World War, around the time of the Zeebrugge Raid (23 April 1918)

View of Bruges Canal, Zeebrugge, Belgium, post-WW1
View of the Bruges Canal at the sea port of Zeebrugge, Belgium, taken after the end of the First World War. Showing three old British cruisers, HMS Thetis, Intrepid and Iphigenia

Sunken cruiser, Bruges Canal, Zeebrugge, Belgium, WW1
An American photo of a sunken British cruiser in the Bruges Canal at the sea port of Zeebrugge, Belgium, during the First World War, soon after the Zeebrugge Raid (23 April 1918)

View of Bruges Canal, Zeebrugge, Belgium, WW1
View of the Bruges Canal at the sea port of Zeebrugge, Belgium, during the First World War, around the time of the Zeebrugge Raid (23 April 1918)

Iphigenia at Aulis
She is sacrificed at Aulis, as the only way whereby the Greeks can obtain a favorable wind to enable them to sail to Troy (fortunately she will be rescued by Artemis)

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"Iphigenia: A Tale of Sacrifice, Redemption, and Artistic Interpretations" The story has captivated artists throughout history, inspiring them to depict her tragic fate in various forms. In Greek mythology, Artemis intervened at the last moment by sending a deer to spare Iphigenia from being sacrificed. This powerful act is beautifully portrayed in the House of Tragic Poet's mosaic from Pompeii. One notable rendition of Iphigenia's story is found in Euripides' play "Iphigenia in Tauris, " where she escapes death and finds herself stranded on an island. Another depiction can be seen in the mesmerizing oil painting "The Sacrifice of Iphigenia, " which vividly captures the emotional turmoil surrounding this pivotal event. Joseph Friedrich Leopold's 1872 artwork titled "Iphigenia" offers a unique interpretation that showcases his artistic prowess. The Palazzina's frescoes also contribute to this rich tapestry with their depictions of Diana and Aeolus alongside "The Sacrifice of Iphigenia. " Delving into more intricate details, we discover fascinating fresco works such as "The Sacrifice of Iphigenia" from 1733. These pieces provide glimpses into specific moments within the narrative, allowing us to immerse ourselves further into this timeless tale. Even architectural spaces have been adorned with references to Iphigenia; for instance, the entrance hall of Palazzina features a captivating mural depicting her sacrifice. Every brushstroke or chisel mark serves as a testament to how deeply this myth resonates with humanity. Not limited solely to visual arts, Christoph Willibald Gluck composed an opera called "Iphigénie en Tauride. " The opening page score print invites us into a world where music breathes life into ancient stories.